\nA crossover creation of the ultimate version
\n"An accident of love"
\n
The musical ""An Accent Of Love" departed from Taichung in the summer of 2018 and boarded the highest performances in Taichung, Taipei, Kaohsiung, Xiamen, Toronto, Vancouver, Shanghai, Nanjing, Wuhan, Beijing, Singapore, Malaysia , total of 26 world tours in a year and a half.
\n\n\n\n
The musical
\nAn accident of love
\nBackground
\n\n
The musical "Papa, Can You Hear Me Sing" is adapted from a classic Chinese film back in 1983. The story is about an old scavenger known as "Uncle" that finds in the dump a baby girl named "Mei" and raises her up.
\n\n\n\n
As Mei's talent becomes known and gradually proceeds as a star in her music career, her dilapidated home gets demolished. However, in order not to affect her future career, Mei is forced by her talent agent not to recognize Uncle as her dad. How does Mei deal with these successive challenges involving choices? As Mei fulfills her dream of shining on the stage, she is constantly haunted by the image of her beloved father that’s critically ill. However, she is not there with him to pay her last respects.
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Cast
\n\nSun Ruiqi(Mei)- played by Della Wu
\n\nSun Xingya(Uncle)- played by Berson Wang
\n\nShi Junmai - played by Nylon Chen
\n\nLi Guoming(A-Ming)- played by Tsuei Tai hao
\n\nThe Has-Been Diva:Shen Ni – played by Winnie Chang
\n\nThe neighbor:hilan – played by Zhang Fang yu
\n\nThe Agent:Yu Guangtai – played by Tseng chih yuan
\n\n\n\n
Art Director/Screenwriter/Lyricist:Fred Chen
\n\nDirector:Zeng Huicheng
\n\nMusic Director:Andrew Chu
\n\nPresented by Hsieh Chih-Fen
\n\nProduced by Yuan Yulan
\n\nProduction & Technical Director: Lin Hongchang
\n\nPremier Production Director:Zhang Fengmei
\n\nStage Design - Zhang Zhelong
\n\nImage Design - Wang Yisheng
\n\nLighting Design - Che Keqian
\n\nModeling Director -Huang Huizhen
\n\nMusic Design - Huang Guanhao
\n\nChoreography - Zhang Qingjia
\n\nChoreography - Li Mingjie
\n',team:""},createdAt:1594832111,updatedAt:1646631821,updatedBy:"林蔚行",host:!1},{_id:"600a5343a6b9ff0007b880a4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1651059e3,discrete:[{time:1651059e3},{time:1651145400},{time:1651231800},{time:1651300200},{time:1651318200},{time:1651386600},{time:1651404600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,900,1200,1500,1600,1800,2e3,2200,2500,2800,3e3,3500,3800,4e3,4300],link:"https://tickets.udnfunlife.com/application/UTK02/UTK0203_.aspx?PRODUCT_ID=N106B2BX"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f733f294db2c6cea4ec5d6670c8e2a13",title:"2021經典法文音樂劇《鐘樓怪人》"},{type:"image",key:"7a1c2b31082044259dbc4b544cb8a1a8",title:"2021經典法文音樂劇《鐘樓怪人》"},{type:"image",key:"60f85a2abbf199d36a22b97b740f552d",title:"2021經典法文音樂劇《鐘樓怪人》"},{type:"image",key:"646b95d228647e891dbee99eea7195e2",title:"2021經典法文音樂劇《鐘樓怪人》"}],related:[],title:"經典法文音樂劇《鐘樓怪人》",cover:"af6581f52f6ed654a8f41eaa020cb0b4",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'● 相關優惠請至購票網站查詢。
\n\n● 本節目票價分平日場及假日場。
\n\n● 本節目為法文發音,中文字幕。
\n\n● 節目全長約140分鐘,含中場休息20分鐘。
\n\n● 建議6歲以上觀眾觀賞。
\n\n● 遲到觀眾須遵循工作人員指示入場。
\n\n● 主辦:聯合數位文創
\n\n● 購票請洽UDN或02-77216958
\n\n衛武營實聯登記
\n\n因應「嚴重特殊傳染性肺炎(COVID-19)」防疫措施,您可於演出前三日填寫衛武營實聯登記,於演出當日進場時,出示電子信件確認信給現場工作人員,以便您進場,謝謝。
\n',benefits:"",description:"榮登金氏世界紀錄:連續七次「史上開演後最賣座的音樂劇」",introduction:'\n\t\t\t ※原訂2021年5月19日(三)至23日(日)於歌劇院演出2021經典法文音樂劇《鐘樓怪人》,節目延期至2022年4月27日(三)至5月1日(日)原場地演出,造成不便,敬請見諒。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2021年8月12日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
★ 榮登金氏世界紀錄:連續七次「史上開演後最賣座的音樂劇」
\n\n★ 全球風靡:1998年開演至今,被翻譯9種語言並於超過23個國家演出,各國版本《鐘樓怪人》於全球觀眾數更達1500萬人。
\n\n★ 金曲紀錄:劇中暢銷金曲《Belle》於全球創下銷售350萬張單曲佳績,唱片銷量全球超過3000萬張,DVD銷量超過1000萬
\n\n★ 第一部法語音樂劇前進倫敦西區:英文版鐘樓怪人2000年起在英國上演,於倫敦演出長達17個月,獲當地每日電訊報評為「法語世界的歌劇魅影」,開啟法國當代音樂劇之新紀元。
\n\n★ 2019年全球最受歡迎音樂劇前三:百老匯Playbill票選最受歡迎音樂劇前三名,擊敗經典百老匯音樂劇《歌劇魅影》
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經典法⽂音樂劇《鐘樓怪人》改編自法國⼤文豪雨果(Victor Hugo)巨作,以十五世紀末巴黎聖母院為背景,故事描述美麗的吉普賽女郎艾斯梅拉達,與四位不同階級的角色-副主教弗侯洛、侍衛隊長菲比斯、遊唱詩人葛林果利與鐘樓怪人科西莫多之間的愛恨情結。
\n\n艾斯梅拉達對菲比斯一見鐘情,而菲比斯雖有未婚妻芙蘿德莉卻想要兩者兼得。於此同時,副主教弗侯洛無法抗拒神職人員禁忌,也拜倒在艾斯梅拉達裙下;自小被副主教收養、 長相畸形的敲鐘人科西莫多也傾慕著艾斯梅拉達,卻⾃慚形穢,⽽將愛意藏在⼼中。
\n\n這齣劇的人物生存在動盪不安的封建社會中,深刻刻劃出對立衝突,突顯人性良善與醜惡、忠誠與背叛的對比,表達強烈的戲劇張力。
\n\n\n\n
票價
\n\n平日場|2022/4/27(三)、2022/4/28(四)
\n\n票價:800、1,200、1,600、1,800、2,200、2,800、3,500、4,000
\n\n假日場|2022/4/29(五)、2022/4/30(六)、2022/5/1(日)
\n\n票價:900、1,500、1,800、2,000、2,500、3,000、3,800、4,300
\n\n\n\n
演出曲目
\n\nLe temps des cathédrales 大教堂時代
\nLes sans-papiers 非法移民
\nBohémienne 波西米亞的女人
\nLa fête des fous 愚人慶典
\nDéchiré 心痛欲裂
\nBelle 美麗佳人
\nTu vas me détruire 致命狂戀
\nLes cloches 大鐘
\nLune 月亮
\nVivre 求存
\nDanse mon Esmeralda 舞吧!我的艾斯梅拉達
\n※以上為重點曲目,本劇總含曲目23首
\n\n
演出暨製作團隊
\n\n製作人|查爾斯.泰勒 & 尼古拉斯.泰勒
\n\n編劇、作詞|呂克.普拉蒙東
\n\n作曲|理查.科強特
\n\n導演|基利斯.馬胡
\n\n編舞|馬汀諾.慕勒
\n\n鐘樓怪人 科⻄莫多|Angelo Del Vecchio
\n\n吉普賽女郎 艾斯梅拉達│Elhaida Dani
\n\n副主教 弗侯洛|Daniel Lavoie
\n\n遊唱詩人 葛林果利|Richard Charest
\n\n侍衛隊長 菲比斯│Gian Marco Schiaretti
\n\n侍衛隊長未婚妻 弗羅德莉|Alyzée Lalande
\n\n首領 克洛平|Jay
\n\n※劇中演員可能隨國外劇團選角改變
\n\n\n\n
照片版權由 聯合數位文創 提供
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\n\n● Approx 140 mins incl. 1 interval of 20 mins
\n\n● Age guidance 6+
\n\n● Latecomers must follow staff instructions for entry and re-entry
\n\n● Presenter: udnFunLife
\n\n● For ticket information, please contact UDN or 02-77216958
\n",benefits:"",description:"D'après le roman de Victor Hugo",introduction:'※The performance has been changed. For more information, please contact +886-02-77216958. | \n\t\t
\n\n
The musical "Notre Dame de Paris" is adapted from the masterpiece of the famous French writer Victor Hugo, telling a timeless love story in the 14th century. The musical has achieved unprecedented success in more than 23 countries in the past 20 years.
\n\nThe classic songs in the musical are collective memories of the public, and the values of "tolerance and unity" emphasized in the musical are still being fermented in today’s society.
\n\n\n\n
Ticket Price
\n\n2022/4/27(Wed)、2022/4/28(Thu)
\n\nPrice:800、1,200、1,600、1,800、2,200、2,800、3,500、4,000
\n\n2022/4/29(Fri)、2022/4/30(Sat)、2022/5/1(Sun)
\n\nPrice:900、1,500、1,800、2,000、2,500、3,000、3,800、4,300
\n\n\n\n
Creative and Production Team
\n\nProducer|Charles Talar & Nicolas Talar
\n\nLyrics|Luc Plamondon
\n\nMusic|Richard Cocciante
\n\nDirector|Gilles Maheu
\n\nChoreographer|Martino Müller
\n\nQuasimodo|Angelo Del Vecchio
\n\nEsmeralda|Elhaida Dani
\n\nFrollo|Daniel Lavoie
\n\nGringoire|Richard Charest
\n\nPhoebus|Gian Marco Schiaretti
\n\nFleur-de-Lys|Alyzée Lalande
\n\nClopin|Jay
\n\n※The cast may change with the casting of the french troupe
\n\n\n\n
PHOTO©udnFunLife
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🔽喜劇演員演出片段
\n\n\n\n我們要談談生老病死、氣候變遷、地球暖化、中美對抗,全部給出喜劇神解答。
\n\n\n\n
喜劇的根源來自於負面的人事物,但這兩年的疫情帶給舉世太多的困苦,要怎麼搞笑,成為一個大難題。許多觀眾都反應:「笑不出來。」但喜劇演員的任務就是打破僵局,要給大家紓壓。於是這次我們決定與全世界所面臨的大問題們,來個直球對決,我們要談談生老病死、氣候變遷、地球暖化、中美對抗,全部給出喜劇神解答。
\n\n脫口秀喜劇的直接、即時性、高度發洩、強力共鳴等特性,讓它成為類網路的自由藝術,也成為真庶民的最愛。美式脫口秀的演出表演,是透過各種不同的演員不同的生活體驗的脫口秀的段子,時不時的刺中觀眾笑點,所以將大家的生活體驗與苦惱,喜劇化搬演上台,就是大笑的開始。
\n\n此次集合資深喜劇演員壯壯、夏大寶、東區德、馬克吐司,外加音樂喜劇小精靈怡岑,一晚帶來站立喜劇、搞笑歌曲、短劇、末日局勢分析,內容多元而豐富,話題犀利、毫不保留,於是……恐怕會把問題搞更大。
\n\n\n\n
預計本次推出的節目內容:
\n\n\n\n
演出暨製作團隊
\n\n編導|張碩修
\n\n喜劇演員|壯壯、東區德、馬克吐司、夏大寶、怡岑
\n\n\n\n
藝術家介紹
\n\n編劇導演/節目總監|張碩修
\n\n張碩修是卡米地喜劇俱樂部Live Comedy ClubTaipei的主要創始人,也是俱樂部裡的節目總監。曾任90年代國內最重要的小劇場之一【台灣渥克劇團】團長。2007年前開設卡米地喜劇俱樂部Live Comedy Club Taipei開創臺北新一波的藝術娛樂文化風潮,可說是一位一直走在時代前端的創作人。
\n\n\n\n
主演|壯壯-陳彥壯
\n\n遊走於電視、廣告、舞台劇、網路影片以及脫口秀,2020上映了兩部他出演的電影與兩部電視劇,包括Netflix「誰是被害者」裡的...加害者。號稱脫口秀界的無節操一哥:用嘴就讓你興奮,一動作就只能報警。擅長使用「最溫柔的下流」令觀眾痴狂,不論是角色強度、臨場反應或是文本腥羶程度,都可以說是脫口秀界的最佳巨「腥」。
\n\n\n\n
主演|東區德
\n\n卡米地演出頻率最高的人氣脫口秀演員,舉凡單人脫口秀、雙人漫才、多人短劇皆是其擅長的演出項目,近期也主持卡米地週二的即興Improv單元,堪稱一全才喜劇演員,同時他也是名優秀的饒舌高手。2017年赴北京發展兩年,為臺灣最具中國經驗的喜劇演員。近來的名號為脫口秀界的約炮王、Tinder達人。
\n\n\n\n
主演|馬克吐司
\n\n卡米地喜劇小鋼砲,脫口秀站立幫成員,同時也是卡米地雙人漫才團體「馬丹娜」,參與不少短片、網路劇演出,演出中隨時會高能量爆走、有著「我就是要讓你笑」的陽光自信,是一超直觀搞笑神童。
\n\n\n\n
主演|夏大寶
\n\n「最具份量」的資深搞笑者,喜劇資歷長達14年。從小就會用搞笑博取長輩師長的喜愛,立志將歡笑帶給全人類。以豐富的肢體與表情見長,並佐以極具畫面感的爆發力與演技,擅長漫才,擔任裝傻的角色。2020年並以<噬罪者>5 之演出入圍金鐘獎戲劇節目最具潛力新人獎。
\n\n\n\n
主演|怡岑
\n\n人氣竄升的新生代搞笑女聲,自稱外表與實力兼具的音樂寶貝甜心。憑著自彈自唱的歪歌,配合手繪漫畫演出,屢屢創下大受歡迎的段子。
\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:1638856380,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"eacc096fb86e2391226f6820aad8d59f",title:"【衛武營小時光】卡米地喜劇俱樂部《笑正回歸》"}],related:[],title:"【Weiwuying Showtime】Live Comedy Club Taipei - Laugh Revision",cover:"43e12ae272e6084884150e29db1f6d38",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 12/15(Wed)12:00 !
\n\tComedy originates from negative people and things. The pandemic and climate change facts have brought the world with too much suffering. So how to make jokes out of it becomes a major difficulty for the comedians. In order to break the deadlock and release the pressure, we decided to make a head-on confrontation. We will make fun of death and illness, climate change, China–United States conflicts, and give out comedy solutions for them.
\n\nStand-up comedy is characterized by straightness, immediacy, abreaction, and empathy. Thus makes it the freest art form that is loved by common people. Through the life experience of different actors, the audience can relate to their worries and considerations. When all these are carefully narrated, it's the moment of big fun.
\n\nWe assembles senior comedians including Strong, Dabow, Dirty Derr, Mark Toast, as well as genie of music I-cen. This will be a night of stand-up, funny songs, sketches, and more.
\n\n\n\n
Creative and Production Team
\n\nWritten and directed by Social Chang
\n\nComedian|Strong, Dabow, Dirty Derr, Mark Toast, I-cen
\n\n\n\n
\n',team:""},createdAt:1635855239,updatedAt:1645946765,updatedBy:"林蔚行",host:!0},{_id:"618a22dd4490a4000790d3d3",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1653719400,discrete:[{time:1653719400},{time:1653737400},{time:1653805800}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856260,end:4794566399},tabs:[{reference:[],type:"content",name:"劇情內容",content:'
第一段 「兩人三番叟」
\n\n原來的「三番叟」雖有著祈求五穀豐穰的意蘊,在幾經轉折後變成了經常在祝賀或開幕時上演的劇目。不僅僅是文樂,對能劇、歌舞伎、神樂等日本傳統戲劇藝術來說,都是首能夠上演並相當受到重視的禮儀曲。在乙女文樂裡由兩個人進行演出,是在莊重之中仍能感受到華麗之處的劇目。
\n\n\n\n
第二段「傾城阿波鳴門」 順禮歌之段
\n\n阿波國的玉木家遺失了傳家之寶——國次刀,家臣十郎兵衛身負重任,留下年幼的女兒在祖國,化身盜賊與妻子兩人隱姓埋名秘密地尋找國刺刀下落。
\n\n五年後,夫婦兩人居住在大阪郊外。某一天,妻子阿弓一人在家時,收到一封盜賊同伴寄來的信函,警示追捕者逼近、危機將到。此時,一位年幼的巡禮女孩造訪阿弓。阿弓細問之下,得知這位女孩來自阿波國,一人獨自外出尋找三歲時分離的雙親。再問女孩父母姓名,才知原來她是自己的女兒——阿鶴。阿弓情不自禁地欲表明身份時,卻想到相認後將連累女兒一併被抓,最後強忍愛女之心,叫她離開。
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第三段 「增補大江山酒呑童子」 歸橋之段
\n\n此為一位英勇武士識破幻化成美女的鬼怪,進而擊退鬼怪的故事。前半場展現美麗女子的優雅舉止,後半為激烈的打鬥場面,演出變化多端。
\n\n京都的一條歸橋上。源賴光的家臣——渡邊綱經過歸橋時,看見一名美麗的女子佇立於橋上。思量夜晚女子一人獨行十分危險,渡邊綱便送女子一程,卻在途中發現映在河面上女子的姿態是可怖的鬼怪模樣。渡邊綱佯裝受騙同行,在美麗女子展露豔麗的舞姿時,渡邊綱揭穿其真面目,美麗女子變回鬼怪,兩者展開激烈的打鬥。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"0f8523cd959c86f5f3d476839939433e",title:"瞳座乙女文樂(ひとみ座乙女文楽)"}],related:[],title:"「節目取消」日本傳統戲曲《瞳座乙女文樂》",cover:"668e600dcf049ce5bcc7573be264c4c4",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年5月28日(六)14:30 & 19:30及5月29日(日)14:30於戲劇院演出之日本傳統戲曲《瞳座乙女文樂》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年6月30日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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百年女力 傳統偶戲
\n\n凝止於動靜之間的細膩與堅持
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文樂是結合日本古典藝術精華的傳統偶戲,蘊藏著說唱淨琉璃太夫、三味線樂師以及人偶師「三業一體」的豐富功力。誕生於距今400年前,在經歷幾番衝擊與消沈後,從困境中再度掀起熱潮,與歌舞伎、能劇並稱日本三大傳統藝術。
\n\n乙女文樂承襲自傳統文樂,有別於傳統三位男性共同操作人偶,僅由一位女性人偶師操作超越自己半身尺寸的木偶,舞台上人與偶同步展現出如日本舞踊的優雅身段與細膩情感。第一眼震撼於木偶若有靈魂的流暢動作,第二眼牽動於三味線情感多變的琴音,第三眼驚艷於太夫說書、琴音與木偶動作之間的絕佳默契。
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此次將透過三段演出介紹給臺灣觀眾乙女文樂近百年間走出由男性主導的文樂世界,吸引著千萬戲迷的樂趣與魅力。
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首段以祈求天下太平、五穀豐登的神舞「三番叟」華麗開場,從經典段落進入日本傳統劇藝的美學世界。第二段「傾城阿波鳴門」是文樂故事中著名的悲劇,其中第八段名為「順禮歌之段」描述了女兒對父母深深的思念和淚水、父母保護子女的愛與掙扎,演繹出封建時代裡壓抑的情感與悲嘆的命運。第三段「增補大江山酒吞童子」中妖嬈嬌媚的女子舞姿、精彩絕倫的打鬥場面、人與妖怪之間的莫測變幻,更可說是將文樂人偶淋漓盡致的表現推向極致。古老而華麗的禮儀之曲、在命運中流轉的詠嘆之詩、正邪對決的奇幻之武,這三段精華選粹,乙女文樂的多滋風味一覽眼底。(文/盧崇瑋)
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周邊活動
\n\n文樂人偶工作坊
\n\n2022/5/26(二) 19:00-21:00
\n\n報名詳情請留意後續官網公布資訊
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演出暨製作團隊
\n\n演出單位|瞳座乙女文樂(ひとみ座乙女文楽)
\n\n人偶操作|松本幸子、山下潤子、鈴木文、村松有紀、安藤麻衣 、田川陽香
\n\n浄瑠璃|竹本越孝、竹本越京
\n\n三味線|鶴澤寛也、鶴澤津賀花
\n\n舞台監督|あおき たかし
\n\n燈光設計|松本 永 (eimatsumoto Co.Ltd)
\n\n劇團行政|塚田千恵美、藤原なつ
\n\n製作單位|公益財團法人現代人形劇中心
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團隊介紹
\n\n瞳座乙女文樂
\n\n1967年人偶劇團「瞳座」的女性成員拜師桐竹智惠子,其為「乙女文樂」創建以來一直十分活躍的先驅者,隔年1968年組成「瞳座乙女文樂」,舉辦了第一次公演。其後除了在日本全國各地演出,也跨足至歐洲、亞洲及美國等各國進行海外演出。
\n\n此外,「瞳座乙女文樂」在主要活動據點——川崎市,致力於向青少年普及推廣此項傳統藝能活動。
\n\n從2010年起每年定期舉辦公演,2018年該團被列入川崎市地區文化財產,2019年獲得松尾藝能大賞特別獎。
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小知識
\n\n「乙女文樂」約在90年前由日本傳統人偶劇「文樂」衍生而出。
\n\n日本傳統戲劇「文樂」為男性三人操縱一個人偶,但「乙女文樂」則由女性單人操縱,因此乙女文樂的人偶在構造上加上許多巧思以便單人操縱。
\n\n「乙女文樂」最大特徵是全由女性進行人偶操縱演出,是以「文樂」的人偶操縱師——五世桐竹門造為首規劃設計而創建的。
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合作夥伴:
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\n',team:""},english:{onShelfRange:{start:1638856260,end:4794566399},tabs:[{reference:[],type:"content",name:"Section Introductions",content:'
Section I Ninin Sanbasou
\n\nAlthough the original Sanbasou carries the connotation of praying for abundant harvests, it has since experienced several transformations and is now a dance often used for celebrations or store-openings. Additionally, apart from its use in Bunraku, Sanbasou is also a highly-valued ceremonial work in other traditional Japanese theater art forms, such as Noh, Kabuki, or Kagura. In Maiden's Bunraku, Sanbasou is performed by two people, whose solemn performance is interlaced with spectacles of beauty.
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Section II Keisei Awa no Naruto – Junrei-uta no Dan
\n\nThe TAMAKI family in Awanokuni lost their heirloom – a kiritsugu knife. The family's retainer Juuroubee undertook the great responsibility of retrieving the knife, leaving his young daughter at home and departing with his wife to look for the knife under the disguise of an anonymous thief.
\n\nFive years later, the couple was living in suburban Osaka. One day, when the wife A-Gong was alone at home, she received a letter from a fellow thief warning them that the troops were approaching. At this moment, a young Junrei girl came to visit. After asking her a few questions, A-Gong knew that she was from Awanokuni and was looking for her parents, who had left her when she was only 3 years old. It was only after asking what her parents' names did A-Gong realize that this girl was her own daughter, A-He. Although A-Gong deeply wished to reveal her identity to A-He, out of consideration for the fact that this may cause her daughter to be captured along with them, she forced herself to suppress her strong feelings, instead of asking her daughter to depart.
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Section III Added Oeyama Shuten-doji – Modori-bashi no Dan
\n\nThis is a story about how a brave samurai was able to identify and defeat a monster that was disguised as beauty. The first half of the section presents the elegant bearing of a beautiful woman, while the second half is marked by intense battles, thus delivering diverse flavors to the audience.
\n\nOn a modori-bashi (bridge) in Kyoto, just as MINAMOTO no Yorimitsu's retainer WATANABE was passing by, the samurai saw a beautiful woman standing on the bridge. Thinking it'd be dangerous for the woman to be alone at night, he decided to walk her back, but on the way, noticed that her reflection on the river was that of a menacing monster. The samurai then pretended to be deceived, and as the woman was giving an enchanting dance, exposed her true identity. Subsequently, the woman turned back into a monster, and the two fought intensely.
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Performed in Japanese with Mandarin and English surtitles.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been cancelled. For more information, please contact +886-7-262-6666. | \n\t\t
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Women's Power in Traditional Puppet Theater
\n\nDelicacy and Persistence Captured In-between Movement and Silence
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Bunraku—traditional puppet theater, captures the essence of Japanese classical arts and requires the combined talents of tayu (chanters/narrators), shamisen musicians, and puppeteers. Originating back to 400 years ago, Bunraku has experienced several setbacks and stagnant periods over the years, but has since regained its popularity and is today regarded as one of the three major Japanese traditional arts together with Kabuki and Noh.
\n\nBased off of traditional Bunraku, Maiden's Bunraku diverges from having puppets operated by three male puppeteers, instead using a single female puppeteer who operates puppets whose sizes surpass that of the half-length of her body. Onstage, the puppeteers and puppets synchronize with one another, demonstrating elegant movements and delicate emotions reminiscent of Japanese buyo. When viewing Maiden's Bunraku, audiences will first be amazed by the extremely smooth movements of the puppets. Next, they will be touched by the intricate emotions contained in the shamisen's music. And finally, they will be astonished by the exceptional synchronization between the tayu, music, and the movements of the puppets.
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The upcoming performance will introduce to the Taiwanese audience how Maiden's Bunraku managed to break free from the male-dominant Bunraku of one hundred years past and how this charming and interesting art form has been able to attract tens of millions of dedicated fans.
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Section I begins with a Sanbasou, a dance that prays for world peace and bumper harvests, thus adopting a classic opening section to lead the audience into the aesthetic world of Japanese traditional theater. Section II "Keisei Awa no Naruto" is a famous tragedy in Bunraku lore. The 8th part in this section—Junrei-uta no Dan, depicts a daughter's desperate longing for her parents and the parents' love and struggle in protecting her, thereby enacting the suppressed emotions and lamentable fate characteristic of the feudal period. In Section III "Added Oeyama Shuten-doji", the most brilliant showing of Bunraku puppetry is demonstrated through various aspects, such as dance of the enchanting woman, the thrilling fighting scenes, and the unpredictable contests between the human and monster. Featuring ancient and splendid ceremonial music, poems that lament fate, and the dual between righteous and evil, these three classic sections will surely present the diverse faces of Maiden's Bunraku. (By LU Chung-Wei)
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Related Activitie
\n\nBunraku Puppeteer Workshop
\n\n2022/5/26(Thu)19:00-21:00 (Limited availability, visit the website for more information)
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Creative and Production Team
\n\nCompany|Hitomiza Otome Bunraku
\n\nPuppeteer|MATSUMOTO Sachiko, YAMASHITA Junko, SUZUKI Aya, MURAMATSU Yuki, ANDO Mai, TAGAWA Haruka
\n\nNarrator|TAKEMOTO Koshikou, TAKEMOTO Koshikyo
\n\nShamisen player|TSURUZAWA Kanya, TSURUZAWA Tsugahana
\n\nStage Manager|AOKI Takashi
\n\nLight Design|MATSUMOTO Ei (eimatsumoto Co.Ltd)
\n\nCompany Manager|TSUKADA Chiemi, FUJIWARA Natsu
\n\nProduction Company|Foundation Modern Puppet Center
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Team Introduction
\n\nHitomiza Otome Bunraku
\n\nIn 1967, the members of theater group Hitomiza studied with KILITAKE Chieko, a working Otome Bunraku puppeteer who, in the following year, founded Hitomiza Otome Bunraku and organized its debut performance. The group has performed in Japan, Europe, Asia, and the United States. They are also committed to promoting this traditional art form among youngsters in their home base, Kawasaki City.
\n\nHitomiza Otome Bunraku has given annual performances since 2010. In 2018, they were categorized as a cultural property of Kawasaki City, and in 2019 they received the Matsuo Performing Arts Awards Special Prize.
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Learn More
\n\nOtome Bunraku was derived from traditional Japanese Bunraku puppet performances around 90 years ago.
\n\nIn traditional Bunraku, a single puppet is operated by three male puppeteers working together, but in Otome Bunraku, a single female puppeteer performs on her own; thus, the puppets have some added features for easier manipulation.
\n\nThe most unique feature of the art form is that the puppeteers are all female. This tradition was inaugurated by the fifth generation of traditional Bunraku puppeteers the KILITAKE Monzo clan.
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Partner:
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\n\t\t\t ※原訂2022年5月1日(日)19:30於音樂廳演出之2022 TSO Classic—大師系列《殷巴爾與凡格羅夫》,本節目原演出人員小提琴家麥可辛.凡格羅夫(Maxim VENGEROV),異動為鋼琴家陳毓襄(Gwhyneth CHEN);節目名稱異動為2022 TSO臺北市立交響樂團 大師系列《冰雪烈焰》─殷巴爾與陳毓襄 ;演出時間異動為5/1(日) 14:30。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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C大調第三號鋼琴協奏曲完成於30歲之時,普羅高菲夫透過音程、節奏與和聲精心鋪陳新穎而奔放的三樂章。整首曲子,鋼琴與樂團如同共演高潮迭起的戲,對峙、嘲諷、爭辯,衝突不斷,動力從龐大的和弦與迅疾的速度中噴湧而出,鋼琴家以極大的情緒跨度駕馭88個琴鍵與密密麻麻的音符,冷靜、大膽、不容遲疑,宛如攀登至酷寒巔峰取火的超級任務。《達芙尼和克羅伊》原本為芭蕾舞劇而寫,管弦魔法師拉威爾耗時三年以希臘神話為本雕琢而成,日出光彩、自然花草蔓生、精靈共舞等仙境場景,在拉威爾才華匠心之下,都由各樂器聲部極盡炫技之能事活靈活現於舞台,就像施展幻術。此作品除了三管編制樂團外,還包含一個混聲四部合唱團,是拉威爾規模最大的作品。
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演前導聆
\n\n2022/5/1(日)13:50-14:10 音樂廳三樓大廳
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演出曲目
\n\n拉威爾:《西班牙狂想曲》,M.54
\n\n普羅高菲夫:C大調第三號鋼琴協奏曲,作品26
\n\n拉威爾:《達芙尼和克羅伊》第一號與第二號組曲
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演出暨製作團隊
\n\n指揮|伊利亞胡‧殷巴爾
\n\n鋼琴|陳毓襄
\n\n合唱指導:彭孟賢
\n\nTSO合唱團
\n\n臺北市立交響樂團
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藝術家介紹
\n\n指揮:伊利亞胡.殷巴爾
\n\n「在殷巴爾身上不難看見像是弗蘭克・法拉拉與塞爾吉烏・傑利畢達克等幾位大師的身影;這些人物散發一股寧靜的力量以及戲劇性的創造力與熱情。」 ──世界報
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殷巴爾26歲時贏得坎泰利國際指揮比賽首獎,從此展開國際指揮生涯。曾任法蘭克福廣播交響樂團、威尼斯鳳凰劇院管弦樂團、都靈廣播交響樂團、柏林音樂廳管弦樂團、捷克愛樂與東京都交響樂團的首席指揮,並於2014年由東京都交響樂團授予桂冠指揮榮銜。2019年8月起擔任臺北市立交響樂團首席指揮。
\n\n至今他仍是法蘭克福廣播交響樂團的榮譽指揮,帶領該團期間,他的傑出音樂表現享譽世界。這位魅力十足的以色列指揮家的馬勒、布魯克納及蕭斯塔科維契的詮釋深受國際讚譽,其所灌錄唱片獲獎無數,他也是灌錄布魯克納原版交響曲全集的第一人。而他與維也納交響樂團所詮釋的蕭斯塔科維契更為人稱道。他所參與演出並屢獲殊榮的作品,包含華格納歌劇《帕西法爾》、《崔斯坦與伊索德》及《尼伯龍根的指環》,而2010年他與荷蘭皇家大會堂管弦樂團演繹的馬勒全集中,演出馬勒第十號交響曲的精彩表現也已發行DVD。
\n\n殷巴爾生於以色列,早期在耶路撒冷音樂學院學習小提琴和作曲,之後受伯恩斯坦推薦進入巴黎高等音樂院就讀,師事佛瑞斯提耶、梅湘與布朗惹,他也深受費拉拉與傑利畢達克的影響。曾獲頒法國藝術暨文學勳章、維也納市金牌勳章、法蘭克福市歌德榮譽勳章及德意志聯邦功績勳章。
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鋼琴:陳毓襄
\n\n鋼琴家陳毓襄,1993年以最年輕的參賽者及卓越琴藝勇奪「波哥雷里奇國際鋼琴大賽」桂冠。賽後,波哥雷里奇還盛讚她的才華「好得令人難以置信。」並獲美國CNN電視於國際間報導轉播。
\n\n陳毓襄出生於臺灣,9歲赴美求學跟隨Robert Turner和Aube Tzerko。隨後進入茱莉亞音樂學院取得學士與碩士,在紐約期間跟隨Martin Canin、Byron Janis和殷承宗大師學習。
\n\n12歲時,獲全美50州鋼琴比賽少年組冠軍,三年後又榮獲高中組冠軍,接下來又在Bullocks 全美國鋼琴比賽首獎、全美國青少年鍵盤藝術家比賽、國際鋼琴錄音比賽贏得首獎,在18歲前創造美國鋼琴比賽的五冠王紀錄。
\n\n1990 年,陳毓襄在「柴可夫斯基國際鋼琴大賽」以唯一女性也是唯一的亞裔鋼琴家進入決賽,榮獲最佳女性獎和Alfred Cortot獎。
\n\n1995年陳毓襄獲選為美國100位頂尖華人代表。1997年在李登輝總統的「總統府介壽館音樂會」演奏,2008年在馬英九總統就職典禮演奏,同年,陳毓襄以「臺灣之光」代表參加北京奧運慶祝音樂會,和臺北市立交響樂團於北京國家大劇院合作演出。2018 年,陳毓襄再次代表臺灣在洛杉磯迪士尼音樂廳,和國立臺灣交響樂團演出。
\n\n2011年陳毓襄的專輯《珍愛的蕭邦》獲得金曲獎最佳演奏獎。身為史坦威藝術家,她在2017年拍了史坦威全球廣告;2018年在北京史坦威165週年慶祝晚宴演出。
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TSO合唱團
\n\n成立於1993年,由TSO前任團長陳秋盛老師催生,宗旨於推展精緻音樂文化、提昇生活品質、擴展樂團演奏曲目;而受前任助理指揮吳琇玲老師紮實的音樂薰陶,演出涉獵多國文化,並培養出穩定專業的表演實力。現由李琇錦老師擔任聲樂指導、莫啟慧老師擔任鋼琴合作。
\n\n創團演出威爾第《安魂曲》,歷年演出《卡門》、《杜蘭朵》、《阿依達》、《茶花女》、《蝴蝶夫人》等經典劇碼;並曾受邀至澳門演出及赴美西巡演交流,出色表現深獲好評。
\n\n近年演出:馬勒第三號交響曲、馬水龍教授紀念音樂會、拉赫瑪尼諾夫《鐘》、莫札特《安魂曲》、《伯恩斯坦百歲禮讚》、《號角‧人聲齊揚》、馬勒第八號交響曲及多場大安森林音樂會,讓民眾感受合唱、愛上合唱!
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臺北市立交響樂團(Taipei Symphony Orchestra)
\n\n「由91名成員組成的交響樂團音響渾厚…在明亮的弦樂、雄偉的銅管及光彩奪目的木管之間取得完美平衡。」──《華盛頓郵報》,2019年11月
\n\n「臺北市立交響樂團的演出純淨、靈活以及強烈表現感,給人強烈的印象,亦藉此躋身國際頂尖交響樂團之流。」──《薩布呂肯日報》
\n\n「你們具有毋庸置疑的國際演奏水準,是令人振奮的傑出音樂家。我真的很享受與大家共事,尤其是你們與瓦格指揮的人情味,對我而言就像與朋友同樂。」──莎賓‧ 梅耶
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臺北市立交響樂團創立於1969 年。創團超過50年,臺北市立交響樂團從原本只有少數一群音樂家組成的小樂團,成長為超過百位團員的大型樂團。為臺灣的音樂演出史增添全新又輝煌的一章,亦是真正屬於這個世界上最友善的都市獨一無二的西方樂團。
\n從成立之初,臺北市立交響樂團就以高水準的音樂品質聞名,邀請合作的知名音樂家不計其數,包括女高音安娜.涅翠科、安琪拉.蓋兒基爾,小提琴家祖克曼、凡格羅夫,大提琴家馬友友、羅斯托波維奇,指揮家泰密卡諾夫、單簧管演奏家莎賓.梅耶、長號演奏家林柏格、作曲家譚盾等。1979 年開辦「臺北市音樂季」,創立臺灣大型音樂季之先河,除了邀請國際知名樂團來臺外,更建立每年進行歌劇製作的悠久傳統,曾演出《丑角》、《茶花女》、《浮士德》、《卡門》、《杜蘭朵》、《波西米亞人》等經典劇碼。2011年10月《阿依達 在臺北》,成為首齣登上臺北小巨蛋的全本歌劇表演,確立臺北市立交響樂團在臺灣歌劇製作上的重要性。除了國內演出,臺北市立交響樂團更沒有缺席於國際舞臺,曾赴奧地利、美國、日本、俄羅斯、法國、西班牙、德國、盧森堡、新加坡、中國、菲律賓等地演出;近年來更參與許多國際藝術節慶及重要活動,如2010年上海世博會、2011年亞洲文化推展聯盟大會閉幕演出、2012年日本金澤、富山及東京熱狂之日音樂節、2014年日本巡迴、2015年法國漢斯夏日漫步音樂節、2016年上海國際藝術節、2017年美國巡迴及2019年中國大陸巡迴,2019年11月應華府表演藝術協會(WPA)邀請於美國華府演出。
\n2019年8月起國際指揮大師伊利亞胡.殷巴爾應邀擔任首席指揮,在全球疫情肆虐的窘況中,不間斷地呈現完美的音樂成果,推動樂團持續成長並向國際發聲,臺北市立交響樂團將成為臺北市最美的聲音,讓全世界聽見TSO!
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共同主辦:國家表演藝術中心衛武營藝術文化中心、臺北市立交響樂團
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※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
\n\n
Pre-talk
\n\n2022/5/1(Sun)13:50-14:10 Concert Hall 3rd Floor
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Program
\n\nMaurice RAVEL: Rapsodie Espagnole, M.54
\n\nSergey PROKOFIEV: Piano Concerto No.3 in C Major, Op.26
\n\nMaurice RAVEL: Daphnis et Chloé Suite No.1 & 2
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Creative and Production Team
\n\nConductor|Eliahu INBAL
\n\nPiano|Gwhyneth CHEN
\n\nChorus Master : PENG Meng-hsien
\n\nTSO Chorus
\n\nTaipei Symphony Orchestra
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Artists Introduction
\n\nConductor:Eliahu INBAL
\n\n"In INBAL, one can trace the clear traits of role models and teachers such as Franco FERRARA and Sergiu CELIBIDACHE; he possesses the strength for tranquility and the sense to create unbridled passion and dramatic effect."——Die Welt
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Since winning first prize in the Cantelli Conducting Competition at the age of 26, INBAL has enjoyed a career of international renown, conducting leading orchestras around the world. Over the years, he has been appointed principal conductor of the Frankfurt Radio Symphony (hr-Sinfonieorchester), Teatro La Fenice in Venice, RAI National Symphony, Konzerthausorchester Berlin, Czech Philharmonic, and the Tokyo Metropolitan Symphony, who named him Conductor Laureate in 2014. From August 2019 on, Eliahu INBAL will take on the role of Principal Conductor of the Taipei Symphony Orchestra.
\n\nDuring his tenure with the hr-Sinfonieorchester, whose honorary conductor he remains today, he distinguished himself with his outstanding musicianship. Based in Berlin, the charismatic Israeli conductor has garnered international acclaim for his interpretations of Mahler and Bruckner on a number of award-winning recordings (Deutscher Schallplattenpreis, Grand Prix du Disque), and was the first to record the original versions of Bruckner's symphonies. He has received special recognition particularly for his interpretations of Dmitri Shostakovich's symphonies with the Vienna Symphony Orchestra. Eliahu INBAL's operatic engagements include an award-winning production of Parsifal, as well as Tristan and Isolde and The Ring tetralogy of Wagner. His extensive discography features a performance of MAHLER's Symphony No.10 (completed version by D. Cooke), as part of the Royal Concertgebouw Orchestra's MAHLER cycle in 2010, which was also released on DVD.
\n\nBorn in Israel, INBAL studied violin and composition at the Jerusalem Music Academy before completing his studies at the Conservatoire National Supérieur in Paris on the recommendation of Leonard Bernstein. His teachers there included Louis Fourestier, Olivier Messiaen, and Nadia Boulanger. He was also greatly influenced by Franco Ferrara in Hilversum (Netherlands) and Sergiu Celibidache in Siena (Italy). In 1990, the French government named Eliahu Inbal an officer of the Order of Arts and Letters. In February 2001 he was awarded the Golden Medal of Merit from the city of Vienna. He received the Goethe Badge of Honour from the City of Frankfurt and the Order of Merit from the Federal Republic of Germany in 2006.
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Piano:Gwhyneth CHEN
\n\nGwhyneth CHEN is a Taiwanese-American pianist who won Grand Prix at the 1993 Ivo Pogorelich International Piano Competition. Subsequent to the award, Mr. POGORELICH himself said of her talent, "She is too good to be true." Immediately recognized as one of the foremost pianists of her generation, the victory was broadcast internationally on CNN television.
\n\nBorn in Taiwan, Ms. CHEN emigrated to the United States with her family in 1980, where she continued her musical studies with Robert Turner, and Aube Tzerko. She received her Bachelor and Master of Music from the Juilliard School under the tutelage of Martin CANIN. While in New York, she also studied with Byron JANIS and YIN Cheng-zong.
\n\nAt the age of 12, CHEN was the first prize national winner at the 50-state Music Teachers National Piano Association Competition in the Junior High School Division. Three years later, she was again the national winner in the Senior High School Division at the MTNA Competition. She continued on to capture first prizes at the International Piano Recording Competition, Bullocks National Piano Competition and Young Keyboard Artists Association Competition (where she also won a grand piano), setting the American record for winning five U.S. national piano competitions before the age of 18.
\n\nGwhyneth CHEN was a finalist in the 1990 Tschaikovsky International Piano Competition in Moscow. She was also awarded the “Best Lady Prize” for being the only female finalist.
\n\nA leading musical figure, Gwhyneth CHEN was included in the 1995 edition of the 100 Most Successful Chinese People. In 1997, Ms. CHEN performed at the Presidential Palace for President LEE Deng-hui, in 2008 she performed at the inauguration of President MA Ing-jeou. In the same year, Ms. CHEN represented her country with the Taipei Symphony Orchestra under the direction of LU Shao-chia, as "the Pride of Taiwan" at the countdown concert in the National Grand Theatre ("Steel Egg") in Beijing, China, to celebrate the 2008 Olympics. In 2018, she represented her country again as a soloist with the National Taiwan Symphony Orchestra at the Disney Concert Hall in Los Angeles
\n\nMs. CHEN's CD on the Chimei label, "Gwhyneth CHEN: Chopin Favorites", celebrating Chopin's 200th anniversary, won "Best Performance" in the Golden Melody Awards in 2011. Gwhyneth CHEN is a Steinway Artist and was recently featured by Steinway & Sons in the global promotional video for the innovative Steinway SPIRIO, the world’s finest high resolution player piano.
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TSO Chorus
\n\nThe TSO Chorus was founded in 1993 on the initiative of the former Taipei Symphony Orchestra General Director, Maestro Felix Chiu-Sheng CHEN. TSO Chorus's founding mission is to promote the musical and cultural life of Taipei as well as expanding TSO's performance repertoire. Under the direction of former assistant conductor WU Hsiu-ling, TSO Chorus has developed solid musicality in a diverse range of performances, preparing TSO Chorus for professional performance. At present, Ms. LI Hsiu-chin and Ms. MO Ch'i-hui are in charge of vocal coaching and piano accompaniment, respectively.
\n\nIn its debut performance, TSO Chorus performed Verdi's Requiem and makes regular appearances in TSO's annual concert program. TSO Chorus has also pioneered productions of several opera classics in Taiwan such as Carmen, Turandot, Aida, La Traviata, and Madama Butterfly among other classic playbills. TSO Chorus has also received invitations to perform in Macau and has before embarked on a concert tour on the West Coast of the USA, which were both met with rave reviews for the choir's outstanding professionalism..
\n\nRecent performances include MAHLER's Symphony No. 3, Commemorative Concert in honor of Maestro MA Shui-long, RACHMANINOFF's Symphony op. 35 The Bells, MOZART's Requiem, Bernstein Centennial Celebration, MAHLER's Symphony No. 8, as well as numerous appearances in Daan Forest Park Music Festival, promoting interest in choral music among the public.
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Taipei Symphony Orchestra
\n\n"....the 91-member orchestra played with a sonorous sound......, striking a warm balance between the radiant strings, majestic brass and glowing winds..." -" The Washington Post", Nov. 2019
\n\n"The clarity, agility, and expressiveness of the TSO are awe–inspiring, an orchestra destined to take its place as one of the world's top symphony orchestras." -"Saarbrücker Zeitung"
\n\n"You are outstanding musicians with an inspiring enthusiasm who play on a technical level of doubtlessly international standard. I really loved working with you and especially enjoyed the warm personal contact with you and Maestro Varga. For me it was like playing with friends and I hope to come back soon."- Sabine Meyer
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Taipei Symphony Orchestra was founded in 1969, in the past 5 decades, it has evolved from a small group of musicians into a professional ensemble with over 100 members. TSO has graced the city with beautiful music since it was first founded, and its 50th anniversary also opened a brilliant new chapter in Taiwan's music history.
\n\nFrom the ensemble's inception, TSO has been known for its high musical standards, and has invited innumerable renowned musicians to perform and collaborate with them, including sopranos Anna Netrebko and Angela Gheorghiu, violinist Pinchas Zukerman and Maxim Vengerov, cellists Yo-Yo Ma and Mstislav Rostropovich, conductor Yuri Temirkanov, clarinetist Sabine Meyer, trombonist Christian Lindberg and composer Tan Dun. In 1979, when the first Taipei Music Festival was held, it set the precedent for large-scale music festivals in Taiwan, and aside from inviting renowned international orchestras, such as the Pittsburgh Symphony Orchestra, the Oslo Philharmonic, and the Saint Petersburg Philharmonic Orchestra, TSO also established its long tradition of performing an opera every year, including such classic works as "Pagliacci", "La Dame aux Camelias", "Faust", "Carmen", "Turandot", and "La bohème". In October of 2011, TSO's production of Verdi's "Aida" was the first time a full opera was ever performed at the Taipei Arena. In recent years, TSO performed "La Clemenza di Tito" in its entirety for the first time ever in Taiwan, as well as the Taiwan debuts of "Ariadne auf Naxos", "Eugene Onegin", "Die Kluge" and "Der Mond", establishing the importance of TSO in the performance of opera in Taiwan.
\n\nApart from performing in Taiwan, TSO is also no stranger to international concert halls, having performed in Austria, the U.S., Japan, Russia, France, Spain, Germany, Luxembourg, Singapore, China, and the Philippines; in particular, TSO's 2017 return tour of the west coast of the United states after 26 years gave fans on the other side of the Pacific Ocean the opportunity to hear the pride of Taipei and indeed the whole of Taiwan! In recent years, the orchestra has participated in many international music festivals and important events, such as the Expo 2010 Shanghai China, the closing ceremony of the Federation for Asian Cultural Promotion in 2011, La Folle Journee in Kanazawa, Toyama and Tokyo, Japan in 2012, a tour of Japan in 2014, and performing at France's Les Flaneries Musicales de Reims in June 2015, Shanghai International Arts Festival in 2016, a U.S tour in 2017, as well as a China tour in 2019, and has been invited by Washington Performing Arts(WPA) in Washington, D.C. to perform at The Music Center at Strathmore in November 2019.
\n\nIn 2019, TSO also invited Maestro Eliahu Inbal as Principal Conductor. Under the predicament of the raging global epidemic, we continuous presents the great music and quality sound to the world.Taipei Symphony Orchestra will become the most beautiful sound in Taipei City and let the world hear TSO!
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Co-Presented: National Kaohsiung Center for the Arts (Weiwuying), Taipei Symphony Orchestra
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單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t圖像、影像與身體 I \n\t\t\t王柏偉 | \n\t\t\t圖像、影像與身體 II \n\t\t\t王柏偉 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(一起來寫舞).pdf
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單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t你的第一篇舞蹈評論 \n\t\t\t魏琬容 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
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單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t 當我們在紙上跳舞-7項舞蹈書寫計畫 \n\n\t\t\t李欣恬 \n\t\t\t | \n\t\t\t我的看舞之路 \n\t\t\t魏琬容 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:課程介紹敬請期待。
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\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
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王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
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王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
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謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
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紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
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蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
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方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
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陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
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許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
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李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
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林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
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周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[{from:"programs",key:"6204bb0606407a00079d566d",title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
保證金將於每單元課程第二日活動結束後現場退還當次保證金,未能全程參與者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,報名學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n報名人需於每一單元活動首日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
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活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
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2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
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2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
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報名資格與方式
\n\n報名資格:16歲以上,喜歡看舞、對於書寫有興趣並曾於觀賞演出後留下文字紀錄之一般大眾。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 1,000 元整/單元。可分別報名,建議同時報名三個單元。
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製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
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資源下載
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tImage and Body I \n\t\t\tWANG Po-wei | \n\t\t\tImage and Body II \n\t\t\tWANG Po-wei | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tYour First Dance Review \n\t\t\tWEI Wan-jung | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2 (September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t Dancing Words — 7 Writing Ideas about Dance \n\n\t\t\tLEE Hsin-tien \n\t\t\t | \n\t\t\tMy Journey of Watching Dance \n\t\t\tWEI Wan-jung | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
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WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
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WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
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HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
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CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
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WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
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SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
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FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
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CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
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HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
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LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
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LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
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CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[],title:"2022 Writing About Dance Workshop (Primary)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
\n',team:""},createdAt:1636616445,updatedAt:1647569878,updatedBy:"林蔚行",host:!0},{_id:"618ce3354490a40007918ccb",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1650704400,discrete:[{time:1650704400},{time:1650790800},{time:1651309200},{time:1651395600},{time:1651908600},{time:1651915800},{time:1652000400},{time:1652513400},{time:1652520600},{time:1652599800},{time:1652607e3},{time:1653118200},{time:1653125400},{time:165321e4},{time:1653728400},{time:1653809400},{time:1653816600},{time:1654932600},{time:1654939800},{time:1655019e3},{time:1655026200},{time:1655537400},{time:1655544600},{time:1655623800},{time:1655631e3},{time:1656147600},{time:1656228600},{time:1656235800}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Coming Soon"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856380,end:4794566399},tabs:[{reference:[],type:"content",name:"推廣工作坊",content:'
時間 | \n\t\t\t地點 | \n\t\t\t合作單位 | \n\t\t\t活動連結 | \n\t\t
3/24(四) \n\t\t\t19:00-21:00 | \n\t\t\t高雄李科永紀念圖書館多功能教室 | \n\t\t\t高雄李科永紀念圖書館 | \n\t\t\tLINK \n\t\t\t額滿 | \n\t\t
4/10(日) \n\t\t\t09:20-12:10 | \n\t\t\t衛武營1186排練室、公共空間 | \n\t\t\t高雄市國教輔導團 | \n\t\t\tLINK | \n\t\t
4/15(五) \n\t\t\t09:00-12:00 | \n\t\t\t高雄市婦女館展示室 | \n\t\t\t高雄市政府社會局高雄婦女青少年活動中心 | \n\t\t\tLINK \n\t\t\t額滿 | \n\t\t
4/17(日) \n\t\t\t09:20-12:10 | \n\t\t\t衛武營1186排練室 | \n\t\t\t高雄市國教輔導團 | \n\t\t\tLINK | \n\t\t
5/28(六) \n\t\t\t13:30-18:30 | \n\t\t\t大樹區-舊鐵橋濕地教育園區 | \n\t\t\t高雄市政府社會局高雄婦女青少年活動中心 | \n\t\t\tLINK \n\t\t\t額滿 | \n\t\t
★場次持續增加中
\n\n★報名及活動資訊請詳閱活動連結
\n'}],onShelf:!0,sliders:[{type:"image",key:"b6b535e69c72a13e59732828c53a188c",title:"《波麗露在高雄》"},{type:"image",key:"78fffe1265c683af279ffd44b5af6124",title:"《波麗露在高雄》"}],related:[{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"},{from:"programs",key:"618cc8fdd4bd45000a17d10e",title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)"}],title:"《波麗露在高雄》",cover:"9f17f72fca70fbcdbb1a5610f7dcf3d2",site:{isOther:!0,site:"",other:"高雄區域公共空間"},cautions:'演出全長約30分鐘,無中場休息
\n\t因氣候及其他不可抗力因素,本次演出將有權取消或延期,敬請見諒。
\n\t無限制年齡觀賞
\n\t走出衛武營,跳舞給你看!
\n一齣舞作,28場演出,35位舞者,在高雄各地輪番起舞
最吸引人的是碰觸到第一次看現代舞的人,那是最有趣也最有價值的事!
\n\n衛武營首位駐地藝術家周書毅,即將帶著舞蹈在高雄旅行,而這一切都是從「如何跳舞給更多人看?」的提問開始的,於是開始思考如何將表演延伸至戶外,讓更多人有機會認識現代舞。
\n\n2010年時,「周先生與舞者們」首次帶著在英國沙徳勒之井劇院獲獎的作品《1875 拉威爾與波麗露》在板橋火車站演出。隔年正式啟動「舞蹈旅行計畫」,以不搭台、不架燈因地制宜的方式,免費在各城市的公共空間演出,迄今走過14座城市60場的演出。
\n\n文化不是只存於殿堂,打破空間意義,從一個概念延伸開始走到戶外,為觀眾而旅行,在時間和空間如地圖般不斷積累擴張,到訪之處不是單為了靠近演出場域的在地性,或者挖掘地方的某種歷史性而跳。
\n\n2022年再度出發,4月到6月從藝術推廣的層面,以「波麗露在高雄」為名,將帶著一群來高雄跳舞的獨立舞者們與左營高中舞蹈班,跳出衛武營;隨著波麗露的樂曲,在都會區、新興文化場域、歷史人文地景、隱身小城小巷內,用舞蹈拜訪高雄各區演出28場,讓表演與觀眾之間相互靠近,是知悉而來或偶然巧遇都好,瞬時改變日常場域運用上的重新想像,因為觀看而擁有新的意義,引領進到作品裡的想像,在高雄感受舞蹈旅行的美好。
\n\n\n\n
活動場次表
\n\n\n\n
編舞
\n\n編舞|周書毅
\n\n作為創作者,關注人與社會之間的關係;身為舞者,具獨特的身體語彙。近年編創主旨聚焦叩問生命的價值,反映個人或群體在不同社會脈絡下的狀態,以劇場、非傳統劇場、舞蹈錄像等形式呈現。奠基於多年創作經驗上,積極嘗試不同的創作方法,並持續探索與其他創作媒材合作的可能。
\n\n在製作面向上,在成立「周先生與舞者們」期間,曾創辦「下一個編舞計畫」舞蹈平台(2011-2014),身兼策劃製作,省思舞蹈創作環境,期望累積建立臺灣的舞蹈劇場美學,及舞蹈與觀眾間更良好的溝通橋樑。發起「舞蹈旅行」計畫(2011~2014),帶舞蹈走出戶外生活空間,將舞蹈的美好與更多人分享。2020年為回應新冠肺炎對社會的衝擊並提出藝術的反思,策畫「靜觀未來-身體影像短片展」。
\n\n2009年作品《1875拉威爾與波麗露》獲英國表演藝術殿堂「沙德勒之井」劇院第一屆全球網路影片比賽首獎;同年《從身體出發》獲丹麥Cross Connection Ballet編舞大賽銅牌。2019年,《Break & Break!無用之地》獲台新藝術獎表演藝術大獎。2020年成為衛武營國家藝術文化中心首位駐地藝術家。
\n\n\n\n
演出者
\n\n獨立舞者:
\n黃程尉、陳品霓、郭彥緯、蔡宛育、葉佩玲、王雨婕、楊以灣、柯貴婷、柯凱峰、林蔓葶、李宛蓁、吳凱文、吳兆容、林思綺、廖玟淯
左營高中舞蹈班:
\n王姝雅、李均君、李思婕、李桐馨、李境潔、林瑀倩、林穎、洪愷均、高瑨恩、張芷瑄、張詠淇、莊嘉杰、陳郁晴、黃敏薰、黃湘惠、葉柔妡、戴伊辰、王祥宇、倪堉昕、陳世濱
\n\n
製作團隊
\n\n排練指導|林祐如、楊雅鈞、潘柏伶
\n\n執行製作|羅仕儒、劉孝聆
\n\n製作協力|Project Zero
\n\n行銷協力|鳳東文創
\n\n宣傳文案|余佩珊
\n\n影像紀錄|黎宇文
\n\n視覺攝影|陳長志
\n\n平面設計|陳文德
\n\n\n\n
贊助單位
\n\n\n',team:""},english:{onShelfRange:{start:1638856380,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"89fb9ce33b96d91927767abc8e3acb78",title:"《波麗露在高雄》"}],related:[],title:"Bolero in Kaohsiung",cover:"9f17f72fca70fbcdbb1a5610f7dcf3d2",site:{isOther:!0,site:"",other:"Public areas in Kaohsiung"},cautions:'
Duration is 30 minutes without intermission.
\n\tNo age limitation, free admission.
\n\tWeiwuying's very first artist-in-residence, CHOU Shu-yi, initiated the "Dance-Travel Project" ten years ago and has since traveled to 14 cities and given 60 performances in open spaces without sets and lighting. This time, CHOU plans to restart this project by inviting professionals to teach dance to the dance students of Zuoying High School through educational cooperation. Moreover, with the help of Weiwuying, CHOU intends to recruit freelance dancers to perform a dance piece across Kaohsiung, bringing performing arts out of the theater and into the city.
\n\n\n\n
When you wear that dress with floral print which you find in your mother's or auntie's wardrobe, you actually demonstrate the combination of an old-fashion style and a young body. It indeed reminds us of the long-forgotten golden age. Inspired by the personal experience during his artistic residence around the world, the choreographer Shu-Yi Chou visualizes his careful observation and reflection on urban life in the work. He also invites his fellow dancers to collect their personal experiences together, using the ordinary physical movement and the abstract body language to express the ups-and-downs of life. Just like the exciting feeling when we take a ride on a roller coaster, the work presents the juxtaposition of the contrasting emotions. Through the dancers' bodies, Chou interprets each moment of repetition, transition, or tranquility. Experiencing the ephemerality of time, we feel the existence of the "present".
\n\n\n\n
The work "1875 Ravel and Bolero" premiered in the year of 2006. The re-adapted version premiered at Taipei in the following year. In 2009, the work won the first prize of Sadler's Wells Theatre (England) first "International Dance Competition Award". In January of 2010, it was invited to perform in London. In October of the same year, she was invited to perform at "Fall for Dance Festival" in New York. Later, it traveled back to Taiwan and performed in a non-traditional space for theatre performance.
\n\nThe open space allows dancers to walk into the crowd and dance their way out. The production has inspired us to dance in the city and to communicate with each other through dance. It thus opens up the possibility of the 2011 dance-travel project "1875 Ravel and Bolero". The 16 cities make dance an unexpected part of our life, naturally but yet surprisingly.
\n\n\n\n
Session
\n\n\n\n
Performers
\n\nTsoying Senior High School Dance Class:
\nWANG Shu-ya, LI Jun-jun, LEE Szu-chieh, LI Tong-xin, LI Jing,jie, LIN Yu-qian, LIN Ying, HONG Kai-jun, KAO Chin-en, ZHANG Zhi-xuan, CHANG Yung-chi, CHUANG Chia-jie, CHEN Yu-ching,
HUANG Min-hsun, YE Rou-xin, DAI Yi-chen, WANG Siang-yu, NI Yu-xin, CHEN Shih-bin
\n\nIndependent dancer:
\nHUANG Cheng-wei, CHEN Pin-ni, KUO Yen-wei, TSAI Wan-yu, IP Pui-ling, WANG Yu-jie, YANG I-wan, KE Gui-ting, KO Kai-feng, LIN Man-ting, LI Wan-jhen, WU Kai-wen, WU Chao-jung, LIN Si-qi, Liao Wen-yu
\n\n
Artists Introduction
\n\nCHOU Shu-Yi
\n\nBorn in 1983, Chou is a choreographer and dancer. His recent creations, in the forms of theatre, site-specific performance or dance video, question the value of life and reflect the status of an individual or a group in different social contexts, and create "a body vocabulary that belongs to Asia". Chou continues to seek new methods of creation, and potentials of cross-disciplinary collaboration using different mediums.
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1636623157,updatedAt:1648015132,updatedBy:"林蔚行",host:!0},{_id:"618cf656d4bd45000a17d83c",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1653132600,discrete:[{time:1653132600}],type:"discrete"},activity:{type:"free",free:{englishDescription:"Program cancelled",description:"節目取消"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856260,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9ac771dd2ebad8177d1bd5fbf09cc7bd",title:"高音之王—尤納斯.考夫曼獨唱會"}],related:[],title:"「節目取消」高音之王—尤納斯.考夫曼獨唱會",cover:"08b4a6df331e78c3e12c85a15bf76aa9",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年5月21日(六)19:30於音樂廳演出之《高音之王—尤納斯.考夫曼獨唱會》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年2月11日(五)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
說到世界最著名男高音,大家一定會想到帕華洛帝,卡列拉斯、多明哥,但是當前我們這個世代能繼承他們鐵王座封號的就屬尤納斯.考夫曼。來自德國,被譽爲21世紀男高音天王的尤納斯.考夫曼,不但擁有沈著渾厚的男中音音質,高音更如帕華洛帝嗓音般溫潤柔美,加以他充滿爆發力的詮釋,使全世界樂迷為之神往。
\n\n考夫曼外型英俊挺拔,除了有天籟歌喉,更有精湛的演技,為華格納歌劇男高音之首選,而無論是在紐約大都會歌劇院演出歌劇,或在全球一流的音樂廳獨唱藝術歌曲,考夫曼的巨星風采總能震懾全場。此次登臺, 考夫曼將與長期合作的著名鋼琴家-赫爾穆特.多伊奇攜手為樂迷帶來完美的聽覺饗宴。
\n\n\n\n
演前導聆
\n\n2022/5/21(六)18:50-19:10 音樂廳三樓大廳
\n\n\n\n
演出暨製作團隊
\n\n男高音 | 尤納斯.考夫曼
\n\n鋼琴 | 赫爾穆特.多伊奇
\n\n\n\n
藝術家介紹
\n\n尤納斯.考夫曼
\n\n作為藝術歌曲詮釋者以及歌劇與音樂會演唱家,考夫曼多年來一直是全世界最受歡迎的歌者之一。他曾在倫敦與慕尼黑演唱威爾第《奧泰羅》,在巴黎、維也納與紐約演唱馬斯奈《維特》,並在拜魯特、斯卡拉大劇院與巴黎演唱華格納《羅恩格林》。考夫曼注重演出的豐富及多樣性,無論是神劇、輕歌劇,拿波里民謠還是維也納歌曲,都能夠靈活地全面掌握其中的聲樂、音樂、風格及語言。對他而言,藝術歌曲是「歌唱的最高等級」,比起其他領域需要更高超的技巧與更細膩的情感。考夫曼和搭擋赫爾穆特.多伊奇的合作始於慕尼黑求學期間,兩人在錄音室與無數的音樂會中證明了彼此的默契,而2011年在紐約大都會歌劇院的演出,更是繼1994年的帕華洛帝後第一個在大都會歌劇院舉行的獨唱會。在因疫情而被迫中斷演出期間,考夫曼和多伊奇錄製了更多的曲目,包括專輯《祝福的時光》及《喜樂與憂傷》。
\n\n考夫曼是索尼音樂的專屬音樂家,其多張CD及DVD曾獲得包括「留聲機大獎」在內的國際獎項肯定,本人則多次獲德國雜誌《歌劇世界》、古典音樂雜誌《音叉》與《音樂美國》,以及「國際歌劇獎」與「古典音樂回聲獎」評選為「年度歌手」。考夫曼於2013年獲得巴伐利亞室內歌手的榮銜、於2014年獲得古典音樂「斑比獎」,於2015年獲得普契尼獎,2016年則獲頒德國聯邦十字勳章,並於2018年獲頒法國藝術與文學勳章,以及巴伐利亞馬克西米安科學與藝術勳章。
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赫爾穆特.多伊奇
\n\n赫爾穆特・多伊奇是當前最炙手可熱,全球頂尖的鋼琴伴奏。出生於維也納,多伊奇曾就讀當地知名的音樂學院,以及維也納音樂暨表演藝術大學。他在 1965 年榮獲維也納作曲獎,並在 24 歲時受聘為大學教授。 多伊奇曾與多位優秀的音樂家們合作演出室內樂,之後便專注發展於鋼琴伴奏。
\n\n多伊奇早期曾為女高音澤芙莉德(Irmgard Seefried)伴奏,而後遇到了職業生涯初期最重要的歌手普萊(Hermann Prey),並成為他的固定合作伴奏長達十二年。多伊奇陸續與重要的獨唱歌手合作,表演於世界各大音樂廳,其中考夫曼(JonasKaufmann),丹姆勞(Diana Damrau)及沃勒(Michael Volle)是他目前合作最密切的歌手。多伊奇曾錄製上百張專輯。近年,他致力投身於教育英才,在他結束了維也納的教授任期後,他決定繼續發展音樂教育,目前在慕尼黑音樂和戲劇學院擔任音樂教授,主講歌曲詮釋已有 28 年。
\n\n除此之外,多伊奇也擔任多所大學的客座教授,並受邀在歐洲及遠東開授大師班。後起之秀如瑞士男高音彼得(Mauro Peter)即為多伊奇在慕尼黑的得意門生,他們也成為彼此重要的表演夥伴。
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Tour Presenter: CCM Classic Concerts Management, www.ccm-international.de
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:1638856260,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9ac771dd2ebad8177d1bd5fbf09cc7bd",title:"高音之王—尤納斯.考夫曼獨唱會"}],related:[],title:"(Program cancelled) Jonas KAUFMANN in Recital",cover:"08b4a6df331e78c3e12c85a15bf76aa9",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been cancelled. For more information, please contact +886-7-262-6666. | \n\t\t
\n\n
When thinking of the world's greatest tenors, where Luciano PAVAROTTI, José CARRERAS and Plácido DOMINGO come to mind for every opera fan as the giants of the 20th century, German operatic singer Jonas KAUFMANN is being hailed as the tenor of the 21st century, with the warm and dark timbre of the baritone and a higher range that soars effortlessly like PAVAROTTI, adding fire to his interpretations.
\n\nWith his handsome looks, KAUFMANN brings not only an angel-like voice but extraordinary acting skills. He is the most sought-after Wagnerian tenor. Whether it's opera performances on the world's most important opera stages such as the Met or recitals in the leading concert halls around the world, KAUFMANN can always stun the crowd with his superstar charm. This time, the tenor will be performed together with his long-time partner, pianist Helmut DEUTSCH, bringing a splendid sonic feast to Taiwan.
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Pre-talk
\n\n2022/5/21(Sat)18:50-19:10 Concert Hall 3rd Floor
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Creative and Production Team
\n\nTenor|Jonas KAUFMANN
\n\nPiano|Helmut DEUTSCH
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Artists Introduction
\n\nJonas KAUFMANN
\n\nHailed as "the world's greatest tenor" by The Telegraph, Jonas KAUFMANN has performed over 70 roles in the world's leading opera houses. The New York Times has described him as having "clarion top notes, the blend of virility and tenderness in his singing," and praised his "refined musicianship." Not only a great vocal technician, his performances are also praised for their dramatic impact, "He embodies each role with such an investment that he makes the viewer think that this is the last time he will perform this work." (Telerama). One of today's greatest interpreters of Lieder repertoire, KAUFMANN is also in very high demand in concert. His performance and recording have earned him multiple honors and awards including nine ECHO/OPUS Klassik awards, "Singer of the Year" from multiple classical music magazines including Opernwelt, Diapason and Musical America, has been knighted as a "Chevalier de l'Ordre de l'Art et des Lettres," and has been named a member of the Bayerischer Maximiliansorden.
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Helmut DEUTSCH
\n\nHelmut DEUTSCH ranks among the finest, most successful and in-demand song recital accompanists of the world. He was born in Vienna, where he studied at the Conservatory, the Music Academy and the University.
\n\nHe was awarded the Composition Prize of Vienna in 1965 and appointed professor at the age of twenty-four.
\n\nAlthough he has performed with leading instrumentalists as a chamber musician, he has concentrated primarily on accompanying in song recitals.
\n\nAt the beginning of his career he worked with the soprano Irmgard SEEFRIED, but the most important singer of his early years was Hermann PREY, whom he accompanied as a permanent partner for twelve years. Subsequently he has worked with many of the most important recital singers and played in the world's major music centres. His collaborations with Jonas KAUFMANN, Diana DAMRAU and Michael VOLLE are currently among his most important.
\n\nDEUTSCH has recorded more than a hundred CDs. In recent years the development of young talent has been especially close to his heart. After his professorship in Vienna he continued his teaching primarily in Munich at the Hochschule für Musik und Theater, where he worked as a professor of song interpretation for 28 years.
\n\nIn addition he is a visiting professor at various other universities and is sought-after for an increasing number of masterclasses in Europe and the Far East. The young Swiss tenor Mauro PETER was one of his last students in Munich and has become one of his favourite recital partners.
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Tour Presenter: CCM Classic Concerts Management, www.ccm-international.de (plus CCM-logo)
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'臺灣國樂團創新跨域演出,將臺北大稻埕豐富的文化資產,透過新馬戲的結合,並由黎煥雄導演執導,將帶領觀眾走進大稻埕全盛時期的時光隧道,探訪迪化街豐富多姿的歷史。
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故事的入口在一座碼頭邊、存在並不長久的火車站—大稻埕市街南側的大稻埕乘降場。
\n\n商行、碼頭、車站、廟埕,透過國樂結合了特技舞蹈、大環、綢吊等各式馬戲,帶領觀眾一同穿梭大稻埕街市的百年時空。有人遺落了行李,有人錯過了愛情,有人思念著遠方的家鄉,有魔法的列車長忙碌指揮著通往不同時代的旅運。當愛跨過時間的維度,嘴笨的茶樹少年和俏皮的茶花少女,緣分像連結他們手上的紅繩,穿越大街小巷。少女成了少年在世上的羈絆,為她佇足人間幾百年。當魔法列車啟動,他們的愛情重新踏上了旅程,少年追隨著少女落下的背影,他們的故事隨著大稻埕的跌宕而起落翻湧。城隍廟、江山樓、波麗路西餐廳,都留下了他們的步伐,互為見證。揉雜了多樣文化與繁盛商業的夢的重疊。當列車航向未來,從淡水河面閃動著夜晚的黝黑波紋,逸出了一整座銀河,魔法繼續存在大稻埕。
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演前導聆
\n\n2022/5/21(六)13:50-14:10 戲劇院二樓大廳
\n\n2022/5/22(日)13:50-14:10 戲劇院二樓大廳
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演出暨製作團隊
\n\n監製|陳悅宜
\n\n副監製|鄒求強、賴銘仁
\n\n製作|劉麗貞
\n\n音樂總監、指揮|江靖波
\n\n導演、文本創作|黎煥雄
\n\n音樂設計|王乙聿、巨彥博、櫻井弘二
\n\n文化指導|林承緯
\n\n演出|臺灣國樂團、合作社
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藝術家介紹
\n\n臺灣國樂團隸屬於國立傳統藝術中心,是文化部轄下的國家級國樂團。係由國內國樂界菁英組成,矢志探索傳統、立足本土、擁抱當代,藉由創作為臺灣傳統音樂扎根,用演出傳遞臺灣美學品味,以提昇臺灣傳統及當代音樂為目標,以國際為舞臺,用醇厚的音樂深化臺灣之美。
\n\n近年來逐步推動「用國樂訴說臺灣最美的故事」、「在地取材、取才」、「以音樂連結世界和臺灣」等理念,建立臺灣國樂團的品牌精神。臺灣國樂團的演出,融合戲劇、舞蹈、美術、詩歌、文學等各類元素,兼具創新與傳統,多年來亦出版多張音樂CD專輯,均獲佳評,成果斐然。
\n\n全團亦致力於傳統音樂之推廣,長年擔任國家文化外交的大使,演奏行跡遍及歐洲、美洲及亞洲各大城市,傳遞動人的樂章。
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指導單位 文化部
\n\n主辦單位 衛武營國家藝術文化中心、國立傳統藝術中心
\n\n演出單位 臺灣國樂團、合作社
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'In this innovative cross-disciplinary performance of National Chinese Orchestra Taiwan's, LI Huan-hsiung serves as the director and the rich cultural heritage of Twatutia and new circus techniques are appropriated to take the audience back in time to the golden age of Twatutia to explore the colorful history of Dihua Street.
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The story entrance is located in a relatively new train station beside a pier – the Twatutia distribution center in the southern Twatutia area.
\n\nBy combining acrobatic dances and circus techniques such as the cyr wheel and aerial silk with traditional Taiwanese music, audiences are led to explore the shops, pier, train station, and temple in Twatutia a century ago. Some people lost their luggage, some people missed out on love, some people are longing for their distant homes, and the conductor of a magical train is busy directing trains bound for different times. When love surpasses the limit of time, the red thread of fate takes the simple tea tree boy and the playful tea flower girl to traverse the streets and alleys. The girl becomes the reason for the boy to linger around for hundreds of years. When the magical train departs, their love story continues. The boy follows in the heels of the girl's falling figure, and their story undulates alongside the ups and downs of Twatutia. City God Temple, Kang San Lau, and BOLERO Western Restaurant all leave their own traces as testimonies in this place, leaving behind a motley of diverse cultures and dreams of prosperous commercial success. As the train runs towards the future, the glistening reflection on the nighttime Tamsui River manifests itself as the Milky Way, while all the while magic continues to work itself in Twatutia.
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Pre-talk
\n\n2022/5/21(Sat)13:50-14:10 Playhouse 2nd Floor
\n\n2022/5/22(Sun)13:50-14:10 Playhouse 2nd Floor
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Creative and Production Team
\n\nExecutive Producer|Annie CHEN
\n\nVice Executive Producer|TSOU Chiu-chiang, LAI Ming-jen
\n\nProducer|LIU Li-chen
\n\nMusic Director・Conductor|CHIANG Ching-po
\n\nDirector、Screenwriter|LI Huan-hsiung
\n\nMusical Design|WANG I-yu、CHU Yen-po、SAKURAI Koji
\n\nCulture Direction|LIN Chen-wei
\n\nPerformer|National Chinese Orchestra Taiwan、HoooH
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\n',team:""},createdAt:1636778699,updatedAt:1641866432,updatedBy:"林蔚行",host:!0},{_id:"6194dda2d4bd45000a19ac46",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1654410600,discrete:[{time:1654410600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1469585661010198531"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856320,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"56b2a098e776b6d68e4755cd77cb1230",title:"台北歌劇劇場《50年回顧展演》"}],related:[],title:"台北歌劇劇場《50年回顧展演》",cover:"519eca6f8973e934f44a868e798d69f3",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂6月5日(日)14:30於衛武營歌劇院演出之台北歌劇劇場《50年回顧展演》將加入高雄市交響樂團與高雄室內合唱團共同演出。 \n\t\t\t | \n\t\t
\n\n
享譽國內外的台北歌劇劇場,由藝術總監曾道雄帶領,將五十年演出之精華選粹場景,結合不同主題之歌劇精萃匯演,並與國內的愛樂者共享。
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台北歌劇劇場為一歷史悠久的歌劇演出團體,由曾道雄教授於70年代所創設,旨在培訓國內優秀之聲樂人才,更與國際歌劇團體接軌,從事教育於嚴謹的歌劇製作演出。自 1971首次與臺北市立交響樂團推出歌劇選粹之後,半世紀以來在國內及國際間,演出歌劇達五十餘齣,包括首創之中文歌劇,其中很多是當地的首演,為拓展觀眾欣賞領域,更推出較少演出的珍貴作品。茲僅將演出之精華選粹場景,集成為一場之歌劇選粹黃金節目Opera Gala,用以紀念台北歌劇劇場五十年之演出,並與國內的愛樂者共享。
\n\n上半場為德語系歌劇之精華場景,包括莫札特、韋伯、華格納,以及史特勞斯之歌劇代表作。下半場則為義大利、法國以及西班牙等拉丁語系歌劇,包括羅西尼、威爾第、古諾、馬斯奈、法雅,終曲則演出曾道雄親自創作之作品。
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演前導聆
\n\n2022/6/5(日)13:50 歌劇院大廳
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演出曲目
\n\n莫札特:《唐・喬凡尼》序曲
\n\n莫札特:《唐・喬凡尼》首幕第一景
\n\n莫札特:《魔笛》序唱和三重唱
\n\n莫札特:《後宮誘逃》首幕四重唱
\n\n莫札特:《伊多梅涅歐》首幕終曲合唱
\n\n韋伯:《魔彈射手》第三幕獵人合唱
\n\n史特勞斯:《阿拉貝拉》樂城雙姝姐妹二重唱
\n\n華格納:《唐懷瑟》歌樂聖殿進堂曲
\n\n威爾第:《拿布果》序曲
\n\n威爾第:《拿布果》先知與希伯來人合唱
\n\n威爾第:《馬克白》弒君二重唱
\n\n威爾第:《阿依達》阿依達與公主的二重唱
\n\n羅西尼:《灰姑娘》第二幕六重唱
\n\n法雅:《短促的人生》西班牙舞曲
\n\n馬斯內:《泰伊思》終幕二重唱
\n\n古諾:《浮士德》終幕三重唱暨合唱
\n\n曾道雄:《長崎少女》女高音獨唱
\n\n曾道雄: 《鄭莊公涉泉會母》兵士凱旋暨劇終大合唱
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演出暨製作團隊
\n\n指揮/導演|曾道雄
\n\n樂團|高雄市交響樂團
\n\n合唱團|臺北歌劇合唱團、高雄室內合唱團
\n\n女高音|王嘉琳、林映旻、林慈音、許育甄、傅孟倩、蔣啟真、羅心汝、羅明芳、羅惠真
\n\n次女高音|王郁馨、翁若珮、鄭海芸
\n\n男高音|孔孝誠、林健吉、張殷齊、劉成華、謝奇儔
\n\n男中音|丁一憲、李增銘、巫白玉璽
\n\n男低音|張坤元 、謝銘謀、羅俊穎
\n\n舞者|薛喻鮮
\n\n\n\n
藝術家介紹
\n\n曾道雄
\n\n臺灣彰化人,畢業於臺中師範,師大音樂系與馬德里皇家音樂院,主修聲樂,副修鋼琴與單簧管。先後在UCLA與Jan Popper學習歌劇藝術,在義大利Siena參加Franco Ferara的指揮研習營,在海內外從事歌劇教育與演出逾半世紀,演出歌劇超過50部之多。曾擔任師大音樂系所主任,也曾在美國愛渥華州立大學任教,並赴比利時魯汶、英國劍橋與里茲等大學講學。
\n\n曾道雄也戮力推介給觀眾少為人知,卻十分珍貴的歌劇作品。並親自編劇作曲,創作青少年歌劇《稻草人與小偷》,及取材於左傳典故的《鄭莊公涉泉會母》。他棄絕核戰,為世界和平祈福,譜作女高音獨唱與管絃樂曲《長崎少女》,首演於日本福岡與關渡北藝大。
\n\n曾教授是2011年國家文藝獎得獎人,並獲頒「師大大師」榮銜。
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:1638856320,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"56b2a098e776b6d68e4755cd77cb1230",title:"台北歌劇劇場《50年回顧展演》"}],related:[],title:"Taipei Opera Theater 50 Anniversary Concert",cover:"519eca6f8973e934f44a868e798d69f3",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'The renowned Taipei Opera Theater, under the leadership of art director TSENG Dau-hsiang, has drawn from the absolute best of its 50 years of performances to create one encore opera show with different themes to share with music lovers in Taiwan.
\n\n\n\n
Founded by TSENG in the 1970s, the Taipei Opera Theater has a long history of training outstanding domestic vocal talents on par with international opera troupes in order to put on first-class opera productions and performances through high-standard education. Since its first opera selections staged with the Taipei Symphony Orchestra in 1971, the Theater has performed more than 50 operas both domestically and internationally over the last half-century; these performances included the first Chinese-language operas (many of which premiered locally) as well as shorter runs of a number of rarer works to help expand the audience's appreciation of this unique art form. This year, to commemorate their fifty years on stage, the Taipei Opera Theater selected essential scenes from past performances to present Taiwan's music lovers with two separate shows in a true Opera Gala.
\n\nThe first part is a dazzling retrospective of the German maestros, with signature works by the likes of Mozart, Weber, Wagner, and Strauss.
\n\nThe second parts feature Italian, French, and Spanish operas including ROSSINI, VERDI, GOUNOD, MASSENET, and FALLA, topped with a finale performance of TSENG Dau-hsiang's own works.
\n\n\n\n
Pre-talk
\n\n2022/6/5(Sun)13:50 Opera House 2nd Floor
\n\n\n\n
Program
\n\nW. A. MOZART: Overture from Don Giovanni
\n\nW. A. MOZART: Act 1, Scene 1 from Don Giovanni
\n\nW. A. MOZART: Act 1, Solo & Trio from Die Zauberflöte
\n\nW. A. MOZART: Act 1, Quartet from Die Entführung aus dem Serial
\n\nW. A. MOZART: Chorus from Idomeneo
\n\nC. M. WEBER: Act 1, Hunters' Chorus from Der Freischütz
\n\nR. STRAUSS: Duet from Arabella
\n\nR. WAGNER: Act 2, Chorus Freudig begrüssen wir die edle Halle from Tannhäuser
\n\nG. VERDI: Overture from Nabucco
\n\nG. VERDI: Zaccaria aria and Chorus from Nabucco
\n\nG. VERDI: Act 2. Duetto for Soprano & Baritone from Macbeth
\n\nG. ROSSINI: Sestetto from La Cenerentola
\n\nM. FALLA: Spanish Dance from La vida Breve
\n\nJ. MASSENET: Final Duet/ for Athanael & Thais.(w. Violin solo ) from Thais
\n\nC. GOUNOD: Finale scene from Faust
\n\nTSENG Dau-hsiang: The maiden of Nagasaki
\n\nTSENG Dau-hsiang: A vow to the underwater spring/The soldiers march and victory of filial virtue
\n\n\n\n
Creative and Production Team
\n\nConductor/Director|TSENG Dau-hsiang
\n\nOrchestra|Kaohsiung Symphony Orchestra
\n\nChorus|Taipei Opera Chorus、Kaohsiung Chamber Choir
\n\nSoprano|WANG Chia-Ling、LIN Ying-Min、Grace LIN, HSU Yu-Chen、FU Meng-Chien、Jeannie CHIANG、LO Hsin-Ju、LO Ming-Fang、LUO Hwei-Jan
\n\nMezzo-soprano|WANG Yu-Hsin 、WENG Jo-Pei 、CHENG Hai-Yun
\n\nTenor|Ezio KONG、Claude LIN、CHANG Yin-Chi、LIU Cheng-Hwa、HSIEH Chi-chou
\n\nBaritone|JUNG Ilhun、Rios LI、WUBAI Yuhsi
\n\nBass|CHANG Kuen-Yuan、HSIEH Ming-mou、Julian LO
\n\nDancer|HSUEH Yu-Sien
\n\n\n\n
Artists Introduction
\n\n\n\n
TSENG Dau-hsiang
\n\nProfessor TSENG Dau-hsiang was born in Changhwa, Taiwan. After graduating from National Taichung University of Education (then Taichung Teacher's School), he went on to study at National Taiwan Normal University's Music Department and the Royal Conservatory of Music in Madrid, where he majored in vocal music and minored in the piano and clarinet. He studied opera with Jan Popper at UCLA, and learned conducting under Franco Ferrara at his training camp in Siena, Italy. TSENG has been involved in opera education and performances in Taiwan and abroad for more than half a century, and has performed more than fifty operas. He served as the chair of the Music Department at National Taiwan Normal University and taught at Iowa State University in the United States. He has also lectured at the Katholieke Universiteit Leuven, in Belgium, and the Universities of Cambridge and Leeds, in England.
\n\n\n\n
Over the years, TSENG Dau-hsiang has remained committed to introducing Taiwanese audiences to little-known but precious opera works. He himself wrote and composed the opera The Scarecrow and the Thief for teens, and Cheng Chuang Gong Crosses the River to Meet his Mother, which is based on a parable in Zuo Zhuan.
\n\nTSENG also composed the soprano solo and orchestral music for Nagasaki Girl, which premiered in Fukuoka, Japan and Taipei National University of the Arts in Guandu, as a renunciation of nuclear war and a prayer for world peace.
\n\nTSENG was selected to win a National Award for Arts in 2011 and has been named a Distinguished Graduate of National Taiwan Normal University.
\n\n\n\n
\n\n
\n',team:""},createdAt:1637146018,updatedAt:1644907495,updatedBy:"林蔚行",host:!0},{_id:"61977732a57c9b00072c44d5",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1652270400,discrete:[{time:1652270400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1461189665196032004"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6f021801769a274d734112b1202ccfb7",title:"【衛武營小時光】尋人啟事《阿卡貝拉劇場版》"}],related:[{from:"news",key:"621b26f2c446a600074170fe",title:"衛武營小時光+海邊走走 聯名蛋捲禮盒全臺上市"},{from:"features",key:"619c57f8d970790007fc110d",title:"2022衛武營小時光"}],title:"【衛武營小時光】尋人啟事《阿卡貝拉劇場版》",cover:"2efeeab7a286a1ef03d59da53da11498",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
一天的工作告一段落
\n\n有點疲憊卻又不想回家的你
\n\n是否需要一點「唱」快淋漓
\n\n汲取勇氣與正能量
\n\n來面對明天的挑戰
\n\n這個小週末共渡小時光
\n\n跟著我們Lost in the City
\n\n\n\n
尋人啟事樂團是華語音樂圈第一組發行創作專輯的阿卡貝拉樂團,成團後獲得多項國際阿卡貝拉大賽冠軍,並以首張專輯《Dear Adult》榮獲第32屆金曲獎最佳演唱組合獎。
\n\n音樂風格多元,演出經驗豐富,擁有獨特舞台魅力與現場感染力。成員們兼具和聲與主唱的能力,採用多主唱輪唱的編制,同一首歌裡有不同詮釋卻又彼此連結,交織飽滿的和聲與張力,同時他們也不斷的突破人聲音樂的框架,在編曲中融入效果器,創造更多可能性。
\n\n身為純人聲樂團,尋人啟事已然成為新生代團隊的指標,期望能將人聲音樂帶往更大的舞台。
\n\n\n\n
藝術家介紹
\n\n尋人啟事樂團
\n\n成團後獲得多項國際阿卡貝拉大賽冠軍,並以首張專輯《Dear Adult》榮獲第32屆金曲獎最佳演唱組合獎。
\n\n音樂風格多元,演出經驗豐富,擁有獨特舞台魅力與現場感染力。成員們兼具和聲與主唱的能力,採用多主唱輪唱的編制,同一首歌裡有不同詮釋卻又彼此連結,交織飽滿的和聲與張力,同時他們也不斷的突破人聲音樂的框架,在編曲中融入效果器,創造更多可能性。
\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6f021801769a274d734112b1202ccfb7",title:"【衛武營小時光】尋人啟事《阿卡貝拉劇場版》"}],related:[],title:"【Weiwuying Showtime】The Wanted - Acapella for the Theater",cover:"2efeeab7a286a1ef03d59da53da11498",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 12/15(Wed)12:00 !
\n\tA day's work has come to an end. You're a little tired but you don't want to go home just yet
\n\nDo you need to unwind? Draw some courage and good vibes
\n\nTo face the challenges of tomorrow?
\n\nCome to Weiwuying Showtime this hump day
\n\nAnd let's get lost in the city
\n\n\n\n
The Wanted is the first Mandarin acapella group to release an album, the group won several international capella competitions and the 32nd Golden Melody Awards for Best Group with its debut album Dear Adult.
\n\nThe group has a versatile repertoire, extensive performance experience, and a distinctive on-stage presence. Since all members can harmonize and lead, the band uses a multi-vocalist rotation where individual interpretation within a song, although distinct, remains connected and creates lush harmony and dynamic.
\n\nThe Wanted has become a benchmark for new generation acapella groups. They hope to take acapella to a bigger stage.
\n\n\n\n
Artists Introduction
\n\nThe Wanted
\n\nThe Wanted is the first Mandarin acapella group to release an album, the group won several international acapella competitions and the 32nd Golden Melody Awards for Best Group with its debut album Dear Adult.
\n\nThe group has a versatile repertoire, extensive performance experience, and a distinctive on-stage presence. Since all members can harmonize and lead, the band uses a multi-vocalist rotation where individual interpretation within a song, although distinct, remains connected and creates lush harmony and dynamic.The Wanted has become a benchmark for new generation acapella groups. They hope to take acapella to a bigger stage.
\n\n\n\n
\n',team:""},createdAt:1637316402,updatedAt:1645946672,updatedBy:"林蔚行",host:!0},{_id:"619ef661bf4bbf000b4f8f4e",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1651905e3,discrete:[{time:1651905e3},{time:1651991400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1469565763674034179"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856260,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"47970f989e92724029fae7646554ffb8",title:"雲門舞集 鄭宗龍《霞》 "}],related:[],title:"雲門舞集 鄭宗龍《霞》 ",cover:"79b825b56cc45375335812808f14eb9e",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'割開黑暗的是,霞
\n\n形形色色,都是我
\n\n\n\n
朝日將起或夕日沉落前,在雲層之上所折射出的美麗色彩,那是《霞》。
\n\n是無邊的空間中,劃開黑暗的天光。
\n\n舞者如雲般,詮釋蘊含不同意念的內在狀態。我行我素的身態,伴隨著生命經驗的創造過程,折射出多變的每一個自我。
\n\n鄭宗龍攜手影像設計周東彥、動畫設計魏閤廷、燈光設計沈柏宏及服裝設計范懷之,以交錯的投影圖樣和線條,呼應舞者肢體呈現的喜怒悲欣。
\n\n音樂家清水靖晃改編的巴赫《無伴奏大提琴組曲》樂聲揚起,吹奏薩克斯風的呼吸輕、重、緩、急,迴盪出空靈音場,亦揚起內心幽微細瑣感知,投射出孤寂、疏離等自身感受;並邀請美國四座葛萊美獎得主,音場設計馬塞洛.阿內茲,打造悠遠的空間立體感,沉浸其中彷彿能直視內在脆弱,邂逅心澄則靈的魔幻時刻。
\n\n\n\n
演出暨製作團隊
\n\n編舞暨構思|鄭宗龍
\n\n音樂|清水靖晃、巴赫《無伴奏大提琴組曲》薩克斯風版 選粹
\n\n音場設計|馬塞洛.阿內茲
\n\n影像設計|周東彥
\n\n動畫設計|魏閤廷
\n\n燈光設計|沈柏宏
\n\n服裝設計|范懷之
\n\n舞蹈構作|陳品秀
\n\n\n\n
藝術家介紹
\n\n藝術總監/編舞暨構思|鄭宗龍
\n\n2020年出任雲門舞集藝術總監。出生於臺北艋舺,從擺攤叫賣的幼年汲取創作靈感,作品交織街頭張力與人生百態。曾獲德國No Ballet當代編舞比賽銅牌獎,西班牙MASDANZA 編舞大賽首獎。
\n\n2016年編作《十三聲》挖掘臺灣古老、俚俗的文化記憶,2020年巡演法國巴黎、里昂、英國倫敦及瑞典斯德哥爾摩,被法媒譽為是「吸引眼球的一場勝利」。
\n\n2019年《毛月亮》結合人文、科技、當代、未來,國際專業舞蹈評論網站Seeing Dance稱這個作品「兇猛而美麗」。2020年《定光》融合身體與自然,舞評譽為「雕琢精緻,值得一看再看」。
\n\n2020年鄭宗龍與阿喀朗.汗、威廉.佛賽等,同時獲選入羅德里奇出版社出版的「五十位當代編舞家」。
\n\n\n\n
雲門舞集
\n\n1973年,林懷民創辦雲門舞集。這是臺灣第一個職業舞團,也是所有華語社會的第一個當代舞團。2020年,由鄭宗龍接任藝術總監。
\n\n雲門長年海外巡演,以獨特的動作語言,傑出的舞作,精湛的舞技,被譽為「世界一流現代舞團」。2018年,雲門獲頒英國國家舞蹈獎的「傑出舞團獎」。
\n\n雲門除了定期發表新作品及搬演經典舞作外,舞團每年在臺灣不同城市舉辦大型戶外公演,更以親切、活潑的方式深入社區,讓舞蹈走進大眾的生活。
\n\n\n\n
共同製作
\n\n國家表演藝術中心
\n\n\n\n
巡演場次
\n\n2022/4/15-2022/4/17 臺北 國家兩廳院
\n2022/4/30-2022/5/1 臺中 國家歌劇院
\n\n
指定贊助雲門舞集
\n\n\n',team:""},english:{onShelfRange:{start:1638856260,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"47970f989e92724029fae7646554ffb8",title:"雲門舞集 鄭宗龍《霞》 "}],related:[],title:"Cloud Gate Dance Theatre of Taiwan - Send In A Cloud",cover:"79b825b56cc45375335812808f14eb9e",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
10% off for Friends of Cloud Gate
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n\tEmerging like clouds, dancers reveal facets of self- loneliness, hesitation, fear... Their bodies – whether in movement or stillness – appear against shifting bursts of color, animating the creative processes of the human experience. This latest work by Artistic Director CHENG Tsung-lung is set to the Japanese composer Yasuaki Shimizu's rendition of Bach's Cello Suites, with sound design by Grammy-winning artist Marcelo Anez, projection design by cross-disciplinary film director CHOU Tung-yen, animation design by WEI Ho-ting, lighting design by SHEN Po-hung and costume design by FAN Huai-chi.
\n\n\n\n
Creative and Production Team
\n\nConcept/Choreography|CHENG Tsung-lung
\n\nMusic|Yasuaki Shimizu
\n Arrangement from the Six Solo Cello Suites by J. S. Bach
\n Selections from the album Yasuaki Shimizu & Saxophonettes
Sound Design|Marcelo Anez
\n\nProjection Design|CHOU Tung-yen
\n\nAnimation Design|WEI Ho-ting
\n\nLighting Design|SHEN Po-hung
\n\nCostume Design|FAN Huai-chih
\n\nDramaturgy|CHEN Pin-hsiu
\n\n\n\n
Co-production
\n\nNational Performing Arts Center
\n\n\n\n
Tour times
\n\n2022/4/15-2022/4/17 National Theater & Concert Hall
\n\n2022/4/30-2022/5/1 National Taichung Theater
\n\n\n\n
Sponsor of Cloud Gate
\n\n\n',team:""},createdAt:1637807713,updatedAt:1647336429,updatedBy:"林蔚行",host:!0},{_id:"61a0a440d970790007fccff9",catalogs:["5aec45edb01ea6000520f655","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1641380400,discrete:[{time:1641380400},{time:1644404400},{time:1646218800},{time:1649242800},{time:1651662e3},{time:1654081200}],type:"discrete"},activity:{type:"free",free:{description:"自由參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856380,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a5a1c959315a7ee44c5e824ed467204e",title:"2022【武營來跳舞】"}],related:[],title:"2022【武營來跳舞】",cover:"482fb09c29914daa6d8742bcc9305420",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:"",benefits:"",description:" ",introduction:'\n\n
大眾參與,享受與眾不同的愉悅舞蹈
\n\n\n\n
《武營來跳舞》每個月第一個星期三的晚上,在衛武營榕樹廣場西側平台,與你相約一起認識一種舞蹈語言的探索過程,找尋你與他身體之間的共振!
\n\n跳舞是什麼?是你與你自己身體律動的一種感動,成為一種獨特的姿態。
\n\n2022年上半年將邀請舞者李尹櫻、田孝慈,為喜愛跳舞、動身體的民眾,找到自由舞動的美好力量。
\n\n\n\n
上半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
1/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t \n\t\t\t授課: \n\t\t\t李尹櫻 \n\t\t\t | \n\t\t\t「我的第一堂舞蹈課」 | \n\t\t\t報名截止 | \n\t\t
2/9(三) \n\t\t\t19:00-20:30 | \n\t\t\t「跳出心底的悄悄話」 | \n\t\t||
3/2(三) \n\t\t\t19:00-20:30 | \n\t\t\t「寧靜時刻的眾人之舞」 | \n\t\t||
4/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課: \n\t\t\t田孝慈 \n\t\t\t | \n\t\t\t「今天我們不說話」 | \n\t\t\t立即報名 | \n\t\t
5/4(三) \n\t\t\t19:00-20:30 | \n\t\t\t「之間」 | \n\t\t||
6/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t「一個故事」 | \n\t\t
\n\n
藝術家:李尹櫻
\n\n攝影:王宇光
\n\n舞蹈表演者,現為微光製造核⼼成員。
\n\n2019年與王宇光成立微光製造,舞團核⼼發展為以當代實驗作品的舞蹈創作與製造微光⼯作坊的藝術推廣兩⼤⽅向。
\n\n以「散發微光,從⾝體開始」為初衷,除了持續發表舞蹈創作外,同時也持續發展素⼈、樂齡、青少年舞蹈計畫與⾝體知覺⼯作坊,不從舞蹈教起,但從認識⾃⼰呼吸開始,透過感知與想像的練習打開⾃⼰與⾝體對話的空間。
\n\n演出創團作品《馴順的我們》發表於 2019 松菸Lab新主藝。並參與素⼈計畫《製造微光⾝體⼯作坊》帶領⺠眾從感知⾝體開始,探索肢體與意識的銜接,創造⾝體使⽤的更多可能性。
\n\n\n\n
2021
\n\n寶藏巖光節 王宇光×微光製造《捺撇》解構式-寶藏巖
\n\n2020
\n\n雲⾨舞集歐洲巡演《⼗三聲》
\n\nNTT-TIFA 驫舞劇場《看⾒你的⾃由步》
\n\n第⼗⼆屆新⼈新視野 王宇光《捺撇》
\n\n⽂⼼藝所 TOMAS SARACENO-宇宙共振
\n\n2019
\n\n獲國家⽂化藝術基⾦會海外藝遊專案補助⾄⽇本東京學習舞踏
\n\n2009-2019
\n\n任雲⾨2專職舞者暨排練助理
\n\n\n\n
課程簡介
\n\n3堂主題式課程,帶領⺠眾於遊戲想像和肢體練習之中,來探索⾝體的多樣可能。從⽇常⽣活中常⾒的走跑跳結合肢體動態的⼩遊戲,來挖掘⾝體本位的思考⽅式,覺察呼吸,感受情緒,串連由內在發展出來的肢體符號,帶領⼤家從看⾒進⽽找到屬於⾃⼰的舞動⽅式。
\n\n\n\n
跑跳能不能成為一⾸舞?
\n\n⼤⼝的呼吸、⾃在的延展能不能串連起你我之間的對話?
\n\n讓我們牽起彼此的⼿,以遊戲的⽅式,玩出屬於⾃⼰的舞蹈⽅式。
\n\n\n\n
⾯對⽣活總是有許多的內⼼⼩劇場上演卻不知如何⾯對嗎?
\n\n讓我們從說、從跳、從想像、從書寫,將內在的情感化為外在肢體的具體展現,跳出一⾸無可取代的美麗獨舞。
\n\n\n\n
從觀察與碰觸,我們是否能感受到他⼈的呼吸呢?閉起眼睛,⼜是否能感覺到風的吹拂呢?這一次,讓我們沈澱下來,以⾝體的擺盪來回應世界呼喊的聲⾳。
\n\n\n\n
藝術家:田孝慈
\n\n攝影:王弼正
\n\n國立臺灣藝術大學舞蹈系研究所畢業。現為自由藝術工作者,近年專注於觀察時代、歷史文化與環境形塑出之建立於人之上的情感以及其透過身體表述之形式。2020年與王世偉、李慈湄、 Helmi Fita共創作品「群眾」獲第⼗八屆台新藝術獎表演藝術⼤獎。2016年獲⽂化部獎助赴巴黎駐村,並陸續獲得國家⽂化藝術基⾦會、雲⾨基⾦會與羅曼菲獎助⾦發展創作及參與各項國際交流。作品曾受邀至法國亞維儂國家編舞中心、釜山藝術市集、印度加爾各答 Dance Bridge Festival及深圳戲劇雙年展。2008年起於國內外諸多平台發表個人創作,如墨爾本Dance Massive、美國舞蹈節、臺北藝術節、兩廳院新人新視野、微舞作、下一個編舞計畫、嘉義新舞風及草草戲劇節等。
\n\n\n\n
課程簡介
\n\n《如果將身體視為一種溝通方式》
\n\n如果我們暫且將身體視為心靈、精神、意念的具體形象,我們究竟能夠怎麼樣透過身體來靠近或者傳遞腦中、心裡的所思所想呢?早已習慣藉由語言、文字來表達與溝通的我們,是否對於使用身體來對話依然有著強大的渴望?讓我們一起在三堂課程中,透過身體靠近自己、認識夥伴,嘗試藉由不同的方式聆聽自己與他者吧!
\n\n\n\n
我們利用90分鐘,靜下心來面對總是陪伴著我們的身體、自己的身體。日常生活中被用以完成生活需求的執行著任務,而如果Ta們僅僅只是Ta們自己,頭、手、脊椎、雙腿、各個關節可以怎麼自在的動呢?我們一起嘗試探索!接著我們把Ta們所發展出的動作串連起來,完成一個屬於自己身體、獨一無二的動作短句!
\n\n\n\n
公共的、社交的、個人的空間以距離來劃分,如何定義遠近?妳的距離與我的是否相似?或者相距甚遠?在「武營來跳舞」的這個群體中,一同運用身體之間的距離,重新建立與感受空間、找到動作,也透過「距離」與「空間」,來找到認識彼此的新方式。
\n\n\n\n
請帶著一個關於自己的小故事來,我們嘗試用身體分享一個關於自己的故事。
\n\n\n\n
\n',team:""},createdAt:1637917760,updatedAt:1646705797,updatedBy:"林蔚行",host:!0},{_id:"61a2efc1d970790007fd3cc9",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1653719400,discrete:[{time:1653719400},{time:1653805800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://www.opentix.life/event/1479296771918180353?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856320,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"662dfb64831979a9d05d7d01498c6f2f",title:"國藝會《14th新人新視野》"}],related:[],title:"國藝會《14th新人新視野》",cover:"52cfab18756498283dc7967795baf5e3",site:{isOther:!1,site:"5b102875da0322000751e9a6",other:"衛武營繪景工廠"},cautions:'
「表演藝術新人新視野創作專案」自2008年啟動至今累計扶植57名新銳創作者,共計73個作品,提供具潛力之創作者嶄露頭角的機會。
\n\n第14屆有三位優秀創作者作品:舞蹈作品《在山海來去》是林廷緒於蘭嶼進行田野走訪過程中,重新審視自我對生命歷程的來與去,以及尋覓由自然現象轉化為肢體發展的身體觀。《黑暗的光景》是洪儀庭以兒時經驗取材,將自己設定為遙遠的他者,面對自身感官經驗的故事。藉由穿插大人視角,召喚隨著成長而遁入黑暗的原初印象,混雜「當時」的感受,與「現在」對當時感受的詮釋。高偉恩作品《我是既快樂又悲傷》透過變裝皇后的角色扮演,將私密的內心置於妝容前,展露脆弱和不得示人的一面,讓觀者難以辨識眼前正在表演的主體是誰,最終發現原來是我的真實存在,終能擁有快樂與悲傷。
\n\n\n\n
演出作品
\n\n編舞:林廷緒《在山海來去》
\n\n導演:洪儀庭《黑暗的光景》
\n\n導演:高偉恩《我是既快樂又悲傷》
\n\n\n\n
\n\n
主辦單位:財團法人國家文化藝術基金會
\n\n行政製作:狂想創意
\n\nSince 2008, the Young Star New Visions in Performing Arts Project has supported 57 emerging artists with a total of 73 works, providing opportunities for promising creators to make their mark.
\n\nThe 14th edition features three outstanding works. LIN Ting-syu's Voyage through Mountains and Seas, was based on LIN's fieldwork on Orchid Island. In this dance piece, he reexamines his life's journey and transforms natural phenomena into physical movements. In Dark Sceneries, Alice HUNG drew inspiration from her childhood, setting herself up as a distant other and facing her own sensory experiences. The story evokes the first impressions of the darkness with maturation, mixing past and present consciousness by interweaving adult perspectives. KAO Wei-en's Help me, I'm living, a drag queen reveals the inner self and vulnerability underneath the makeup, mystifying the actual performing subject. Only when we learn about the true self can we finally possess happiness and sadness.
\n\n\n\n
Program
\n\nChoreographer: LIN Ting-syu Voyage through Mountains and Seas
\n\nDirector: Alice HUNG Scenes from the dark
\n\nDirector: KAO Wei-en Help me, I'm living
\n\n\n\n
\n\n
Presented: National Culture and Arts Foundation
\n\nAdministration Producer:「Fantasy TSENG」
\n\n\n\n
\n',team:""},createdAt:1638068161,updatedAt:1645430909,updatedBy:"林蔚行",host:!1},{_id:"61a86b26d970790007fee187",catalogs:["5e9d21f90bddaa00065d24dd"],dateTime:{first:1646632800,discrete:[{time:1646632800},{time:1646706600},{time:1646719200},{time:1647237600},{time:1647311400},{time:1647324e3},{time:16551e5},{time:1655173800},{time:1655186400}],type:"discrete"},activity:{type:"free",free:{description:"12/10(五)12:00 開放線上申請。"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0c8ec051765e922772070c11b62fbfea",title:"2022 衛武營藝企學"}],related:[],title:"2022【衛武營藝企學】",cover:"65db828e4fc3778108a82863ca7cf0ad",site:{isOther:!0,site:"5b102875da0322000751e9a6",other:"音樂廳、戲劇院"},cautions:"",benefits:"",description:"衛武營國家藝術文化中心為南臺灣藝術發展重要基地,擁有全亞洲最大的管風琴及全臺唯一葡萄園式座席設計音樂廳。",introduction:'
►2022【衛武營藝企學】上半年媒合結果公告 | \n\t\t
衛武營國家藝術文化中心為南臺灣藝術發展重要基地,擁有全亞洲最大的管風琴及全臺唯一葡萄園式座席設計音樂廳。為能讓全國學生有機會進入如此具有特色的國際表演廳院,並透過藝文欣賞的體驗,讓美感教育潛移默化,本計畫邀請專業表演團隊精心設計演出腳本,將「劇場禮儀」、「國際廳院介紹」融入精采表演中,期望師生透過親身蒞臨國際級場館與藝文表演欣賞,達到培養學生對於表演藝術美學的感受力與接觸美感場域之目的。
\n\n\n\n
推廣對象
\n\n全國各縣市之國小五年級生至高中職生
\n\n\n\n
推廣場次
\n2022上半年共計9場,各學程場次如下表:
\n
\n國小場次
序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 3/8(二) | \n\t\t\t10:30-11:30 | \n\t\t
2 | \n\t\t\t\n\t\t\t 3/8(二) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t\n\t\t\t 3/15(二) | \n\t\t\t10:30-11:30 | \n\t\t
4 | \n\t\t\t\n\t\t\t 3/15(二) | \n\t\t\t14:00-15:00 | \n\t\t
6 | \n\t\t\t\n\t\t\t 6/14(二) | \n\t\t\t10:30-11:30 | \n\t\t
7 | \n\t\t\t\n\t\t\t 6/14(二) | \n\t\t\t14:00-15:00 | \n\t\t
\n\n
國中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 3/7(一) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t\n\t\t\t 3/8(二) | \n\t\t\t10:30-11:30 | \n\t\t
3 | \n\t\t\t\n\t\t\t 3/8(二) | \n\t\t\t14:00-15:00 | \n\t\t
4 | \n\t\t\t\n\t\t\t 3/14(一) | \n\t\t\t14:00-15:00 | \n\t\t
5 | \n\t\t\t\n\t\t\t 3/15(二) | \n\t\t\t10:30-11:30 | \n\t\t
6 | \n\t\t\t\n\t\t\t 3/15(二) | \n\t\t\t14:00-15:00 | \n\t\t
7 | \n\t\t\t\n\t\t\t 6/13(一) | \n\t\t\t14:00-15:00 | \n\t\t
8 | \n\t\t\t\n\t\t\t 6/14(二) | \n\t\t\t10:30-11:30 | \n\t\t
9 | \n\t\t\t\n\t\t\t 6/14(二) | \n\t\t\t14:00-15:00 | \n\t\t
\n\n
高中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 3/7(一) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t\n\t\t\t 3/14(一) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t6/13(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
\n\n
體驗內容
\n\n\n\n
\n\n
國際廳院介紹:實際走進衛武營音樂廳,認識全亞洲最大管風琴以及葡萄園式座席,感受國際廳院的魅力。
\n\n劇場禮儀:實際體驗驗票進場流程、尋找票面上的座位入席,並在演出過程中學習遵守國際劇場禮儀。
\n\n精彩表演體驗:衛武營藝企學每年邀請音樂、舞蹈、馬戲、傳統戲曲四大類型的專業表演團隊,並精心設計適合該年齡層的演出腳本,並搭配精美學習單,培養學生對於表演藝術美學的感受力。
\n\n\n\n
\n\n
體驗時間
\n\n各場次約90分鐘
\n(演出時間1小時,需提前半小時集合入場)
\n\n
申請流程
\n\n本計畫提供全國各縣市學校進行申請(申請單位為「學校」)
\n\n※衛武營將提供欣賞演出之票券,其餘交通費、保險費、餐費需由學校經費支應。
\n\n\n\n
申請時程
\n\n\n\n
注意事項
\n\n\n\n
聯絡窗口
\n\n衛武營國家藝術文化中心 行銷部學習推廣組
\n\n李詠嫣 07-262-6932
\n\n王維勻 07-262-6943
\n\n\n\n
\n',team:""},createdAt:1638427430,updatedAt:1644992392,updatedBy:"林蔚行",host:!0},{_id:"61c43177bf4bbf000b5a8ea8",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1651836600,discrete:[{time:1651836600},{time:1651905e3},{time:1651923e3},{time:1651991400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,1200,1500,1800],link:"https://www.opentix.life/event/1465239569676304389"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"34aae9bc4672bdc7253dcac57cb893b6",title:"《畫虎藍》"}],related:[],title:"相聲瓦舍《畫虎藍》",cover:"20c00dc5c1f3dd7df4c9b8e0f26846f8",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\t\t\t ※原定於2022年5月6日(五)至5月8日(日)於戲劇院演出之相聲瓦舍《畫虎藍》演出人員異動,原演出人員宋少卿先生將不會參與演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年1月7日(五)止完成辦理全額退票,退票方式請詳OPENTIX。 \n\t\t\t | \n\t\t
\n\n
虎年到!眾星雲集來唬唬 !
\n\n鋼鐵人化身捕蜂人,拯救魚池美少女
\n\n大道公、媽祖婆爭風吃醋大亂鬥,全台颳風又下雨
\n\n虎神、虎爺辦PARTY,眾神卡位齊相聚
\n\n2022年【相聲瓦舍】全新製作《畫虎藍》,馮翊綱虎視眈眈、宋少卿生龍活虎、黃士偉羊入虎口?!『虎年』隆重鉅獻,陪你歡樂一整年!
\n\n\n\n
演出暨製作團隊
\n\n演 出|馮翊綱、黃士偉、韋以丞、翁銓偉、御天十兵衛、巫明如
\n\n編 劇|馮翊綱、徐妙凡
\n\n舞台設計|謝均安
\n\n音樂設計|張靖英
\n\n服裝設計|謝贏瑩
\n\n燈光設計|李佩璇
\n\n舞台監督|陳欣岑
\n\n\n\n
\n\n
照片版權由 相聲瓦舍 提供
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"34aae9bc4672bdc7253dcac57cb893b6",title:"《畫虎藍》"}],related:[],title:"A Blue Tiger",cover:"20c00dc5c1f3dd7df4c9b8e0f26846f8",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
The year of the tiger is coming.
\n\nThe show has a star-studded cast
\n\nAn Iron man incarnates a bee catcher. Save a pretty young lady from Yuchih township.
\n\nAll gods fight against each other for jealousy. Crazy wind and rain are everywhere in Taiwan.
\n\nThe god of tiger and the lord of tiger hold a party and all the gods gather together.
\n\n\n\n
Comedian Workshop presents a brand new production, "A Blue Tiger", in 2022. Mr. Feng glares like a tiger. Mr. Song acts like a active tiger. And Mr. Haung will be bitten by these tigers.The grand of production in the year of the tiger. Let's get high all year.
\n\n\n\n
Creative and Production Team
\n\nPerformer|FENG Yi-gang、WENG Chuan-wei、HUANG Shih-wei、Ethan Wei 、WENG Chuan-wei、PAN Yu-tien、WU Ming-ju
\n\nPlaywright|Feng Yi-gang、Hsu Miao-Fan
\n\nStage Design|Xie Jun-an
\n\nMusic Design|Zhang Jing-ying
\n\nFashion Design|Xie Ying-ying
\n\nLighting Design|Li Pei-xuan
\n\nStage Supervisor|Chen Shen-tsin
\n\n\n\n
\n\n
Photo © Comedians Workshop
\n\n\n\n
\n',team:""},createdAt:1640247671,updatedAt:1647313078,updatedBy:"林蔚行",host:!1},{_id:"61cc404e5574a00007f5e758",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1653046200,discrete:[{time:1653046200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,1200,2e3,3e3,3500],link:"https://www.opentix.life/event/1468511648713986052"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"58d345fbfe1e769503a65f1fa5efa45b",title:"《小野麗莎 Live in Taiwan》"}],related:[],title:"《小野麗莎 Live in Taiwan》",cover:"a91ee41da7f6ec9774bb2d18a5238218",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
© 好滿意音樂有限公司
\n\n\n\n
日裔巴西Bossa Nova 女王-小野麗莎,以慵懶爵士風格的歌聲為名,輕柔的歌聲,配上閑適的旋律,使得每首歌曲都顯得動人療癒,因此在亞洲地區尤其是台灣享有廣大的知名度。
\n\n在 2022年,以愛與感恩為名,我們希望藉著知名歌手小野麗莎溫柔的嗓音,來撫平每個人心裡的不安,以及過去幾年因為疫情所造成無論是心靈或是生活的負能量。選在2022年,以及五月這個充滿愛的月份,邀請各位聽眾參與這場愛與感恩的巡迴演唱會,5/20衛武營國家音樂廳,5/22臺北國家音樂廳;期許世界上的每個人與我們一起在音樂會中找到平靜,在歌聲中得到療癒。
\n\n\n\n
演出曲目
\n\n月河
\n玫瑰人生
\n歡喜
\n鄉間小路帶我回家
\n什錦燴飯
\n旅行的好日子(いい日旅立ち)
\n世界之巔
\n夏日森巴
\n伊帕內瑪姑娘
\n搭A線列車
-中場休息-
\n\n聊勝於無
\n釋放我的心
\n是誰
\n順其自然
\n夜來香
\n藍雀
\n深深的吻
\n魔法
\n桂竹香的花苞
\n去年的聖誕節
\n當你對著星星許願
\n我願意
※以現場演奏曲目為準
\n\n\n\n
演出暨製作團隊
\n\n主唱|⼩野麗莎
\n\n鋼琴|二村希一
\n\n貝斯手|織原良次
\n\n鼓手|丹尼爾貝德
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"58d345fbfe1e769503a65f1fa5efa45b",title:"Lisa Ono Live in Taiwan "}],related:[],title:"Lisa Ono Live in Taiwan ",cover:"a91ee41da7f6ec9774bb2d18a5238218",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
©Harmonie Music Pty Ltd.
\n\n\n\n
The Japanese Brazilian singer, Lisa Ono, is going to have a concert tour in Taiwan in 2022!
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Lisa Ono started singing and playing the guitar when she was 15 years old, and her debut as a professional Bossa Nova singer was in 1989. Her natural voice, rhythmic guitar playing, and her charming smile led her to a huge success and helped Bossa Nova to be popular in Asia.
\n\n\n\n
One Night Only in Weiwuying National Kaohsiung Centre for Arts on May 20th 2022. Do not miss out!
\n\n\n\n
Program
\n\nMOON RIVER
\nLA VIE EN ROSE
\nHPPINESS
\nTAKE ME HOME COUNTRY ROAD
\nJAMBALAYA
\nいい日旅立ち
\nTOP OF THE WORLD
\nSAMBA DE VERAO
\nGAROTA DE IPANEMA
\nTAKE THE A TRAIN
-Intermission-
\n\nMAS QUE NADA
\nUNCHAIN MY HEART~HANKY PANKY
\nQUIEN SERA
\nQUE SERA SERA
\nYEAH LEI SHANG
\nBLUE CANARY
\nBESAME MUCHO
\nBILONGO
\nCAPLLITO DE ALLELI
\nLAST CHRISTMAS
\nWHEN YOU WISH UPON A STAR
\nSTILL HERE
※Subject to change
\n\n\n\n
Creative and Production Team
\n\nVocal|Lisa Ono
\n\nPiano|Kiichi Futamura
\n\nBass|Ryoji Orihara
\n\nDrum|Daniel Baeder
\n\n\n\n
\n',team:""},createdAt:1640775758,updatedAt:1643353767,updatedBy:"林蔚行",host:!1},{_id:"61cc49f75574a00007f5e8f3",catalogs:["5c1f073a5a5bea0006f3eb11"],dateTime:{first:1652268600,discrete:[{time:1652268600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[350,450],link:"https://www.opentix.life/event/1478670487372103686?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"acbf711963cf1296705a5d8005b52d07",title:"2022焦點舞團《故意狀態》"},{type:"image",key:"a9de4ac0efbea17a5288281c5c507c51",title:"2022焦點舞團《故意狀態》"},{type:"image",key:"f9f1673d8c387657c51763e0c567d92d",title:"2022焦點舞團《故意狀態》"}],related:[],title:"2022焦點舞團《故意狀態》",cover:"605f7dd1c1e50213a7c26498ec781392",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
經典再現國際編導桑吉加《火柴人》,特邀前荷蘭舞蹈劇場資深舞者婁夢涵新作《闇黑之夢》,以及7支新銳編舞家作品,帶來嶄新的自我詮釋且銳氣逼人的一組新作。
\n\n\n\n
「逆向時代,恣意隨行。」
\n\n在身不由己的時代,勇對未知;
\n\n面對不可抗力,恣意為之;
\n\n無視被現實獵逐,放飛夢想。
\n\n焦點舞團為國內屈指可數、具發展性的專業舞團,除演繹世界級舞碼,同時提供新一代創作者多元、專業、獨立的創作平台,不自我設限,勇於精進挑戰。
\n\n\n\n
2022焦點舞團【故意狀態】,將再現國際編導桑吉加2007年經典舞碼《火柴人》,並特邀荷蘭舞蹈劇場前資深舞者婁夢涵編創新作《闇黑之夢》,同場上演新銳編舞家嶄新的自我詮釋且銳氣逼人的七支作品。
\n\n\n\n
演出曲目
\n\n《火柴人》
\n\n《闇黑之夢》
\n\n《星辰》
\n\n《撕•念》
\n\n《來到這裏嘗試》
\n\n《夢醒時分》
\n\n《借來的夢田》
\n\n《鐘擺上的杜普勒少女》
\n\n《很久以前的那天》
\n\n\n\n
演出暨製作團隊
\n\n主辦單位|焦點舞團
\n\n指導單位|臺北市文化局 國立臺北藝術大學 國立臺北藝術大學舞蹈學院
\n\n藝術總監|張曉雄
\n\n行政總監|蟻薇玲
\n\n技術總監|吳文安
\n\n執行藝術總監|王元俐
\n\n特邀編舞家|桑吉加 婁夢涵
\n\n製作|邱柏盛 鄭蓉璟 施孟含
\n\n文書|施馥瑄 楊楓笛
\n\n票務|詹佩瑄 劉彥佩
\n\n宣傳|梁保昇 蔡博鴻 郭育睿 何姿葳 嚴崇瑜 翟鈺珩
\n\n財務|李易晴 陳婷渝
\n\n舞台監督|曾百瑜
\n\n舞台技術設計|朱健鍺
\n\n燈光設計|吳文安 劉志晨
\n\n音樂設計|Thijs Scheele、 Leslie Stuck
\n\n服裝設計|武冰 楊愷霖
\n\n重建服裝設計|李冠瑩
\n\n平面設計|李治達 梁保昇
\n\n平面攝影|張家豪
\n\n舞台技術|葉家祐 余亞儒 陸柏源 謝㻿名 蔡孟廷 段予誠 吳孜芸 賴泓甫 羅廷瑋 翟鈺珩
\n\n演出人員|何姿葳 詹佩瑄 施孟含 施馥瑄 吳孜芸 李易晴 鄭蓉璟 楊楓笛 蔡博鴻 嚴崇瑜 郭育睿 余亞儒 蔡孟廷 邱柏盛 段予誠 陸柏源 葉家祐 羅廷瑋 賴泓甫 梁保昇 謝㻿名 陳婷渝 劉彥佩 翟鈺珩
\n\n\n\n
照片版權由 攝影:張家豪 提供
\n\n\n\n
贊助單位
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"acbf711963cf1296705a5d8005b52d07",title:"2022焦點舞團《故意狀態》"},{type:"image",key:"a9de4ac0efbea17a5288281c5c507c51",title:"2022焦點舞團《故意狀態》"},{type:"image",key:"f9f1673d8c387657c51763e0c567d92d",title:"2022焦點舞團《故意狀態》"}],related:[],title:'2022Focus Dance Company "Intention"',cover:"605f7dd1c1e50213a7c26498ec781392",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Focus Dance Company's 2022 season, Intention, will feature the internationally acclaimed choreographer Sang Jijia's brilliant dance piece Sticks, while Lou Menghan, the experienced dancer and former NDT dancer, has been invited to present his latest choreography Black Dreams. The season will also stage seven compelling pieces in a brand new interpretation by the new born choreographers.In an era when you cannot be in control, brace yourself for the unknown; when faced with the uncontrollables, be rampant and unrestrained; defy the crushing realities and let your dreams fly high.
\n\n\n\n
Program
\n\nSticks
\nBlack Dreams
\nConstellate
\nHomesick
\nTRY TO REACH
\nBlue hour
\nFrom reality
\nPendular Doppler
\nSomewhere over the rainbow
\n\n
Creative and Production Team
\n\nPresenter | Focus Dance Company
\n\nAdviser | Department of Cultural Affairs Taipei City Government, Taipei National University of the Arts
\n\nArtistic Director | Xiaoxiong Zhang
\n\nAdministration Director | Yi Wei-Ling
\n\nTechnical Director | Goh Boon Ann
\n\nAssociate Artistic Director | Wang Yuan-Li
\n\nChoreographer | Sang Jijia, Menghan Lou
\n\nProducer | Chiu Po-Sheng,Cheng Jung-Ching, Shih Meng-Han
\n\nSecretary | Shih Fu-Hsuan, Yang Feng-Ti
\n\nTicketing Clerk | Chan Pei-Hsuan, Liu Yen-Pei
\n\nPublic Relations | Leong Pou-Seng, Tsai Po-Hung, Guo Yu-Rui, Ho Tzu-Wei, Yen Chung-Yu, Chai Yu-Heng
\n\nFinancial Affairs | Lee Yi-Ching, Chen Ting-Yu
\n\nStage Manager | Tseng Pai-Yu
\n\nStage Technology Designer | Cho Jian-Ze
\n\nLighting Designer | Goh Boon Ann, Liu Chih-Chen
\n\nMusic Designer | Thijs Scheele, Leslie Stuck
\n\nCostume Designer | Wu Bing, Yang Kai-Lin
\n\nRe-costume Designer | Li Guan Ying
\n\nGraphic designer | Lee Zi-Da, Leong Pou-Seng
\n\nPhotographer | Chang Chia-Hao
\n\nStage Crew | Ye Jia-You, Yu Ya-Ju, Lu Bo-Yuan, Chia Shu Ming, Tsai Meng-Ting, Duan Yu-Cheng, Wu Tzu-Yun, Lai Hung-Fu, Luo Ting-Wei, Chai Yu-Heng
\n\nDancers | Ho Tzu-Wei, Chan Pei-Hsuan, Shih Meng-Han, Shih Fu-Hsuan, Wu Tzu-Yun, Lee Yi-Ching, Cheng Jung-Ching, Yang Feng-Ti, Tsai Po-Hung, Yen Chung-Yu, Guo Yu-Rui, Yu Ya-Ju, Tsai Meng-Ting, Chiu Po-Sheng, Duan Yu-Cheng, Lu Bo-Yuan, Ye Jia-You, Luo Ting-Wei, Lai Hung-Fu, Leong Pou-Seng, Chia Shu Ming, Chen Ting-Yu, Liu Yen-Pei, Chai Yu-Heng
\n\n\n\n
Photo ©張家豪
\n\n\n\n
Sponsor
\n\n\n',team:""},createdAt:1640778231,updatedAt:1646879371,updatedBy:"林蔚行",host:!1},{_id:"61cd6491644816000794f09a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1653805800,discrete:[{time:1653805800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1400,1600,1800],link:"https://www.opentix.life/event/1466661823082741765?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"47ef8f3ce40f09b15b63d54ae2fdd7ca",title:"狂美《璀璨經典百老匯》交響音樂會"}],related:[],title:"狂美《璀璨經典百老匯》交響音樂會",cover:"349d4184c20337e5c082beca85540830",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
【來自觀眾的好評回饋】
\n\n「這是我第一次觀賞狂美的音樂會,您們表演真的很棒。因為先生讀高中時是管樂團,而我大學時是唸英國文學,對百老匯的戲劇及文學都有涉略。聽完您們的音樂會時,心中有著滿滿的共鳴,心滿意足的走出演藝廳,非常謝謝你們的精湛演出,之後再見。」—— 觀眾張小姐(職業:大學教授)
\n\n「現場的樂手老師幾乎是從第一分鐘吹奏到最後一分鐘,秒秒熱血沸騰,就知道現場樂手老師們之優秀呀,狂美就是狂。」—— 觀眾王小姐(職業:痞克邦專職部落客)
\n\n\n\n
精選九部百老匯經典音樂劇配樂,網羅《歌劇魅影》、《悲慘世界》、《媽媽咪呀》、《貓》、《美女與野獸》、《獅子王》、《綠野仙蹤》、《西城故事》...等知名劇碼,經典薈萃一次呈現!透過狂美精湛的演繹、桂冠級的專業導聆,絕對能滿足您挑剔的耳朵。讓我們穿越太平洋,感受百老匯的璀璨風華與萬般風情。
\n\n\n\n
更多資訊:狂美臉書粉專
\n\n\n\n
演出曲目
\n\n《綠野仙蹤》|Arr.詹姆士.巴恩斯
\n\n《貓》|Arr.森田一浩
\n\n《歌劇魅影》|Arr.約翰·德·梅傑
\n\n《悲慘世界》|Arr.馬塞爾·皮特斯
\n\n《西城故事》精選|Arr.斯蒂芬·桑德海姆
\n\n《媽媽咪呀!》阿巴金曲|Arr.邁克爾·布朗
\n\n《美女與野獸》組曲|Arr.真島俊夫
\n\n《獅子王》|Arr.約翰·希金斯
\n\n\n\n
演出暨製作團隊
\n\n製作人/指揮|謝韋民(狂美交響管樂團 團長)
\n\n監製|劉可婕(狂美交響管樂團 樂團總監)
\n\n桂冠導聆|黃子佼(天王級主持人、十座金鐘獎得主)
\n\n演出樂團|狂美交響管樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"47ef8f3ce40f09b15b63d54ae2fdd7ca",title:"狂美《璀璨經典百老匯》交響音樂會"}],related:[],title:"Symphonic Concert : Brilliant Broadway",cover:"349d4184c20337e5c082beca85540830",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Conbello Symphonic Band selected nine classic Broadway musical soundtracks. Included The Phantom of the Opera, Les Miserables, Mamma Mia and other well-known dramas. All collections will present at one time. Through the impressive performance and professional guide, you can absolutely be satisfied. Let’s cross the Pacific Ocean and feel the brilliance and chram of Broadway.
\n\n\n\n
Program
\n\nThe Wizard of OZ|Arr. James Barnes
\nCat|Arr. Kazuhiro Morita
\nPhantom of the Opera|Arr. Johan de Meij
\nLes Misérables|Arr. Marcel Peeters
\nWest Side Story selection|Arr. Stephen Sondheim
\nABBA on Broadway|Arr. Michael Brown
\nBeauty And The Beast Medley|Arr. Toshio Mashima
\nThe Lion King|Arr. John Higgins
\n\n
Creative and Production Team
\n\nProducer / Conductor|HSIEH Wei-min
\n\nDirector|LIU Ke-chieh
\n\nGuide|HUANG Zi-Jiao
\n\nPerformer|Con Bello Symphonic Band
\n\n\n\n
\n',team:""},createdAt:1640850577,updatedAt:1640857644,updatedBy:"林蔚行",host:!1},{_id:"61cd89c314e94c00089b053c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1652527800,discrete:[{time:1652527800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[700,900,1200,1500,1800],link:"https://tickets.udnfunlife.com/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1KV61KF"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"95253b7f55d88a7089d2641569bb1d7f",title:"《聲聲不息 2.0-范德騰 vs 許哲誠 說唱・音樂會》"}],related:[],title:"《聲聲不息 2.0 樂團來 PK》",cover:"a3bf79a4de759bf0e9607d8dc574334c",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
旅臺多年的美籍鋼琴教授遇上天才視障鋼琴家
\n\n20年的師生情誼 淬煉成舞台上的尖峰對彈
\n\n2020年 全臺巡演超過15場 觀眾好評不斷
\n\n歷屆一年構思,「聲聲不息」推出第二部全新作品「聲聲不息2.0 樂團來PK」
\n\nTASO台灣藝術家交響樂團率團挑戰兩位鋼琴家的極限
\n\n相聲X雜耍X古典樂
\n\n精湛琴藝結合趣味元素,顛覆一般觀眾對古典樂的刻板印象
\n\n\n\n
演出曲目
\n\n史特勞斯:拉德斯基進行曲
\n巴哈:F小調協奏曲,作品1056,第一、二樂章
\n莫札特:D小調鋼琴協奏曲,作品466,第三樂章
\n蕭邦:第二號鋼琴協奏曲,第一 樂章、第二樂章
\n葛利格:A小調鋼琴協奏曲,第一樂章
\n柴可夫斯基:降B小調第一號鋼琴協奏曲,第一樂章
\n拉赫曼尼諾夫:第三號鋼琴協奏曲,第一樂章
\n拉赫曼尼諾夫:第二號鋼琴協奏曲,第一樂章
\n拉赫曼尼諾夫:第二號鋼琴協奏曲,第三樂章
\n理查德.羅德尼.班奈特:森巴舞曲
\n韓德爾: 《彌賽亞》〈哈雷路亞〉
\n李歐納.柯恩:哈雷路亞
\n雷.查爾斯:哈雷路亞,我是如此愛她
\n蕭邦:《雨滴》前奏曲,作品28-15
\n范德騰:《浴室好朋友》
\n范德騰:《加護病房之歌》
\n貝多芬:《熱情》奏鳴曲,作品57,第一樂章
\n貝多芬:第九號交響曲《合唱》,第四樂章 〈快樂頌〉
\n李正帆:《快樂頌》(原唱:庾澄慶)
\n吳嘉祥:《歡喜就好》(原唱:陳雷)
\n菲瑞.威廉斯:Happy
\n\n
演出暨製作團隊
\n\n鋼琴家|范德騰、許哲誠
\n\n指揮|呂景民
\n\n樂團|台灣藝術家交響樂團
\n\n\n\n
\n\n
照片版權由 歐普思音樂藝術 提供
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"95253b7f55d88a7089d2641569bb1d7f",title:"《聲聲不息 2.0-范德騰 vs 許哲誠 說唱・音樂會》"}],related:[],title:"Do You See What I Hear? 2.0: Taking on the Orchestra",cover:"a3bf79a4de759bf0e9607d8dc574334c",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
This show is about the very real connection made between two extremely different people. John Vaughan is an American piano professor who moved to Taiwan in 1993. In 1998 he began teaching Hsu Zhe-Cheng, an 11-year-old Taiwanese blind wunderkind. After 10 years, they begin performing together, taking their real-life persona on stage and amuse audiences of all ages with their "piano lessons." Having performed in concert halls and theaters throughout Asia for over a decade, John and Zhe-Cheng have become masters at weaving stories about themselves, composers, and musical works with the actual music itself. "Do You See What I Hear" is their latest show, a hilariously funny and highly moving piano lesson that explores the different ways of "looking" at music.In this new updated version, the professor and his blind student are joined by an orchestra for a lively discussion about the Concerto.
\n\n\n\n
Program
\n\nStrauss: Radetzky March
\nBach: Concerto in f minor, BWV 1056 1st and 2nd movements
\nMozart: Concerto in d minor, K. 466 1st movement
\nChopin: Concerto No. 2, in f minor 1st movement、2nd movement
\nGrieg: Concerto in A minor 1st movement
\nTchaikovsky: Concerto in Bb minor 1st movement
\nRachmaninoff: Piano Concerto No. 3 in d minor 1st movement
\nRachmaninoff: Piano Concerto No. 2 in c minor 1st movement
\nRachmaninoff: Piano Concerto No. 2 in c minor 3rd movement
\nRichard Rodney Bennett: Samba Triste
\nHändel:Hallelujah Chorus from Messiah
\nLeonard Cohen: Hallelujah
\nRay Charles: Hallelujah I Love Her So
\nChopin:Prelude Op. 28, No. 15, "Raindrop"
\nBeethoven:Piano Sonata in f minor, Op. 57 , "Appassionata", Mov. 1
\nBeethoven:"Ode to Joy" from Symphony No. 9 "Choral", Op. 125, Mov. 4
\nPharrel Williams: Happy
\n\n
Creative and Production Team
\n\nPiano|John Vaughan、Che-Chen Hsu
\n\nConductor|Ching-Ming Lu
\n\nOrchestra|TASO
\n\n\n',team:""},createdAt:1640860099,updatedAt:1641381265,updatedBy:"林蔚行",host:!1},{_id:"61d7f37b644816000798c4c2",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1653737400,discrete:[{time:1653737400},{time:1653805800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1600,2e3,2500,3e3],link:"https://www.opentix.life/event/1474281751257104388?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3010ef10697d9f61c90a604923e4ebad",title:"《你好,我是接體員》"}],related:[],title:"《你好,我是接體員》",cover:"cbb6c99d63066ea24401a0dadedff777",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
\n\n
影片來源:全民大劇團
\n\n\n\n
奇幻搖滾音樂劇《你好,我是接體員》2022全臺巡演
\n\n離別伴隨著遺憾、不捨,但有時卻夾雜了一些荒謬情節,從黑色喜劇角度出發,奇幻多變的音樂風格殯儀館的幽默日常即將展開!改編自PTT爆紅文章,大師兄同名小說改編2020首演全數完售,2021巡演好評迴響極大,2022再開 北、中、南 巡演,敬請把握!
\n\n由6段故事串聯,22首原創歌曲,邀請到文學作家張大春老師作詞,張瀚中老師作曲,歌手唱匠、實力派演員及舞台劇新秀等齊聚一堂。
\n\n\n\n
演出暨製作團隊
\n\n領銜主演|范逸臣、方宥心、林曉培、康茵茵、凱爾、張丹瑋、竺定誼、林玟圻Ctwo、林斌、呂紹齊、王靉天、胖球、劉樸、周家寗、莊寧、陳冠瑋、翁子淇、魏君佑、楊佩蓁
\n\n製作團隊
\n\n製 作 人|陳怡靜
\n\n編 導|謝念祖
\n\n歌詞創作|張大春
\n\n作曲統籌/音樂總監|張瀚中
\n\n原創小說|大師兄
\n\n編 劇|陳彥廷
\n\n歌唱詮釋指導|魏世芬
\n\n舞台設計|劉達倫
\n\n燈光設計|黃諾行
\n\n服裝設計|陳佳敏
\n\n舞蹈設計|郭靜婷
\n\n影像設計|羅士翔
\n\n舞臺監督|侯文碩
\n\n\n\n
\n\n
照片版權由 全民大劇團 提供
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3010ef10697d9f61c90a604923e4ebad",title:"《你好,我是接體員》"}],related:[],title:"Ballad from Six Feet Under",cover:"cbb6c99d63066ea24401a0dadedff777",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
\n\n
© All U People Theatre
\n\n\n\n
This musical is adapted from the best-selling book of the same name "Touching Stories About Life and Death in the Mortuary Parlor." This best-seller is originated from a series of articles titled “Assorted Stories about an Undertaker,” which went viral on the Internet. The original author "Big Brother Guo Shui Liu" works in a funeral parlor, where the dead people outnumber than living people. Full of horrifying impressions, a funeral parlor is also a place that people try their best to shun from. However, what an undertaker see there is more human nature than supernatural incidents. This musical with brand-new fantasies is a must-see at the end of this year. It is guaranteed that you’ll be amazed by the intriguing stories one after another in this musical and will be deeply trapped in it with joy and surprise.
\n\n\n\n
Creative and Production Team
\n\nPerformers: YU-CHEN FAN, Yu-Hsin FANG, Shino LIN, Yin-Yin KANG, Kyle LO, Dan-Wei CHANG, Ting-Yi CHU, Ctwo WEN-CHI LIN, Shao-Qi LU, Ai-Tien WANG, Ning-Le CHEN, Pu LIU, Chia-Ning CHOU, Kuan-Wei CHEN, Tzu-Chi WENG
\n\nScreenwriter-director: Nien-Tsu HSIEH
\n\nOriginal writer: Big brother
\n\nScreenwriter: Yen-Ting CHEN
\n\nProducer: Yi-Ching CHEN
\n\nLyricist: Ta-Chun CHANG
\n\nMusic director: Han-Chung CHANG
\n\nSinging instructor: Shih-Fen WEI
\n\nSet designer: Dar-Lurn LIU
\n\nLighting designer: Nuo-Hsing HUANG
\n\nCostume designer: Chia-Min CHEN
\n\nImage designer: Shih-Hsiang LO
\n\nChoreographer: Ching-Ting KUO
\n\nStage manager: Wen-Shuo HO
\n\n\n\n
\n\n
Photo © All U People Theatre
\n\n\n',team:""},createdAt:1641542523,updatedAt:1641792697,updatedBy:"林蔚行",host:!1},{_id:"61dd28db14e94c00089e465f",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1651836600,discrete:[{time:1651836600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3],link:"https://www.opentix.life/event/1473854113616613381?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"de05ba021cbac545b62335318a3d7372",title:"KSAF《放電旅程》"}],related:[],title:"KSAF《放電旅程》",cover:"808aea272723d9ad642e7566adb637a1",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄市國樂團首度大膽嘗試,力邀2屆Red Bull 3Style全球DJ大賽臺灣總冠軍DinPei,讓強勁的嘻哈節奏翻玩國樂曲調。「國樂小子」DinPei擅長運用傳統樂器與電子音樂的聲響,將不同曲風大膽結合,傳達創作技法的多元。 《放電旅程》在大量涉足流行音樂與劇場跨界經驗的江振豪指揮引領下,除了植入電音元素用混音刷出音韻神采,也將解放中阮及打擊樂的框架,在旋律及節奏中尋求新色彩,就讓音符的電流在旅程中跟著節奏漫遊。
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n指揮|江振豪
\n\nDJ|DinPei
\n\n中阮|于惠蘭
\n\n打擊|王盈智
\n\n高雄市國樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"de05ba021cbac545b62335318a3d7372",title:"KSAF《放電旅程》"}],related:[],title:"When Chinese Orchestra Meets Electronic Music",cover:"808aea272723d9ad642e7566adb637a1",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Kaohsiung Chinese Orchestra will be in collaboration with the winner of Red Bull 3Style DJ Championship in Taiwan, DinPei. The concert will bring electronic sounds and Hip-Hop vibes into traditional Chinese music. When Chinese Orchestra Meets Electronic Music also invites the conductor, CHIANG, Chen-hao, to play out a whole new listening sensation. In the concert, musicians with zhongruan and percussion will also explore a new flavor in melody and rhythm, taking the audience to flow in a space of electronic soundscape.
\n\n\n\n
Program
\n\nZEN, Chung: Smangus, the Night Sky and Giant Cypress Trees
\n\nCHEN, Ming-chi: Song of the Rainforest (Percussion and Zhongruan Double Concerto)
\n\nDinPei: Shuriken + Alterac Valley (World Premiere)
\n\nLIN, Hsin-pin: Jasminum, Where Are You
\n\nComposer-SU, Wen-cheng, Adaptation-DinPei: The Impression of Mountain and Sea
\n\nLIU, Wen-chin, ZHAO, Yong-shan: Ambushed from All Sides
\n\n\n\n
Creative and Production Team
\n\nConductor|CHIANG, Chen-Hao
\n\nDJ|DinPei
\n\nZhongruan|YU, Hui-Lan
\n\nPercussion|WANG, Yin-Chih
\n\nKaohsiung Chinese Orchestra
\n\n\n\n
\n',team:""},createdAt:1641883867,updatedAt:1646380228,updatedBy:"林蔚行",host:!1},{_id:"61e51d7a64481600079d801d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1652873400,discrete:[{time:1652873400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1477809817202515972?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4407614f74eb671ccbc131b48473a974",title:"《跟著動物去旅行》臺中教育大學音樂學系教師音樂會"}],related:[],title:"《跟著動物去旅行》臺中教育大學音樂學系教師音樂會",cover:"0f413d387393fe210d380bfb4f7fa4d6",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
這是一場由國立臺中教育大學專任教師群共同籌劃,以動物為主題的音樂會,也是該系自 【聲琴吟擊】 和 【一沙一世界,攜手共展望】教師系列音樂後之後,將演奏觸角伸往南臺灣的首演會。節目將呈現義大利、奧地利、法國、英國和俄國作曲家們精采的作品集,且來聆聽音樂家們如何運用樂器的特殊聲響,以各自不同的作曲手法栩栩如生地描寫動物世界。演奏者們將以長笛、女高音、鋼琴和小提琴等不同的樂器組合,聯手音樂學系管弦樂團合作演出,帶領觀眾們以無限的想像【跟著動物去旅行】!
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n演出|王如哲校長
\n\n策劃|莊敏仁院長
\n\n執行暨音樂總監|李麗蓉主任
\n\n行政總監|張碩宇
\n\n行政|馬廣駿
\n\n樂團指揮|許智惠教授、梶間聡夫
\n\n雙鋼琴|李麗蓉、劉蕙華
\n\n女高音|黎蓉櫻
\n\n管風琴、作曲|謝宗仁
\n\n小提琴|徐晨又
\n\n長笛|張碩宇
\n\n樂團|國立臺中教育大學音樂學系管弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4407614f74eb671ccbc131b48473a974",title:"《跟著動物去旅行》臺中教育大學音樂學系教師音樂會"}],related:[],title:"NTCU Department of Music Faculty Concert",cover:"0f413d387393fe210d380bfb4f7fa4d6",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Music Department of National Taichung University of Education (NTCU) presents "Animals of the World" A Musical Tour
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nPerformance|WANG Ru-Jer
\n\nMusic Director|CHUANG Ming-Jen
\n\nExective Producert|LEE Li-Jung
\n\nDirector of Administration|CHANG Shuo-Yu
\n\nAdministration Producer|MA KUANG-CHUN
\n\nDirector of Orchestra|HSU Chih-Hui 、Fusao Kajima
\n\nPiano Duo|LEE Li-Jung、LIU Huey-Hwa
\n\nSoprano|LEE Jung-Ying
\n\nOrgan、Composer|HSIEH Tsung-Jen
\n\nViolin|HSU Chen-Yu
\n\nFlute|CHANG Shuo-Yu
\n\nOrchestra|National Taichung University of EducationMusic Department Orchestra
\n\n\n\n
\n',team:""},createdAt:1642405242,updatedAt:1642497769,updatedBy:"林蔚行",host:!1},{_id:"61ea76207236db00087e6491",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1652173200,discrete:[],type:"continuous",continuous:{time:[1642755600],endTime:[1642755600],start:1652112e3,end:1652198400}},activity:{type:"signup",signup:{limit:400,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!0,key:"61f1218e7236db00087f3680",text:"預計前往兌換小禮包之廳院",english:"預計前往兌換小禮包之廳院"}],vip:{start:1648789200,end:1650038399},open:{start:1651640400,end:1651852799},description:'
派對過夜限量小包退費機制:購買人須主動聯絡主辦單位申請退費(chaohsueh.huang@npac-weiwuying.org),購買人須於活動前7天辦理申請,取消將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前,完成退費。
\n\t主辦單位保留活動修改、解釋或取消之權利。
\n\t相關問題請洽行銷部黃小姐 chaohsueh.huang@npac-weiwuying.org
\n\t\n\n
本派對過夜限量小包僅限有購買以下票劵之民眾購買:
\n\t24小時一票到底觀賞音樂廳節目:500元
\n\t24小時一票到底觀賞表演廳節目:300元
為提供加購服務之便利性,購買人可協助友人加購小包,至多可加購四份。(購買人及友人皆需持有票券才能於現場兌換)
\n\t購買後請於活動當日持票券於廳院前台兌換。(每一票劵限加購一份)
\n\t派對過夜限量小包退費機制:購買人須主動聯絡主辦單位申請退費(chaohsueh.huang@npac-weiwuying.org),購買人須於活動前7天辦理申請,取消將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前,完成退費。
\n\t主辦單位保留活動修改、解釋或取消之權利。
\n\t相關問題請洽行銷部黃小姐 chaohsueh.huang@npac-weiwuying.org
\n\t\n\t\t\t ※因天候影響,2月19日(六)至2月20日(日)「瘋迷快閃吧」活動異動至表演廳入口處前。造成您的不便,敬請見諒! \n\t\t\t | \n\t\t
\n\n
派對過夜小包 (音樂廳、表演廳限定)
\n\n一場24小時的音樂派對,夜晚與晨間早起累了餓了不擔心,舒伯特派對過夜小包幫你打點一切。
\n\n線上預購價:250元(現場價:300元)
\n\n\n\n\n\n
(即日起至2/17(四)止)
\n\n注意事項
\n\n本派對過夜限量小包僅限有購買以下票劵之民眾購買:
\n\t24小時一票到底觀賞音樂廳節目:500元
\n\t24小時一票到底觀賞表演廳節目:300元
為提供加購服務之便利性,購買人可協助友人加購小包,至多可加購四份。(購買人及友人皆需持有票券才能於現場兌換)
\n\t購買後請於活動當日持票券於廳院前台兌換。(每一票劵限加購一份)
\n\t達人認證集章
\n\n凡參與本次《瘋迷24舒伯特》所有節目,即可獲得集章貼紙。(不含戶外公共鋼琴)
\n\n※各場演出結束後會發送集章貼紙,請貼在節目冊上完成集章喔。
\n※請務必於每場次結束後 15 分鐘內索取完畢,超過時間恕不提供後補。
\n\n
達人認證儀式:
\n\n2月20日表演廳最終場後(17:45),集滿15場的達人們,可帶著認證書至表演廳大廳接受眾人的榮耀掌聲,並與衛武營藝術總監簡文彬合影,還可獲得認證儀式限定《瘋迷24舒伯特》海報1份。
\n\n\n\n
集章攻略:
\n\n\n\n
瘋迷快閃吧
\n\n特別邀請美食餐車於消夜及早餐時段進駐,陪伴大家補充能量,徹夜狂歡。
\n\n時間:2/19(六)-2/20(日)10:00
\n\n地點:表演廳入口前
\n\n進駐品牌:参男三明治、OMoR Cafe
\n\n\n\n
節目資訊
\n\n\n\n\n\n
\n\n
\n',team:""},createdAt:1642755616,updatedAt:1651654630,updatedBy:"資訊室共用",host:!0},{_id:"61f0f8567236db00087f3053",catalogs:["6010ca1afb81540009f438e6"],dateTime:{first:1645857e3,discrete:[{time:1645857e3},{time:1651905e3},{time:1654410600}],type:"discrete"},activity:{type:"free",free:{description:"報名參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1643256e3,end:4798972799},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1153ef71a589aa6baa1b987e71342c4c",title:"2022【衛武營場館友善計畫】演出欣賞"}],related:[],title:"2022【衛武營場館友善計畫】演出欣賞",cover:"369da87e643570db85e092b3f8fe9855",site:{isOther:!0,site:"",other:"衛武營"},cautions:'
衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。藉由各項無障礙軟硬體設施建置,讓視障和聽障朋友在友善的空間,與眾人一同感受衛武營的美好,在促進文化平權上往前邁向一大步。「演出欣賞」由場館主辦節目中挑選音樂、舞蹈、戲劇等演出,邀請大眼睛大耳朵朋友們走進劇場欣賞演出,共享表演藝術的美好與悸動。本活動包含特製節目單(視演出節目需求製作)、演前導聆與演出賞析,歡迎大眼睛大耳朵朋友們一同來參與!
\n\n\n\n
報名對象
\n\n身心障礙證明註記第二類者(視覺障礙、聽覺機能障礙),建議7歲以上觀眾觀賞。
\n\n\n\n
報名時程
\n\n2022/1/27(四)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
\n\n\n\n
報名費用
\n\n每人(組)每場次酌收300元保證金,並於演出當日退還。
\n\n\n\n
報名流程
\n\n1. 請確認參與場次後,填寫報名表單
\n\n2. 報名完成後,請將保證金匯款至衛武營帳戶
\n\n3. 主辦單位確認匯款後,將以信件通知報名成功,收到信件通知方算報名成功。
\n\n※報名順序將以保證金匯款順序為依據,非表單填寫順序。
\n\n\n\n\n\n
\n\n
參與人數
\n\n大眼睛節目每場至多10組(每組含1位視障朋友及1位陪同者)
\n\n大耳朵節目每場至多20人(含20位聽障朋友)
\n\n\n\n
溫馨提醒
\n\n\n\n
演出節目
\n\n【大眼睛節目】
\n\n表演類型 | \n\t\t\t演出日期 | \n\t\t\t演出節目 | \n\t\t
戲劇 | \n\t\t\t\n\t\t\t 2022/2/26(六)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
歌劇 | \n\t\t\t2022/6/5(日)14:30 | \n\t\t\t台北歌劇劇場《50年回顧展演》 | \n\t\t
\n\n
【大耳朵節目】
\n\n表演類型 | \n\t\t\t演出日期 | \n\t\t\t演出節目 | \n\t\t
舞蹈 | \n\t\t\t\n\t\t\t 2022/5/7(六)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
贊助單位
\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1643182166,updatedAt:1643344494,updatedBy:"林蔚行",host:!1},{_id:"61f2401c98a2890007b7c2f9",catalogs:["5aec4184b01ea6000520f633","5f6f57d6e0fdee000b536ba9"],dateTime:{first:1652441400,discrete:[{time:1652441400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,700,900,1100,1300,1500],link:"https://www.opentix.life/event/1481832728481026053?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a296acd71e0617cfd78752f9a4cc3d87",title:"狂美親子音樂劇場《動物派對》"}],related:[],title:"狂美親子音樂劇場《動物派對》",cover:"ef464871e63b0344ad127d7b38b4fb6f",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
★「狂美親子音樂劇場是我家寶貝認識表演藝術的敲門磚,音樂結合戲劇精彩又動人,又極富教育意涵。每場必看!極力推薦!」—— 觀眾申小姐(職業:金融業主管)
\n\n★「我進劇場的第一次體驗就給狂美了!在台下可以感受到每位音樂家對音樂的熱情,演出水準真高!原來聽音樂會也可以如此熱血沸騰,從此我就變成狂美粉了!之後劇場再相見!」—— 觀眾李先生(職業:國中老師)
\n\n★「狂美顛覆了我以往對聽音樂會的看法,透過你們接地氣的節目創作,原以為是艱澀的表演內容居然可以讓我意猶未盡的不想起身離開,以後我還會再來支持狂美的!期待之後的每部作品!」—— 觀眾邱小姐(職業:補教業老師)
\n\n\n\n
『傳說,在很久很久以前,世界上所有的動物都是人類的好朋友,彼此關係親密、無話不談;但不知道從那天開始,動物們卻再也不跟人們說話了!原來,動物王國頒布了一項神秘契約,且背後隱藏著一個驚天大秘密⋯⋯』
\n\n主人翁小格列佛在某天晚上聽媽媽說著「挪亞造方舟」的床邊故事後,意外地捲入神秘未知的動物世界。為了尋找回到現實世界的方法,他克服膽怯,勇闖動物王國,途中巧遇會說話的鸚鵡波莉、虛弱的獅子大王,還有好多好多跟他想像中不一樣的事情⋯⋯快點跟上狂美的腳步,到未知的動物世界一探究竟且揭開謎底!
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n樂團團長、製作人|謝韋民
\n\n樂團總監、監 製|劉可婕
\n\n樂團指揮|謝韋民
\n\n戲劇編導|王正豪
\n\n燈光設計|范植鈞
\n\n視覺設計|孛所特品牌行銷有限公司
\n\n演出|狂美交響管樂團、犀牛劇團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a296acd71e0617cfd78752f9a4cc3d87",title:"狂美親子音樂劇場《動物派對》"}],related:[],title:"Children's Musical \"Animal's Party\" by Con Bello Symphonic Band",cover:"ef464871e63b0344ad127d7b38b4fb6f",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
"Long long time ago, all the animals were good friends of human beings. They had a close relationship with each other and talked about everything. But some day, the animals never talked to people again. It turns out that the animal kingdom have issued a mysterious contract, and there was a shocking secret behind it..."
\n\nThe main character, Gulliver Jr., was unexpectedly involved to the mysterious and unknown animal world after listening to his mother tell the bedside story "Noah's Ark" before sleeping. In order to find a way to return to the real world, he overcomes his timidity and bravely enters the animal kingdom. On his way, he encounters Polly the talking parrot, the weak Lion King, and many other things that are different from what he imagined. Follow in Con Bello Symphonic band's footsteps, going to the unknown animal world, find out and uncover the mystery!
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nBand Leader, Producer|HSIEH Wei-min
\n\nMusic Director, Executive Producer|LIU Ke-chieh
\n\nConductor|HSIEH Wei-min
\n\nDramatic Director|WANG Zheng-hao
\n\nLighting Design|FAN Zhi-jun
\n\nVisual Design|Basselt Brand Creative Marketing Co., Ltd.
\n\nPerformer|Con Bello Symphonic Band, RhinoPlay Troupe
\n\n\n\n
\n',team:""},createdAt:1643266076,updatedAt:1644566499,updatedBy:"林蔚行",host:!1},{_id:"61f24a327236db00087f5d03",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1653391800,discrete:[{time:1653391800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_00.aspx?PRODUCT_ID=N1AW0S8H"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"aa4fa954d1a64d143a2fc284d6ac96a9",title:"《2022傾韻絲竹弦箏樂團-林愛華弦箏心曲音樂會》"}],related:[],title:"《2022傾韻絲竹弦箏樂團-林愛華弦箏心曲音樂會》",cover:"28ccc12f8b8f1f9631a04ae9f7a3cb7f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
林愛華40年音樂教學、不忘初心轉移跑道、致力全人音樂教育、引導樂齡創新Do Re Mi健康樂活圓夢、結合專業開啟業餘攜手精湛組合、雅俗共賞演出、歡迎供襄盛舉。
\n\n弦箏心曲音樂會將譜出悠揚典雅新風貌、交織傳統結合現代美聲舞蹈律動、多元永續衍生變化與眾不同節目演出、將是臺灣音樂邁向國際舞台新里程、全民情緒低迷、林愛華以多曲流傳百年不朽、經典精彩音樂優活大眾放鬆心情喜悅生活、將帶給喜愛音樂觀眾、一場聽視覺絕佳的心靈饗宴。
\n\n\n\n
演出曲目
\n\n長相思
\n\n蝴蝶夢
\n\n臨安遺恨
\n\n荷塘月色
\n\n茉莉芬芳
\n\n天女散花
\n\n秦桑曲
\n\n我的快樂就是想你
\n\n採蘑菇小姑娘
\n\n六月茉莉
\n\n雨蓮花開
\n\n\n\n
演出暨製作團隊
\n\n編舞編輯|林秋萍
\n\n音樂設計|林愛華
\n\n製作團隊|傾韻絲竹弦箏樂團
\n\n舞台監製|胡國偉
\n\n燈光設計|阮慶星、黃朝育
\n\n節目製作|賀偉民、謝世經
\n\n演出人員|絲國蘭、丁冬梅、朱昱彰、魏秀芳、李佳峻、洪光谷、李玉龍、謝馨儀、吳昶嬉
\n\n\n\n
贊助單位
\n\n右昌聯合醫院
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"aa4fa954d1a64d143a2fc284d6ac96a9",title:"《2022傾韻絲竹弦箏樂團-林愛華弦箏心曲音樂會》"}],related:[],title:"Lin Aihua Xianzheng Heart Music Concert",cover:"28ccc12f8b8f1f9631a04ae9f7a3cb7f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Lin AIHUA has 40 years of mouic teaching, does not forget his original intention to shift the track,is committed to holistic music education, guides seniors to innovate Do Re Mi healthy and lively dreams,combines professionalism to open amateurs and join hands wifh exquisite combinations,elegant and popular performances,welcome to contribute to the grand event.
\n\n\n\n
Program
\n\nSauvignon Blanc
\n\nButterfly dream
\n\nLin'an Regret
\n\nLotus pond moonlight
\n\nJasmine frarance
\n\nCelestial flower
\n\nQin Sangqu
\n\nMy happiness is to miss you
\n\nMushroom picking girl
\n\nJune Jasmine
\n\nRain lotus blooms
\n\n\n\n
Creative and Production Team
\n\nChoreography Editor|LIN Qiuping
\n\nMusic Design|LIN Aihua
\n\nProduction team|Qing Yun Si Zhu Xian Zheng Orchestra
\n\nStage Prouce|HU Kuowei
\n\nprogram Production|He weimin Xie shijing
\n\n\n\n
\n',team:""},createdAt:1643268658,updatedAt:1644221401,updatedBy:"林蔚行",host:!1},{_id:"61f39cb698a2890007b849cb",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1653719400,discrete:[{time:1653719400},{time:1653737400},{time:1653805800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1493934571815366658?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8764b1a920c973108e746019aa496795",title:"臺北木偶劇團《水鬼請戲》"}],related:[],title:"臺北木偶劇團《水鬼請戲》",cover:"756654a133bc06c4a00f50aa6385119a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:"",description:"傳藝金曲獎入圍最佳導演伍姍姍,最佳編劇周玉軒,攜手打造最新力作。",introduction:'泉仔不記得他為何死在了鹿堀溝,他記得製糖工場裡的甘蔗香氣與繁重工作,也記得料理店酌婦清子的溫柔笑容,還記得他和清子約好了要在戲臺旁見面,泉仔卻莫名其妙地成了水底亡魂,莫非是被抓了交替?水鬼連忙大呼冤枉,他們或眷戀人世,或因殉情不捨分離,或是在等待機緣升任城隍,水鬼不想去投胎,也就不曾去抓交替。為了證明自身清白,鹿堀溝水鬼決定合力查清楚泉仔的死因,一切源頭就在泉仔沒有看成的那一齣戲,他們想設方法在林投樹下搭起戲臺,請來布袋戲班演出《趙匡胤千里送京娘》。這一夜,鑼鼓響徹鹿堀溝,水鬼在戲裡看見了自己的故事,解答了那些執著與癡情,眼看著戲即將結束,泉仔仍舊等著,他想知道自己為何而死,更想知道清子到底會不會來,而天就快要亮了......
\n\n
\n《水鬼請戲》是臺北木偶劇團繼《白賊燈猴天借膽》後,又一聚焦臺灣在地傳說之創新作品,由傳藝金曲獎入圍最佳導演伍姍姍及最佳編劇周玉軒攜手打造,以傳統布袋戲如何搭配現代光影,優雅詮釋人鬼共感的執念與迷惘。
\n\n
演前導聆
\n\n2022/5/28(六)13:50-14:10 戲劇院2樓大廳
\n\n2022/5/28(六)18:50-19:10 戲劇院2樓大廳
\n\n2022/5/29(日)13:50-14:10 戲劇院2樓大廳
\n\n\n\n
演出暨製作團隊
\n\n製作人|林永志
\n\n導演|伍姍姍
\n\n編劇|周玉軒
\n\n漢文顧問|洪澤南
\n\n舞臺設計|林昭安
\n\n音樂設計|林永志
\n\n服裝設計|林俞伶
\n\n偶頭設計|吳聲杰
\n\n美術設計|林羅伯
\n\n技術統籌|陳為安
\n\n製作經理|楊舒涵
\n\n布袋戲演師|吳聲杰、陳思廷、廖群瑋、林瑞騰、林凱翔
\n\n投影|林羅伯
\n\n樂師|林永志、林璟丞、王祥亮、謝琼崎、劉士聞、 林宸弘
\n\n\n\n
藝術家介紹
\n\n臺北木偶劇團
\n臺北木偶劇團成立於2010年,演職員以中生代為主,平均習藝年齡達15年以上,以延續傳統布袋戲為職志,是臺灣具活力的新生代木偶劇團之一。
臺北木偶劇團以承襲傳統藝術、創造精緻藝術之精神,持續尋找傳統、發掘傳統,發揮過去習藝時所累積的豐富經驗,以認真、用心的製作方針,在不拘泥于傳統木偶劇之創作形式下,以多元及多變的木偶劇場藝術特色,創作出更細膩、精緻的表演方式,吸引更多觀眾走進劇場感受不同以往的布袋戲饗宴。
\n\n\n\n
布袋戲演師|吳聲杰
\n畢業於國立臺北藝術大學傳統音樂學系。師承大陸木偶戲代表性傳承人莊陳華老師、北管藝師邱火榮老師、臺語漢文廖昆章老師、李傳燦老師、鄭安成老師等。曾入圍第29、30屆傳藝金曲獎「最佳個人表演新秀獎」。
\n\n
布袋戲演師|陳思廷
\n自幼在北市平等國小學習傳統布袋戲,大學畢業後正式加入臺北木偶劇團擔任前場演師,並向廖昆章老師學習傳統戲套、洪澤南老師學習漢文,為目前指日可待的新一代年輕女演師。入圍第31屆傳藝金曲獎「最佳個人表演新秀獎」。
\n\n
布袋戲演師|廖群瑋
\n雲林縣崙背人,從小受家庭影響,耳濡目染,對布袋戲甚感興趣。於2014年開始正式接觸金光布袋戲並延續家業。2018年至臺北木偶劇團學習傳統布袋戲。2019年參與雲林國際偶戲節第一屆青年主演競賽獲最佳主演獎殊榮。
\n\n
Performed inTaiwanese with Mandarin surtitles.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:"",description:'Is it possible to transcend this "life" and regain freedom after watching a show?',introduction:'Quan can't remember why he died in Lu Ku Gou. He remembers the aroma of sugarcane, the heavy work in the sugar factory, and the gentle smile of Qingzi, the escort lady in the restaurant. He also remembers that he and Qingzi had an appointment to meet by the stage. However, Quan is now inexplicably a water ghost. Was he captured by a water ghost to serve as their replacement? The water ghosts in Lu Ku Gou decide to work together to find out the cause of Quan's death. The reason turns out to be the show that Quan did not have the chance to see. They try everything to set up a stage under the tree in Lintou. A puppet troupe is invited to perform Escorting Lady Jing on A Thousand Mile Journey. Gongs and drums ring throughout Lu Ku Gou that night. The water ghosts see their own stories in the show and find answers to their obsessions and infatuations. However, the show is about to end and Quan is still waiting. He wants to know why he died, and whether Qingzi will come before the impending sunrise...
\n\n
\nTaipei Puppet Theater showcases the traditional puppet show skill "Flying up to the sky and swiftly hiding in the ground" in creative forms based on the popular Taiwanese "Water Ghosts' theatre", portraying the life experiences, memories, and hopes of each water ghost with lights and shadows, and creating a traditional puppet show of Taiwan!
\n\n
Pre-talk
\n\n2022/5/28(Sat)13:50-14:10 Playhouse 2nd Floor
\n\n2022/5/28(Sat)18:50-19:10 Playhouse 2nd Floor
\n\n2022/5/29(Sun)13:50-14:10 Playhouse 2nd Floor
\n\n\n\n
Creative and Production Team
\n\nProducer|LIN Yung-chi
\n\nDirector|WU Shan-shan
\n\nPlaywright|ZHOU Yu-xuan
\n\nTaiwanese Consultant|HUNG Tse-nan
\n\nStage Designer|LIN Zhao-an
\n\nMusic Designer|LIN Yung-chi
\n\nCostume Designer|LIN Yu-ling
\n\nPuppet Designer|WU Sheng-chieh
\n\nArt Designer|Robert LIN
\n\nTechnical Coordinator|CHEN Way-an
\n\nStage Manager|KUAN Chia-ju
\n\nProduction Manager|YANG Shu-han
\n\nPuppet Actor|WU Sheng-chieh, CHEN Su-ting, LIAO Chuen-wei, LIN Rui-teng, LIN Kai-xiang
\n\nProjection Technician| Robert LIN
\n\nMusician| LIN Yung-chi, LIN Jing-cheng, Wang Xiang-liang, HSIEH Chiung-chi, LIU Shih-wen, LIN Chen-hung
\n\n\n\n
Artists Introduction
\n\nTaipei Puppet Theater
\n\nTaipei Puppet Theater was founded in 2010.The theater performers are mainly middle-aged and with average apprenticeship over 15years. They make their career purpose to continuate the life of traditional puppet shows, they are the vibrant new generation of puppet theater in Taiwan.
\n\nTaipei Puppet theater inherits the traditional art, innovates the delicate performance way with every efforts for the multiplicity in Taiwanese puppet show, which has successfully attracted more audience to come into the theater and enjoy the show.
\n\n\n\n
★「白建宇為名副其實且值得信賴的藝術大師、鋼琴怪傑、完美的音樂家」──費加洛報
\n\n\n\n
鋼琴巨擘白建宇攜手高市交獨奏家群帶來兩首經典室內樂作品:布拉姆斯《g小調第一號鋼琴四重奏》及舒曼《降E大調鋼琴五重奏》,展現兩位作曲家對於浪漫的不同情感與詮釋。在黑白琴鍵的徜徉間,白建宇將用他那充滿詩意的敘述方式,描繪出兩位浪漫樂派作曲家,對於內心世界的豐富情感刻劃。高市交獨奏家群將帶著樂迷沉浸在白建宇那充滿詩意的樂音中,透過這兩首經典樂曲,諦聽兩位浪漫樂派代表作曲家對於內心世界的豐富情感刻劃。
\n\n\n\n
演出曲目
\n\n布拉姆斯:G小調第一號鋼琴四重奏,作品25
\n\n舒曼:降E大調鋼琴五重奏,作品44
\n\n\n\n
演出暨製作團隊
\n\n鋼 琴|白建宇
\n\n小 提 琴|葉翹任、張恆碩、陳思圻
\n\n中 提 琴|蕭寶羚、王弈萱
\n\n大 提 琴|林采霈、劉彥廷
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ee34f958a663f4bbcf6de401727fb7b3",title:"Kun-Woo Paik & KSO Chamber Concert"}],related:[],title:"Kun-Woo Paik & KSO Chamber Concert",cover:"78a9d88e7f3b226f9edc7e7791afd0a4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The concert night will start with Brahms's Piano Quartet No. 1 in G minor, op. 25, played by the virtuoso pianist Kun-Woo Paik, his superior technique, personal charm and exquisite interpretation will present a fine exhibition of challenge of skills, beautiful tunes and coherent piece of music. The second piece will be Schumann's Piano Quintet in E-flat Major, op. 44, was one of many significant Romantic piano quintets that show Schumann's influence and adopt his choice of instrumentation. The energy and precision of the piece demand virtuosic performances from the KSO musicians and pianist Kun-Woo Paik.
\n\n\n\n
Program
\n\nJ. Brahms: Piano Quartet No. 1 in G minor, Op. 25
\n\nR. Schumann: Piano Quintet in E-flat Major, Op. 44
\n\n\n\n
Creative and Production Team
\n\nPiano│Kun-Woo Paik
\n\nViolin│YEH Chiau-Ren、CHANG Hen-Shuo、CHEN Szu-Chi
\n\nViola │HSIAO Pao-Ling、WANG Yi-Hsuan
\n\nCello │LIN Tsae-Pey、LIU Yen-Ting
\n\n\n\n
\n\n
\n\n
\n',team:""},createdAt:1644226189,updatedAt:1644390811,updatedBy:"林蔚行",host:!1},{_id:"6201e36f06407a00079c2799",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1651491e3,discrete:[{time:1651491e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100,300,500,800,1e3,1200],link:"https://www.opentix.life/event/1484374965836881923?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d2864a10c55714610c1e29139ef27d03",title:"心之樂動—孟德爾頌《詩篇42篇》& 佛雷斯特《歡呼頌》"},{type:"image",key:"07d4cb12c82044a94e5ee0bd49634adf",title:"心之樂動—孟德爾頌《詩篇42篇》& 佛雷斯特《歡呼頌》"},{type:"image",key:"ff76c4bc5b7f85e1eebac549a95341fe",title:"心之樂動—孟德爾頌《詩篇42篇》& 佛雷斯特《歡呼頌》"}],related:[],title:"心之樂動—孟德爾頌《詩篇42篇》& 佛雷斯特《歡呼頌》",cover:"723d5d4126c846af2e5500f04622b3ca",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
箴言詩篇聖樂團暨愛樂管絃樂團將帶來「心之樂動」2022年度音樂會,演出德國浪漫派作曲家孟德爾頌《詩篇42篇》與當代聖樂名家佛雷斯特《歡呼頌》。
\n\n從浪漫樂派到現代聖詩,從古典歐洲到躍動拉美、神秘東方、再到非洲大陸,藉著多元語言與文化交織之音聲韻律,要讓愛樂大眾在傾聽與咀嚼中,獲得嶄新的感動與體驗。此次音樂會由音樂總監曾怡蓉博士指揮,匯集新生代活躍於國內外樂壇、任教於各音樂系所、音樂班的演奏、演唱家,與箴言詩篇聖樂團、愛樂管絃樂團,以及國立屏東大學音樂學系合唱團一起演出,期盼能將音樂中蘊含的生命撫慰與振奮的力量,傳揚分享給更多的愛樂大眾。
\n\n\n\n
演出曲目
\n\n孟德爾頌:詩篇42篇
\n\n佛雷斯特:歡呼頌
\n\n\n\n
演出暨製作團隊
\n\n音樂總監暨指揮|曾怡蓉
\n\n合唱團|箴言詩篇聖樂團、國立屏東大學音樂學系合唱團
\n\n樂團|箴言詩篇愛樂管絃樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d2864a10c55714610c1e29139ef27d03",title:"心之樂動—孟德爾頌《詩篇42篇》& 佛雷斯特《歡呼頌》"},{type:"image",key:"07d4cb12c82044a94e5ee0bd49634adf",title:"心之樂動—孟德爾頌《詩篇42篇》& 佛雷斯特《歡呼頌》"},{type:"image",key:"ff76c4bc5b7f85e1eebac549a95341fe",title:"心之樂動—孟德爾頌《詩篇42篇》& 佛雷斯特《歡呼頌》"}],related:[],title:"Voices Abounding with Joy",cover:"723d5d4126c846af2e5500f04622b3ca",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"As the dear pants for streams of water, so my soul longs after You, O God."
\nIn the summer season 2022, the Psalm and Wisdom Singers will present a vigorous and impressive musical feast "Voices Abounding with Joy": Mendelssohn Psalm42 and Dan Forrest Jubilate Deo, which will inspire the hearts of those thirsty and dried up during this period affected by the plague.
\n\n
Program
\n\nFelix Mendelssohn: Psalm 42
\n\nDan Forrest: Jubilate Deo
\n\n\n\n
Creative and Production Team
\n\nMusic Director and Conductor|TSENG Yi-Jung
\n\nChoir|Psalm & Wisdom Singers、National Pingtung University Music Department Choir
\n\nOrchestra|Psalm & Wisdom Philharmonic Orchestra
\n\n\n',team:""},createdAt:1644290927,updatedAt:1644470799,updatedBy:"林蔚行",host:!1},{_id:"6204bb0606407a00079d566d",catalogs:["5c1f073a5a5bea0006f3eb11","6007fc45ba34870007c22b8b"],dateTime:{first:1648864800,discrete:[{time:1648864800},{time:1648951200},{time:1656727200},{time:1656813600},{time:1662775200},{time:1662861600}],type:"discrete"},activity:{type:"free",free:{description:"線上報名參與",englishDescription:"Registration"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"課程介紹",content:'
單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t舞蹈與身體史 I \n\t\t\t王柏偉 | \n\t\t\t舞蹈與身體史 II \n\t\t\t王柏偉 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(舞蹈書寫手).pdf
\n\n
單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t全鏡式批評視角的學習 \n\t\t\t紀慧玲 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t不合時宜的備忘錄——關於書寫 \n\t\t\t周伶芝 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t當我們在紙上跳舞-7項舞蹈書寫計畫 \n\t\t\t李欣恬 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
\n\n\n\n
王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
\n\n\n\n
王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
\n\n\n\n
謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
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紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
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蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
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方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
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陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
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李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
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周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[{from:"programs",key:"618cc8fdd4bd45000a17d10e",title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
「專業書寫手」需全程參與三個單元課程,並於指定日期繳交主辦單位指定舞蹈作品之評論文章。指定作品將另行通知提供入選者。
\n\t保證金將於主辦單位收受指定文章後,於下一個付款日退還保證金,未能全程參與及未按時繳交評論文章者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,入選學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n入選者需於2022年4月2日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t從劇場觀看到產出書寫文章
\n\n漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
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報名資格與方式
\n\n報名資格:16歲以上,愛好觀賞肢體劇場演出,並於過去一年曾公開發表過表演藝術評論文章者。需全程參與三季課程。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 3,000 元整。
\n\n\n\n\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
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資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tDance and History of the Body I \n\t\t\tWANG Po-wei | \n\t\t\tDance and History of the Body II \n\t\t\tWANG Po-wei | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n\n\n\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tLearning to Criticize from All Perspectives \n\t\t\tCHI Hui-ling | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2(September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tAn Untimely Memo – About Writing \n\t\t\tCHOW Ling-chih | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tDancing Words — 7 Writing Ideas about Dance \n\t\t\tLEE Hsin-tien | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n\n
\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
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FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[],title:"2022 Writing About Dance Workshop (Advanced)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
\n',team:""},createdAt:1644477190,updatedAt:1647569889,updatedBy:"林蔚行",host:!0},{_id:"620b769f06407a0007a01382",catalogs:["5aec45edb01ea6000520f655"],dateTime:{first:164862e4,discrete:[{time:164862e4},{time:1649224800},{time:1649829600},{time:1650434400},{time:1651039200},{time:1651644e3}],type:"discrete"},activity:{type:"signup",signup:{limit:30,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"605959bf17cddb00070a6fd8",text:"生日(西元年/月/日) Birthday (Year/Month/Day/)",english:"生日(西元年/月/日) Birthday (Year/Month/Day/)"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone number",english:"聯絡手機號碼 Phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!0,key:"5e292b9c2d46f400067fbef9",text:"郵寄地址(申請退費時使用)Mailing address",english:"郵寄地址(申請退費時使用)Mailing address"}],vip:{start:1644915600,end:1648569599},open:{start:1644915600,end:1648569599},description:'
尚和歌仔戲劇團連年持續舉辦歌仔戲課程,此次將由尚和歌仔戲劇團策劃、授課,在團長梁越玲的領導下,將有優秀的青年師資共同加入。課程以【夢蝶】精選片段《搧墳》、《試妻》、《劈棺》,透過讀劇、身段、唱腔…等多元豐富的戲劇課程,期盼透過一系列課程設計,一起輕鬆體驗歌仔戲傳統之美及唱念作打精隨。
\n\n\n\n
課程內容及時間
\n時間:14:00-16:00;每堂2小時
課程演讀主題【夢蝶】:劇本大綱
\n莊周因宋王威逼而出走故鄉,一日見一美婦搧墳急切,
一問方知逝者乃其夫,莊周突想起其妻曹娥,便加緊腳步
\n\n回鄉;是日,王孫帶來莊周死訊,曹娥傷心欲絕,王孫勸慰,更暗表情衷,娥應允相隨,王孫卻忽舊疾復發,需服逝者之腦漿為藥引,曹娥為愛決意劈棺,卻見莊周現身…
\n\n\n\n
課程時間 | \n\t\t\t課程內容 | \n\t\t
3/30 (三) 14:00-16:00 | \n\t\t\t【讀劇 】歡喜就來唸歌詩 | \n\t\t
4/06 (三) 14:00-16:00 | \n\t\t\t【唱腔】歌仔戲聲韻曲 | \n\t\t
4/13 (三) 14:00-16:00 | \n\t\t\t【身段】水袖雲衣舞 | \n\t\t
4/20 (三) 14:00-16:00 | \n\t\t\t【身段】生旦扇翩翩 | \n\t\t
4/27 (三) 14:00-16:00 | \n\t\t\t【戲劇排練】歌仔戲的唱唸作打 | \n\t\t
5/04 (三) 14:00-16:00 | \n\t\t\t【融合展現】夢蝶讀演呈現 | \n\t\t
\n 授課團隊
\n\n
尚和歌仔戲劇團創立於1995年,是一個兼具時尚與和善的劇團,其作品風格涵括傳統與創新,多次獲選為高雄市傑出團隊、文化部團隊分級獎助扶植、國藝會演藝團隊年度獎助專案,優質的成果倍受各界肯定。
\n\n此外,每年更定期創作劇本,製作新戲;每每激盪出傳統戲劇融合現代思維的無限創意火花。
\n\n除了藝術領域,尚和亦致力於教育傳承與推廣,2016年獲藝術教育貢獻獎殊榮,也持續在校園深耕的田地作耕耘,培養藝術種子的誕生與啟發,期許邁向一個質藝均重、涵養豐富的歌仔戲教育演出團隊。
\n\n\n\n
報名對象與方式
\n\n報名對象:40歲以上公民
\n\n報名費用:$3,000(共六堂課)
\n\n報名時程:2/28(一) 起至3/29(二)止
\n\n報名人數:30人,額滿為止
\n\n報名流程:官網報名 → 繳交費用 → 檢視官網報名狀況 → 完成報名
\n\n活動地點:衛武營國家藝術文化中心 排練室1186
\n\n\n\n
注意事項
\n\n\n\n
\n\n
朱宗慶打擊樂團專場演出。除了精選當代擊樂經典,更集合藝術家董陽孜✕作曲家賴德和✕多媒體藝術家周東彥三位名家,一同展現打擊樂與多媒體之間的即刻呼應。
\n\n\n\n
演出曲目
\n\n※主辦單位保留活動異動權
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|朱宗慶
\n\n演出|朱宗慶打擊樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"25e2cd8280d7383ea0ceeba9cad8179c",title:"2022「臺灣新聲力+」系列音樂會《擊刻風景》"},{type:"image",key:"252d1b988568f7ab99b0e201ee460151",title:"2022「臺灣新聲力+」系列音樂會《擊刻風景》"}],related:[],title:'2022 New Sounds of Taiwan+ "Beating the Instant"',cover:"dee78b63d2756822dce6c5ffaa9c8eab",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Ju Percussion Group's special performance "Beating the Instant", will not only feature contemporary percussion classics, but also bring together the acclaimed artist Tong, Yang-Tze; composer Lai, Deh-Ho; and multimedia artist Chou, Tung-Yen; to demonstrate the immediate echo between percussion and multimedia.
\n\n\n\n
Program
\n\nNuwa
\nCercle Invisible
\nIbn Battuta
\nTrain Fragments
※The organizer reserves the right to make changes to the program.
\n\n\n\n
Creative and Production Team
\n\nArtist Director|Ju Tzong-Ching
\n\nPerformer|Ju Percussion Group
\n\n\n\n
\n',team:""},createdAt:1645099630,updatedAt:1645180194,updatedBy:"林蔚行",host:!1},{_id:"6215dc63dbebd900074a89bc",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1651836600,discrete:[{time:1651836600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,700],link:"https://www.opentix.life/event/1490537923953377284?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"efbf01c4410a0d2d8da35f9be4048a3d",title:"國際大師鋼琴大賽得主《馮乙宸鋼琴獨奏會》"}],related:[],title:"《第一屆國際大師鋼琴大賽首獎-馮乙宸鋼琴獨奏會》",cover:"ae536ea071d750f0f8bfecb6c5f8804c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
國內外獲獎無數的旅美傑出青年鋼琴家馮乙宸,17歲前往美國深造,並以優異成績先後畢業於寇本音樂院先修班、琵琶地音樂院及耶魯大學音樂院碩士班,2021年於耶魯大學音樂院繼續攻讀藝術家文憑,師承俄國名師Boris Slutsky。本身即是高雄子弟的馮乙宸,將帶來多首李斯特改編舒伯特的藝術歌曲、猶如舒伯特一生漂泊寫照的《C大調流浪者幻想曲》、及李斯特以心靈洞察世界的的神作《B小調鋼琴奏鳴曲》,在展現精彩出色的琴技的同時,也聽見一個青年鋼琴家對音樂的自我修練與藝術初心。
\n\n\n\n
演出曲目
\n\n舒伯特/李斯特:
\n聖母頌,作品S.558/12
\n小夜曲,作品S.560/7
\n魔王,作品S.558/4
舒伯特:C大調流浪者幻想曲,作品D.760
\n\n李斯特:B小調鋼琴奏鳴曲,作品S.178
\n\n\n\n
演出暨製作團隊
\n\n鋼琴 │ 馮乙宸
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"efbf01c4410a0d2d8da35f9be4048a3d",title:"國際大師鋼琴大賽得主《馮乙宸鋼琴獨奏會》"}],related:[],title:"Yi-Chen FENG Piano Concert Tour 2022",cover:"ae536ea071d750f0f8bfecb6c5f8804c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Yi-Chen Feng has been awarded numerous prizes in competitions. Feng earned his Bachelor’s degree at the Peabody Conservatory, Master of Music degree at the Yale School of Music under the tutelage of Boris Slutsky. Feng continues his piano studies with Boris Slutsky at the Yale School of Music where he is pursuing his Artist Diploma. Feng has been featured in various venues as a soloist, including Brodbeck Music Hall of Hood College, Saint John’s Cathedral, National Recital Hall (Taiwan), Weiwuying National Kaohsiung Center for the Arts (Taiwan), and the Hangzhou Grand Theater(China). For his debut Taiwan tour, Feng will play the most famous of the fantasies, the “Wanderer Fantasy” composed by Schubert, Liszt’s piano sonata in B minor and Schubert songs arranged by Liszt.
\n\n\n\n
Program
\n\nSchubert/Liszt :
\nAve Maria, S.558/12
\nStändchen S.560/7
\nErlkönig, S.558/4
Schubert : Wanderer Fantasy in C Major, D. 760
\n\nLiszt:Piano Sonata in B minor, S.178
\n\n\n\n
Creative and Production Team
\n\nPiano|FENG Yi-Chen
\n\n\n\n
\n',team:""},createdAt:1645599843,updatedAt:1646123940,updatedBy:"林蔚行",host:!1},{_id:"6215e186c446a60007404cba",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1651991400,discrete:[{time:1651991400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://www.opentix.life/event/1493800166201253892?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4a9b8e832e1d6e35446138982e528bf7",title:"《2021陳昱翰大提琴獨奏會》"}],related:[],title:"《陳昱翰大提琴獨奏會》",cover:"eb2f649ee58879e61f466f424b83e145",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2022年5月8日(日)14:30於衛武營表演廳演出之 「陳昱翰大提琴獨奏會」 ,本節目演出曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年3月14日(含)止完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
此次音樂會的兩位專業演奏家——陳昱翰、盧易之皆擁有豐富的演奏經驗,能在舞台上碰撞出如何的火花更是令人期待,此外也特別邀請知名的小提琴家花苾茲博士為音樂會導聆,除了推廣不同風格除了推廣不同風格的古典音樂讓大眾認識,也希望讓觀眾能欣賞到兩種樂器間精彩的合作、進而愛上古典音樂!
\n\n\n\n
大提琴在十六世紀發明後,經過不斷改良、在十九至二十一世紀已成為重要的樂器之一。除了在樂團中扮演重要的角色,也有許多古典作曲家為大提琴譜寫曲目。本次音樂會再次與盧易之攜手為聽眾帶來不同於傳統、制式的古典音樂,而是有更多發展和變化、各具不同風格的作品。本次音樂會的樂曲除了考驗獨奏家的技巧,鋼琴也在樂曲中扮演著不可或缺的角色。在營造樂曲氛圍的同時,也有許多與大提琴對唱、互相呼應的部分,藏在每個樂曲的片段中,等著觀眾去發掘。
\n\n\n\n
演出曲目
\n\n舒伯特:a小調奏鳴曲《阿貝鳩奈琴》,作品 821
\n\n卡薩多:大提琴無伴奏組曲
\n\n-中場休息-
\n\n普朗克:大提琴奏鳴曲,作品143
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|何欣蓮
\n\n行政副理|陳豪賢
\n\n大提琴 |陳昱翰
\n\n鋼 琴 |盧易之
\n\n導 聆 |花苾茲
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4a9b8e832e1d6e35446138982e528bf7",title:"《2021陳昱翰大提琴獨奏會》"}],related:[],title:"Yu-Han Chen Cello Recital ",cover:"eb2f649ee58879e61f466f424b83e145",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-27491506. | \n\t\t
\n\n
Taiwanese Cellist Yu-Han Chen, whose numerous awards including the Golden Melody Awards for best performance, the Chimei Arts Award, CDA Symphony Young Artist Competition 1st Prize and OSAKA International Music Competition Espoir Prize. Yu-Han holds a Doctor of Musical Arts from National Taiwan Normal University and Master of Music from Mannes School of Music. With his outstanding performance, he has been invited to perform in several international music festivals and concerts, which includes Pacific Music Festival, Texas Music Festival, Schlern Music Festival, Foulger Music Festival, as well as numerous concerts in the U.S., Europe, Australia, and Asia. Yu-Han maintains an ongoing cellist, and has been actively giving recitals at the National Concert Hall in Taiwan.
\n\n\n\n
Program
\n\nSchubert: Sonata in a minor, D. 821 《Arpeggione》
\n\nCassadó: Suite for Violoncello
\n\n-Intermission-
\n\nPoulenc: Sonata for Cello and Piano, FP143
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|Nicole Ho
\n\nAssistant Manager|Hoe-Yin Chan
\n\nCello|Yu-Han Chen
\n\nPiano|Yi-Chih Lu
\n\nNarrator|Flora Hua
\n\n\n\n
\n',team:""},createdAt:1645601158,updatedAt:1647313185,updatedBy:"林蔚行",host:!1},{_id:"6215eb75c446a60007404f96",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1652355e3,discrete:[{time:1652355e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,1e3],link:"https://www.opentix.life/event/1484013135196000257?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8c316ac1ea05c99fc597fcd432625eab",title:"《南加大音樂學院校友音樂會(五)》"}],related:[],title:"《南加大音樂學院校友音樂會(五)》",cover:"0d118af397252298954370059ede2dde",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
此場音樂會集合13位南加大音樂學院傑出校友。曲目包含了二十世紀作曲家蓋希文、皮亞佐拉、蕭泰然等的作品。除此之外,校友林弘韜、蔣榮宗也藉此發表個人新創作品,形式結合電子數位音效,相信能帶給聽眾不同凡響的音樂饗宴。
\n\n\n\n
演出曲目
\n\nAstor Piazzolla:Primavera Porteña (arr. by Zong Chiang)
\n\nG. Gershwin:A Gershwin Sampler (arr. by P.Baker)
\n\nRachmaninov:Valse and Romance for six-hands
\n\n蕭泰然:D調夜曲-至聖的愛
\n\n林弘韜:《爆發》"Outbreak"(委託創作)(世界首演)
\n\n蔣榮宗:《自然・源起》"Natural Bound"(委託創作)(世界首演)
\n\n\n\n
演出暨製作團隊
\n\n主持人&單簧管|曾智寧
\n\n豎琴|陳欣意
\n\n長笛|陳企維
\n\n單簧管|林志謙
\n\n鋼琴/作曲|林弘韜
\n\n鋼琴|林曉莉 徐慧真 陳霈安 賈元元 歐玲如 謝采芝
\n\n女高音|翁芸芸
\n\n多媒體合成器&作曲|蔣榮宗
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8c316ac1ea05c99fc597fcd432625eab",title:"《南加大音樂學院校友音樂會(五)》"}],related:[],title:"USC Music Alumni Concert Ⅴ",cover:"0d118af397252298954370059ede2dde",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
This concert will be presenting 13 outstanding alumni of the USC School of Music. The repertoire includes the works of twentieth-century composers such as G. Gershwin, A. Piazzolla, Tyzen Hsiao, etc. In addition, alumni Hung-Tao Lin and Zong Chiang will debute their new works, which combines with electronic digital sound effects.
\n\n\n\n
Program
\n\nAstor Piazzolla:Primavera Porteña (arr. by Zong Chiang)
\n\nG. Gershwin:A Gershwin Sampler (arr. by P.Baker)
\n\nRachmaninov:Valse and Romance for six-hands
\n\n\n\n
Creative and Production Team
\n\nHost & Clarinet|Juliana TZENG
\n\nHarp|Cindy CHEN
\n\nFlute|Chi-Wei CHEN
\n\nClarinet|Chih-Chien LIN
\n\nPiano / Composer|Hung-Tao LIN
\n\nPiano|Hsiao-Li LIN, Angel HSU, Pei-An CHEN, Edna Yuan-Yuan CHIA, Lin-Ju OU, Amy Tsai-Chih HSIEH
\n\nSoprano|Yun-Yun WOONG
\n\nImmersive Audio & Composer|Zong CHIANG
\n\n\n\n
\n',team:""},createdAt:1645603701,updatedAt:1646123761,updatedBy:"林蔚行",host:!1},{_id:"6215f5a0dbebd900074a90ad",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1654083e3,discrete:[{time:1654083e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1483395920986570754?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b349e20939b6d7a3289c45454c304d0f",title:"名加室內樂系列IV《俄羅斯大提琴奏鳴曲》"}],related:[],title:"名加室內樂系列IV《俄羅斯大提琴奏鳴曲》",cover:"5a511ddc1d42463b800add555e6d855d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
當歐洲繁華絢爛的浪漫主義在斯拉夫民族的冰封大地上發芽茁壯,俄羅斯音樂在古典與浪漫的碰撞中開出神秘壯麗的花朵。此場音樂會將演出拉赫瑪尼諾夫和蕭斯塔高維奇的大提琴奏鳴曲,這兩位作曲家在激盪革命的俄國政局中或浪漫的述說鄉愁、或忠實於社會寫實主義,在樂壇極具影響力。而大提琴家林敏媛及鋼琴家林雅叙再次攜手合作,在鋼琴與大提琴完美融合的絕佳默契中,述說十九世紀濃烈真摯的北國風情,引您進入北方世界最迷人的樂章。
\n\n\n\n
演出曲目
\n\n拉赫瑪尼諾夫:G小調大提琴奏鳴曲,作品十九
\n\n蕭斯塔高維奇:D小調大提琴奏鳴曲,作品四十
\n\n\n\n
演出暨製作團隊
\n\n大提琴|林敏媛
\n\n鋼 琴|林雅叙
\n\n\n\n
贊助單位
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b349e20939b6d7a3289c45454c304d0f",title:"名加室內樂系列IV《俄羅斯大提琴奏鳴曲》"}],related:[],title:"Hotshot Chamber Music Series Ⅳ《Russian Cello Sonatas》",cover:"5a511ddc1d42463b800add555e6d855d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
During the 19th-century, Russian works have started to develop. There are two different styles that the Russians incorporated: nationalism and romanticism. Cellist, Lin Min-Yuan and pianist, Lin Yea-Shiuh will perform works by Rachmaninoff and Shostakovich, bringing the audience on a journey from East to West and through the classical to the modern period.
\n\n\n\n
Program
\n\nRachmaninoff: Sonata in G minor for cello and piano, Op. 19
\n\nShostakovich: Sonata in D minor for cello and piano, Op. 40
\n\n\n\n
Creative and Production Team
\n\nCello|LIN Min-yuan
\n\nPiano|LIN Yea-shiuh
\n\n\n\n
\n',team:""},createdAt:1645606304,updatedAt:1646099504,updatedBy:"林蔚行",host:!1},{_id:"621600a1dbebd900074a9342",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1654083e3,discrete:[{time:1654083e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,500,600],link:"https://www.opentix.life/event/1492069878343745541?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》"}],related:[],title:"《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》",cover:"36e1efa1f3563cef5cf10426014b2c50",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
臺南藝術大學音樂學系管弦樂團由指揮范楷西率領,本場音樂會以〈來自南方〉展現獨特的熱情之聲,安排地理位置相對南端的臺灣、西班牙、義大利作曲家作品,分別為張曉雯〈管弦樂曲《氛圍》〉、羅塔《低音提琴嬉遊協奏曲》、雷史畢基《第三號古代歌調與舞曲》以及法雅《第二號三角帽組曲》,其中羅塔的作品將由音樂學系專任教授、低音提琴演奏家郭馥玫擔任獨奏。
\n\n\n\n
演出曲目
\n\n張曉雯:〈管弦樂曲《氛圍》〉
\n\n羅塔: 《低音提琴嬉遊協奏曲》
\n\n雷史畢基: 《第三號古代歌調與舞曲》
\n\n法雅: 《第二號三角帽組曲》
\n\n\n\n
演出暨製作團隊
\n\n指 揮│范楷西
\n\n低音提琴│郭馥玫
\n\n樂 團│國立臺南藝術大學管弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》"}],related:[],title:"From the South",cover:"36e1efa1f3563cef5cf10426014b2c50",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Led by conductor Kai-Hsi Fan, the Orchestra of TNNUA Music Department will show its special timbre by presenting "From the South" featuring composers from geographical south —Taiwan, Spain and Italy. The program includes "Die Stimmung" for Orchestra by Shiao-Wen Chang, Divertimento Concertante for Double Bass and Orchestra by Nino Rota, Ancient Airs and Dances No. 3 by Ottorino Respighi, and The Three-Cornered Hat Suite No. 2 by Manuel de Falla. TNNUA Music Department Faculty Bassist Fu-Mei Kuo will be the soloist for Rota's composition.
\n\n\n\n
Program
\n\nShiao-Wen Chang: "Die Stimmung" for Orchestra
\n\nNino Rota: Divertimento Concertante for Double Bass and Orchestra
\n\nO. Respighi: Ancient Airs and Dances No. 3
\n\nManuel de Falla: The Three-Cornered Hat Suite No. 2
\n\n\n\n
Creative and Production Team
\n\nConductor|FAN Kai-Hsi
\n\nDouble bass|KUO Fu-Mei
\n\nPerforming|TNNUA Orchestra
\n\n\n\n
\n',team:""},createdAt:1645609121,updatedAt:1646104172,updatedBy:"林蔚行",host:!1},{_id:"621622a9c446a60007405aac",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1653478200,discrete:[{time:1653478200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400],link:"https://www.opentix.life/event/1491986815981518852?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e49c8df13cfec96daa9639a21f6f6fac",title:"《蛻變-臺南藝術大學音樂系師生協奏曲&弦樂團音樂會》"}],related:[],title:"《蛻變-臺南藝術大學音樂系師生協奏曲&弦樂團音樂會》",cover:"991963f42a40f59689739ebf2c695e12",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
《蛻變-國立臺南藝術大學音樂系師生協奏曲&弦樂團音樂會》由李季教授指導學生演奏弦樂團作品,並由洪千智老師與本系協奏曲比賽優勝者共同演出。曲目包括電影《教會》中義大利作曲家莫利康里所創作著名主題曲《加布里耶的雙簧管》、古典時期奧地利作曲家海頓創作的《C大調大提琴協奏曲》、二十世紀英國作曲家布列頓年輕時期寫作的《簡易交響曲》、義大利電影音樂作曲家羅塔的《弦樂團協奏曲》,為此音樂會帶來自古典至二十世紀、協奏至合奏、純音樂至電影配樂、學生至教師的精彩音樂饗宴。
\n\n\n\n
演出曲目
\n\n莫利康里:加布里耶的雙簧管
\n\n海頓:C大調第一號大提琴協奏曲
\n\n布列頓:簡易交響曲
\n\n羅塔:弦樂團協奏曲
\n\n\n\n
演出暨製作團隊
\n\n指 揮|李 季
\n\n雙簧管|洪千智
\n\n演 出|南藝大弦樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e49c8df13cfec96daa9639a21f6f6fac",title:"《蛻變-臺南藝術大學音樂系師生協奏曲&弦樂團音樂會》"}],related:[],title:"Metamorphosis",cover:"991963f42a40f59689739ebf2c695e12",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The wide range of repertoire in "Metamorphosis" TNNUA Faculty-Student Concertos and String Orchestra Concert exploits the variety of ensemble arrangements and sizes by presenting works from Morricone, Haydn, Britten, and Rota. Italian composer Morricone's film music "Gabriel's Oboe", written for oboe and string orchestra, brings the warm blessings for the concert. Haydn's Cello Concerto in C major synthesizes baroque and classical elements as well as the virtuosity of the cellist. Britten's Simple Symphony, written for string orchestra, then would give us the elegant English moment. Lastly, Concerto Per Archi by Rota lead us again into a curious movie sense.
\n\n\n\n
Program
\n\nE. Morricone: Gabriel's Oboe
\n\nJ. Haydn: Cello Concerto No.1 in C Major, Hob. VIIb: 1
\n\nB. Britten: Simple Symphony for String Orchestra, Op. 4
\n\nN. Rota: Concerto Per Archi
\n\n\n\n
Creative and Production Team
\n\nConductor|LI Ji
\n\nOboe|HUNG Chien-Chih
\n\nPerforming|TNNUA String Orchestra
\n\n\n\n
\n',team:""},createdAt:1645617833,updatedAt:1646099526,updatedBy:"林蔚行",host:!1},{_id:"621f59a2911ce900075754b8",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1653651e3,discrete:[{time:1653651e3},{time:1653721200},{time:1653737400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500],link:"https://www.opentix.life/event/1496788435669282819?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f9265a98a28c99832cf8b09245a51ed8",title:"《宮崎駿經典動畫音樂會》"}],related:[],title:"《宮崎駿經典動畫音樂會》",cover:"01774cc4934b280a67b382b4d9094fc5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
宮崎駿的動畫伴隨著許多人成長,在那些精彩動畫的背後,總會響起一首首音樂,那音樂時而溫馨感人、時而壯闊磅礡,也不乏浪漫與詼諧,賦予動畫更多風味的音樂靈魂人物,便是著名的『久石讓』。
\n\n久石讓的音樂,烙印在許多人的記憶中,無法忘懷。這次由超過50人編制的「高雄市管樂團」舉辦宮崎駿經典動畫音樂會,將帶給大家多首宮崎駿與久石讓合作的經典作品,讓現場觀眾都能憶起初次接觸宮崎駿動畫時的興奮與感動。
\n\n\n\n
演出曲目
\n\n《風之谷》
\n\n《天空之城》
\n\n《龍貓》
\n\n《魔女宅急便》
\n\n《魔法公主》
\n\n《神隱少女》
\n\n《霍爾的移動城堡》
\n\n\n\n
演出暨製作團隊
\n\n指揮|王戰
\n\n演出|高雄市管樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f9265a98a28c99832cf8b09245a51ed8",title:"《宮崎駿經典動畫音樂會》"}],related:[],title:"Hayao Miyazaki's Classic Animation Music Concert",cover:"01774cc4934b280a67b382b4d9094fc5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Many of us grew up with Hayao MIYAZAKI's animation movies. In every wonderful movie, there are always memorable pieces of music. The music is sometimes warm and touching, sometimes magnificent, and there are also times of romantic and humorous. The composer who enriched these films is Joe HISAISHI.
\n\nJoe HISAISHI's music is imprinted in many people's mind. The Hayao MIYAZAKI's Classic Animation Music Concert presented by more than 50 musicians will bring you many classic animation music of Hayao MIYAZAKI and Joe HISAISHI at once. Let the Kaohsiung City Wind Orchestra bring you back to the moment that you first watch Hayao MIYAZAKI's films.
\n\n\n\n
Program
\n\nNausicaä of The Valley of The Wind
\n\nCastle in the Sky
\n\nMy Neighbor Totoro
\n\nKiki's Delivery Service
\n\nPrincess Mononoke
\n\nSpirited Away
\n\nHowl's Moving Castle
\n\n\n\n
Creative and Production Team
\n\nConductor|Wang, CHAN
\n\nPerformance|Kaohsiung City Wind Orchestra
\n\n\n\n
\n',team:""},createdAt:1646221730,updatedAt:1646380562,updatedBy:"林蔚行",host:!1},{_id:"621f62d2e082e6000837550e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1652095800,discrete:[{time:1652095800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1496669547071561731?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bc0c65eee40989a7447effabef0e0498",title:"《2022 MUSE鋼琴三重奏》"}],related:[],title:"《給憂鬱靈魂的良藥-2022 MUSE鋼琴三重奏》",cover:"a624183f11b4f7a73be16d9bc4559c84",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
MUSE鋼琴三重奏,是一種氣息,一種態度,一種信念。由頂尖中生代鋼琴家孫建如、小提琴家張群以及大提琴家侯柔安組成,以希臘繆斯女神的精神自許,秉持初衷,展現室內樂藝術張力。MUSE鋼琴三重奏將為樂迷呈現卡普斯汀:鋼琴三重奏,作品八十六,以及拉赫曼尼諾夫:第二號《悲歌》,作品九。拉氏19歲譜寫《悲歌》鋼琴三重奏,紀念恩師摯友-柴可夫斯基;烏克蘭作曲家卡普斯汀,作品裡充滿象徵自由的爵士氣息。藝術能量無遠弗屆,MUSE之2022年精選,溫暖每一顆靈魂。
\n\n\n\n
演出曲目
\n\n卡普斯汀:鋼琴三重奏,作品86
\n\n拉赫曼尼諾夫:第二號d小調《悲歌》鋼琴三重奏,作品9
\n\n\n\n
演出暨製作團隊
\n\n鋼 琴|孫建如
\n\n小提琴|張 群
\n\n大提琴|侯柔安
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bc0c65eee40989a7447effabef0e0498",title:"《2022 MUSE鋼琴三重奏》"}],related:[],title:"2022 MUSE Piano Trio",cover:"a624183f11b4f7a73be16d9bc4559c84",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"MUSE Piano Trio" is a breath, an attitude, and a belief. Grouped of TW elites: pianist Jen-Ru Sun, violinist Chun Chang, and cellist Jou-An Hou, MUSE advocate the spirit of Goddess Muse with self-commitment to stage the tension of chamber music. In 2022, MUSE is bringing "Piano Trio, Op.86" by Ukrainian composer- Kapustin, and "Piano Trio ‘Elegy No.2’, Op.9” by Russian composer-Rachmaninoff. Rachmaninoff wrote “Elegy" to commemorate his mentor and friend, Tchaikovsky, at age 19; Kapustin symbolized freedom by infusing jazzy taste into his works. The power of ART is boundless, MUSE piano trio, selected in 2022, is solacing each soul of you all.
\n\n\n\n
Program
\n\nNikolai Kapustin: Piano Trio, Op.86
\n\nSergei Rachmaninoff: Trio élégiaque, No. 2 in d minor, Op. 9
\n\n\n\n
Creative and Production Team
\n\nPiano|Jen-Ru Sun
\n\nViolin|Chun Chang
\n\nCello|Jou-An Hou
\n\n\n',team:""},createdAt:1646224082,updatedAt:1646298576,updatedBy:"林蔚行",host:!1},{_id:"622023ea911ce9000757d076",catalogs:["600a39e9a6b9ff0007b87823"],dateTime:{first:1651298400,discrete:[{time:1651298400}],type:"discrete"},activity:{type:"signup",signup:{limit:30,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5c5169ff62156f0006731a9a",text:"家長姓名 Full Name of Parent",english:"家長姓名 Full Name of Parent"},{required:!0,key:"5c516a2062156f0006731aa4",text:"家長性別 Gender of Parent",english:"家長性別 Gender of Parent"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone number",english:"聯絡手機號碼 Phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"5e2921ce9083ca0006cf52b8",text:"小朋友姓名 Full Name of Attending Child",english:"小朋友姓名 Full Name of Attending Child"},{required:!0,key:"5e2921e52d46f400067fbe6a",text:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)",english:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!1,key:"custom_text_1646273415064",text:"備註 Remarks ",english:""}],vip:{start:1646269200,end:1651247999},open:{start:1646269200,end:1651247999},description:'
本活動全程90分鐘。
\n\t官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\t報名後請於衛武營官網報名系統繳費期限內繳交費用;逾期未繳者,系統將自動釋出名額。
\n\t退費機制:報名人須主動聯絡主辦單位申請退費(learning@npac-weiwuying.org),報名人須於活動前10天辦理申請,取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前,完成退費。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽learning@npac-weiwuying.org
\n\t本活動全程90分鐘。
\n\t官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\t報名後請於衛武營官網報名系統繳費期限內繳交費用;逾期未繳者,系統將自動釋出名額。
\n\t退費機制:報名人須主動聯絡主辦單位申請退費(learning@npac-weiwuying.org),報名人須於活動前10天辦理申請,取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前,完成退費。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽learning@npac-weiwuying.org
\n\t\n\n
\n\n
古老的神話源自於人類對於大自然的崇敬和各種情緒,結合上不同的野獸型態,有了更迷人的發展!本課程將帶領孩子們從動物及情緒的想像出發、結合不同想像,動手組合多元質地的材料與形狀,與爸爸媽媽齊手打造出獨一無二的神獸戲偶。
\n\n\n\n
\n\n
\n\n
活動時間、活動地點
\n\n時間:2022/4/30(六)14:00-15:30
\n\n地點:演講廳
\n\n\n\n
報名對象與方式
\n\n報名對象:3-8歲幼兒家庭。
\n\t報名費用:單次費用新臺幣500元(含材料費)。
\n\t報名時程:3/4(五)12:00起至04/29(五)23:59止。
\n\t報名人數:30組,額滿為止。
\n\t報名流程:官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\t\n\n
活動注意事項
\n\n\n\n
授課老師
\n\n洪信惠|信惠老師 | \n\t\t
\n\t\t\t 主修劇場表演,現為嚐劇場團長暨藝術總監,從事劇場編導演及戲劇教育。 \n\n\t\t\t國立中山大學劇場藝術學系導表演組、英國倫敦東十五表演學校(East 15 Acting School MFA in Acting, University of Essex)表演碩士畢業。2017年完成學業返台,開始從事戲劇編導及青少年戲劇教學工作(任教於台北美國學校TYPA,進行兒童戲劇表演及故事創意教學),曾受<表演藝術卓越增能計畫>邀請開設拉邦戲劇動作開發工作坊、並數次受邀於中山大學劇藝系開設複合式表演能力深造及表演創作工作坊。 \n\n\t\t\t2018年創立劇團—嚐劇場(Bon Appétit Theatre),編導作品有《古林肯比》、《爺爺的飛行車》、《抓住星星的野人阿爾迪》、《頭擺頭擺我做了一場夢》、《樹洞男孩》(2021年北藝中心兒藝節展演前期計畫「從零開始」)等,擅長將當今議題融合奇幻元素作為故事題材基底,融合多變多元的手做媒介呈現創作主題,如光影、戲偶、表演者與物件環境肢體、動物性身體等,曾多次入選華山親子表藝節演出團隊及開設工作坊,亦於2020年受新加坡濱海藝術中心邀請參與第十八屆華藝節並且進行海外巡演。 \n\n\t\t\t\n\n\t\t\t 李仲偉|大頭老師 \n\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 現為自由劇場工作者,同時為野孩子肢體劇場團員、花蓮聲子樂集長期合作演出主持,曾參與驚喜製造X進港浪製作《微醺大飯店》演員、盜火劇團〔2021 華文劇本 LAB〕編劇實驗室計畫III—浪漫劇類型《銀色生死戀》讀劇演員、西安國際兒童藝術節X野孩子肢體劇場《哼哈爺奶》、野孩子肢體劇場《和氣商行》巡演演員、嚐劇場《古林肯比》、《爺爺的飛行車》、《抓住星星的野人阿爾迪》演員、文山精緻劇場系列演出 Be劇團《野豬小騎士》演員等。 \n\n\t\t\t\n\n\t\t\t \n\t\t\t | \n\t\t
\n\n
\n\n
贊助單位
\n\n\n',team:""},createdAt:1646273514,updatedAt:1647423110,updatedBy:"李詠嫣",host:!0},{_id:"6225736ce082e60008387c2a",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1654342200,discrete:[{time:1654342200},{time:1654410600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400,600,800,1e3,1200,1500,1800,2200,2500],link:"https://www.opentix.life/event/1498199161258401797?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"06dcd9d728ed4d0ff3e9efdf3a1a3577",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"ad6e329d4fd3e91f9b49a78fe2e95962",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"c746c6ea9e8615d162b2ffa13d537493",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"d0a455cab4b1ebb459fa48f4865b18b9",title:"吳興國經典復刻-貳號作品《暴風雨》"}],related:[],title:"吳興國經典復刻-貳號作品《暴風雨》",cover:"5611c98ab1fb86fa9f84077a59ad9b94",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
影片來源:YouTube(twclt當代傳奇劇場)
\n\n《暴風雨》國際演出評論:當代傳奇劇場《暴風雨》榮獲國際媒體"Time Out"選為2008年香港最佳舞台演出,英國金融時報評價為四顆星。
\n\n隨著吳興國大師,他們將超自然莎士比亞故事,改造成一個龐大、逼真驚人的新形式的京劇,完成精緻的製作,帶來了廣闊的舞台經驗。——Time Out
\n\n這是我在香港25年來看到最棒的演出作品之一,真正的大師手筆。——Michelle Vosper(香港亞洲文化協會代表)
\n\n這是我所看過最迷人也最具想像力的《暴風雨》改編作品。——李歐梵(文學評論/香港中文大學教授)
\n\n\n\n
改編莎士比亞《暴風雨》,由國際級導演徐克與吳興國合力執導,葉錦添打造舞台服裝,全劇145分鐘融合舞台劇、京劇、原住民歌舞,成就一場目眩神迷的魔幻饗宴。
\n\n\n\n
演出暨製作團隊
\n\n劇 本 原 著|威廉‧莎士比亞
\n\n總導演|徐克
\n\n藝術總監・執行導演.編腔.改編劇本|吳興國
\n\n製作人・編舞|林秀偉
\n\n舞台設計.服裝造型設計|葉錦添
\n\n燈光設計|黃祖延
\n\n改編劇本|習志淦
\n\n編腔|李門
\n\n作曲|李奕青、鍾耀光
\n\n編曲|黎翰江
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"06dcd9d728ed4d0ff3e9efdf3a1a3577",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"ad6e329d4fd3e91f9b49a78fe2e95962",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"c746c6ea9e8615d162b2ffa13d537493",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"d0a455cab4b1ebb459fa48f4865b18b9",title:"吳興國經典復刻-貳號作品《暴風雨》"}],related:[],title:"The Tempest",cover:"5611c98ab1fb86fa9f84077a59ad9b94",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Adapted from Shakespeare's classic, The Tempest is co-directed by world famous filmdirector Tsui Hark and Wu Hsing-kuo, with costume and scene design by Oscar-winning Tim Yip. The production blends Western elements with traditional jingju,kunqu, and Taiwan's aboriginal music and dance, and is performed by Wu Hsing-kuo,actors from Hsing Legend. The total length is 2 hours and 25 minutes. It was a marvelous theatrical spectacle with its gorgeous stage effects,enchanting musical.
\n\n\n\n
Creative and Production Team
\n\nOriginal Author|William Shakespeare
\n\nDirector|Tsui Hark
\n\nArtistic Director, Executive Director, Aria Arranger, Script Adaptation|Wu Hsing-Kuo
\n\nProducer & Choreographer|Lin Hsiu-Wei
\n\nScenic & Costume Designer|Tim Yip
\n\nLighting Designer|Wong Choo-Yean
\n\nScript Adaptation|Xi Zhi-Gang
\n\nAria Arranger|Li Men
\n\nComposer|Li Yi-Chin, Chung Yao-Kuang
\n\nArrangement|Li Han-Chiang
\n\n\n\n
\n\n
\n',team:""},createdAt:1646621548,updatedAt:1646717731,updatedBy:"林蔚行",host:!1},{_id:"62258bf8911ce900075a2782",catalogs:["6010ca1afb81540009f438e6"],dateTime:{first:1648863e3,discrete:[{time:1648863e3},{time:1649467800},{time:1650072600},{time:1650677400},{time:1651887e3},{time:1652491800},{time:1653096600},{time:1653701400}],type:"discrete"},activity:{type:"signup",signup:{limit:10,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone number",english:"聯絡手機號碼 Phone number"},{required:!0,key:"603dec80b4417f00078fa8f8",text:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)",english:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)"},{required:!0,key:"custom_text_1646629912089",text:"障礙類別 Disability Category",english:""},{required:!0,key:"custom_text_1646629985505",text:"使用輔具 Assistive Equipment",english:""},{required:!1,key:"5dc511ffa23dc80006e2ce3d",text:"我需要特殊協助(如手語翻譯)…Special assistance request(E.g. Sign language interpreter)",english:"我需要特殊協助(如手語翻譯)…Special assistance request(E.g. Sign language interpreter)"},{required:!0,key:"custom_upload_1646703985991",text:"請提供您的身障證明文件",english:""},{required:!0,key:"5cab10a0552deb0006aa1cc3",text:"陪同親友姓名 Name of Companion",english:"陪同親友姓名 Name of Companion"},{required:!0,key:"603dec3b56d6440007ea5429",text:"陪同親友手機號碼 Number of Companion",english:"陪同親友手機號碼 Number of Companion"},{required:!0,key:"custom_text_1646704114566",text:"陪同親友電子郵件地址 E-mail Address of Companion",english:""},{required:!0,key:"custom_text_1646627340287",text:"請簡述您為什麼想參與此工作坊 ",english:""}],vip:{start:1646798400,end:1648655999},open:{start:1646798400,end:1648655999},description:'
\n\n
活動注意事項
\n\n這是一趟認識藝術平權的奇妙之旅,體驗原來舞蹈無所不在。
\n\n暨2021年辦理「大手大腳肢體工作坊」獲得障別朋友們的熱烈迴響,2022年衛武營與滯留島舞蹈劇場延續辦理【共融肢體劇場】,
\n\n提供障礙者近用藝術的機會與權利,並透過演出形式,讓觀眾近距離地認識障礙者,搭起信任的橋樑、翻轉既定印象。
\n\n\n\n
日期與時間
\n\n4/2-5/28 每週六 09:30-12:30
\n\n演出呈現 6/11(六) 時間待訂
\n\n\n\n
活動地點
\n\n衛武營國家藝術文化中心 1192、1186排練室
\n\n\n\n
參與對象與人數
\n\n對表演藝術、舞蹈有興趣之身障者及陪同者。
\n\n共10組(障礙者1位+陪同者1位),額滿為止。
\n\n\n\n
課程內容
\n\n每堂課3小時,共計8堂課+1場演出呈現。
\n\n前四堂課為肢體訓練課,後四堂課為作品創作與排練,第九週為公開環境微劇場呈現。
\n\n第一周:任何人都是獨特的/身體的可能性
\n\n第二周:彼此連結/團隊合作
\n\n第三周:這是什麼聲音?/身體與聲音
\n\n第四周:生活中的表演/即興與創作
\n\n第五周:場館導覽/排練
\n\n第六-八周:排練
\n\n第九周:環境劇場呈現
\n\n\n\n
授課團隊
\n\n滯留島舞蹈劇場
\n\n視障編舞家張忠安於2010年創立的滯留島舞蹈劇場,為國藝會年度獎助演藝團隊,作品屢獲國際邀演。期許能將南部人才「滯留」於在地發揮長處,停靠在「島」所提供的空間與機會,著力向下扎根、扶植在地人才,以實驗精神探索創新,關懷社會人文及時事為舞作議題,為弱勢團體發聲。2018年忠安參訪英國Unlimited無障礙藝術節後,對於超越藝術之上的生命之美受到感動與啟發,便不間斷地鏈結國際與在地的資源與人脈,希冀鼓勵障礙者參與藝術、進而開發扶植更多障礙者並挖掘其藝術潛能,推廣文化平權。
\n\n\n\n
報名方式
\n\n報名費用:500元保證金,上滿七堂課(含演出)者將於課程結束後一個月內退還,未滿七堂課(含演出)者保證金將不予退還。
\n\n報名時程:3/9(三) 中午12點起至3/30(三),額滿為止
\n\n報名流程:官網報名 → 繳交費用 → 檢視官網報名狀況 → 完成報名
\n\n\n\n
活動注意事項
\n\n\n\n
\n',team:""},createdAt:1646627832,updatedAt:1646811632,updatedBy:"連映涵",host:!0},{_id:"6226ef40e082e6000838b9c6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1651993200,discrete:[{time:1651993200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1496401711801909250?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d73c903c3c78563f80174cf8e62c14fb",title:"《凝聚III – 極地之光弦樂團》"}],related:[],title:"《凝聚III – 極地之光弦樂團》",cover:"2a17d531f311b28ed420090c114f8495",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2018年起規劃【極地之光.銀河系列Apex Orchestra.Galaxy Series】凝聚-極地之光弦樂團計劃系列音樂會,指揮劉孟灝藉由每年固定的弦樂團計劃,2022年安排演出莫札特《F大調嬉遊曲》、布列頓《簡易交響曲》、蘇克《降E大調弦樂小夜曲》,並藉由經典弦樂團曲目,讓極地之光管弦樂團凝聚的樂思,交織出豐富深醇的音樂色彩。
\n\n\n\n
演出曲目
\n\n莫札特:F大調嬉遊曲,作品138
\n\n布列頓:簡易交響曲
\n\n蘇克:降E大調弦樂小夜曲,作品6
\n\n\n\n
演出暨製作團隊
\n\n指揮|劉孟灝
\n\n極地之光弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d73c903c3c78563f80174cf8e62c14fb",title:"《凝聚III – 極地之光弦樂團》"}],related:[],title:"Apex String Orchestra Concert",cover:"2a17d531f311b28ed420090c114f8495",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Apex String Orchestra will perform Mozart's "Divertimento in F Major", Britten's "Simple Symphony", and Suk's "E-flat Major String Serenade", using classic string orchestra repertoire to condense musical thoughts Interweave rich and mellow music colors.
\n\n\n\n
Program
\n\nMozart: Divertimento in F Major, K. 138
\n\nBenjamin Britten: Simple Symphony
\n\nJosef Suk: Serenade for Strings in E-flat Major, Op. 6
\n\n\n\n
Creative and Production Team
\n\nConductor | MengHau Liu
\n\nApex String Orchestra
\n\n\n',team:""},createdAt:1646718784,updatedAt:1646902990,updatedBy:"林蔚行",host:!1},{_id:"6226f66f911ce900075acae2",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1652873400,discrete:[{time:1652873400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://www.opentix.life/event/1496435187313885184?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"44bbff7ad6f12eb336c4b7b79a05007e",title:"《老派生活客廳》2022鋼琴聯彈音樂會"}],related:[],title:"《老派生活客廳》2022鋼琴聯彈音樂會",cover:"5b4eb5881f0e99b55a7f026ceae07622",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
音樂史上鋼琴聯彈一直是重要的社交活動,擔任拉近人際關係,聯繫感情的橋樑。在這個受疫情肆虐多時的時代,我們想念著人與人之間真切的交流,即便只是一首樂曲的時光,也能帶給人們莫大的鼓舞,與繼續前行的力量。
\n\n2022年三位青年鋼琴家將以十九世紀為主的鋼琴室內樂曲目,重現那個時代的交誼廳,為身處後疫時代的愛樂者,帶來一場優雅的經典社交時光。有點老派,卻十分溫暖;走訪過去,活出未來。
\n\n\n\n
演出曲目
\n\n福多爾:為六手聯彈的奏鳴曲,作品10
\n\n舒伯特:為四手聯彈的四首波蘭舞曲,作品599
\n\n浦朗克:為雙鋼琴的奏鳴曲
\n\n馬克思.雷格:為四手聯彈的六首華爾茲,作品22
\n\n比才/安德森:《卡門幻想曲》改編為雙鋼琴
\n\n徹爾尼:為六手聯彈的軍隊嬉遊曲,作品229
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|陳家宜、陳璟岳、湯雯茜
\n\n\n\n
贊助單位
\n\n雅悅音樂
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"44bbff7ad6f12eb336c4b7b79a05007e",title:"《老派生活客廳》2022鋼琴聯彈音樂會"}],related:[],title:'"Salon of Classic" 2022 Piano Chamber Music',cover:"5b4eb5881f0e99b55a7f026ceae07622",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
While the piano chamber music – more than two hands sharing one keyboard - has played an important role as a social activity, it came to its golden age in 19th century. By bring classic tones from classical era, we shall recreate the tradition of salon, with intimacy and joy.
\n\n\n\n
Program
\n\nCarolus Antonius Fodor: Sonata for six hands, Op. 10
\n\nFranz Schubert: Four Polonaises for piano four hands, D. 599
\n\nFrancis Poulenc: Sonata for two pianos, FP 156
\n\nMax Reger: Six Waltz for piano four hands, Op. 22
\n\nBizet/Anderson: Carmen Fantasy for two pianos
\n\nCarl Czerny: Divertissement militaire for piano six hands, Op. 229
\n\n\n\n
Creative and Production Team
\n\nPiano|Chia-Yi Chen, Andrew Chen, Wen-Chien Tang
\n\n\n\n
Sponsor
\n\nAlster Freundeskreis
\n\n\n\n
\n',team:""},createdAt:1646720623,updatedAt:1646877531,updatedBy:"林蔚行",host:!1},{_id:"6226f97b911ce900075acb6d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1652598e3,discrete:[{time:1652598e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[700,1e3],link:"https://www.opentix.life/event/1495611806159028228?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3ec90efcf44b20d6e7a576c2ea77e9e5",title:"黃睿靚慈善鋼琴獨奏會《乘著樂音翱翔的翅膀》"}],related:[],title:"黃睿靚慈善鋼琴獨奏會《乘著樂音翱翔的翅膀》",cover:"0d27256b28bad19de0807fb4c5c1abf2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
音樂會的主軸以慶祝海頓與史克里亞賓兩位冥誕音樂家為中心。「交響樂之父」與「奏鳴曲之父」海頓在古典時期為曲式結構立下重要里程碑的制度。而另外一位作曲家俄國史克里亞賓150週年冥誕,早年的作品情趣與蕭邦相識接近,但是後來的和聲運用大膽,近乎印象派的無調性,自我主義的擴張甚至發展至他預言世界末日後的音樂境界。
\n\n本節目透過不同時代的演進,欣賞浪漫唯美、法式聲響與無調性曲風大相逕庭的多元衝突,串起相隔140年出生的兩大作曲家,跨時代的交織樂音對話。
\n\n\n\n
演出曲目
\n\n德布西:海頓頌
\n拉威爾:以海頓為名的小步舞曲
\n史克里亞賓:24首前奏曲,作品11
\n海頓:第52號降E大調鋼琴奏鳴曲
\n史克里亞賓:第五號鋼琴奏鳴曲,作品53
\n\n
演出暨製作團隊
\n\n鋼琴|黃睿靚
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3ec90efcf44b20d6e7a576c2ea77e9e5",title:"黃睿靚慈善鋼琴獨奏會《乘著樂音翱翔的翅膀》"}],related:[],title:"Soaring on the Wings of Music",cover:"0d27256b28bad19de0807fb4c5c1abf2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
This concert celebrates the birth of two composers, Franz Haydn and Alexander Scriabin. Haydn, hailed as the "Father of the Symphony" and the "Father of the Sonata", established an important milestone for the structure formation of classical music. Scriabin, greatly influenced by Chopin in his early years, later made bold experimentations with harmonics such as the atonal style of impressionism. His egoist predilections even developed into a musical realm where he intended to bring about the end of the world. This concert engages musical dialogues between two composers born 140 years apart by appreciating the diverse conflicts between a romantic French and atonal music.
\n\n\n\n
Program
\n\nDebussy: Hommage à Haydn
\n\nRavel: Menuet sur le nom d' Haydn
\n\nScriabin: 24 Preludes, Op.11
\n\nHaydn: Piano Sonata Hob. XVI:52
\n\nScriabin: Piano Sonata No. 5, Op.53
\n\n\n\n
Creative and Production Team
\n\nPiano|HUANG Jui Ching
\n\n\n\n
\n',team:""},createdAt:1646721403,updatedAt:1646809482,updatedBy:"林蔚行",host:!1},{_id:"6226fce5e082e6000838bdd9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1652355e3,discrete:[{time:1652355e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200,1500,1800],link:"https://www.opentix.life/event/1469654924844679169?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ef900a288ef82d3406844b591c255424",title:"《真如的詩與歌-靜觀水月 照徹心海》"}],related:[],title:"《真如的詩與歌-靜觀水月 照徹心海》",cover:"1fcb3cdc1cb658b452f87480321188eb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
千江有水,月映千江
\n\n\n\n
只需香茗一盞,便能佇滿慈悲光
\n\n\n\n
萬古情懷,本性清涼
\n\n\n\n
敞千里心海,任歌音之月漫照
\n\n\n\n
夢蓮花文藝基金會堅持將美好的原創音樂作品帶給大家。由古育仲老師指揮的合唱、王子承老師帶領的交響樂團,期待透過樂音詮釋言語訴說不盡的感動,如月映千江,傳遞給正在尋覓心中那股清涼的您。
\n\n\n\n
演出曲目
\n\n紫羅蘭
\n水、花、人
\n鮮花谷
\n晚霞當空
\n靈鳳箜篌曲
\n祈禱
\n知音
\n月光下
\n曙光
\n心海
\n善友
\n鐵血男兒
\n幸福百花園
\n藍空
\n\n
演出暨製作團隊
\n\n指揮家|古育仲、王子承
\n\n演出|夢蓮花讚頌合唱團、夢蓮花交響樂團
\n\n大提琴|高炳坤
\n\n獨唱|傅孟倩、鄧吉龍、張振文
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ef900a288ef82d3406844b591c255424",title:"《真如的詩與歌-靜觀水月 照徹心海》"}],related:[],title:"Observe the water and the moon・Light up the ocean of minds",cover:"1fcb3cdc1cb658b452f87480321188eb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
Water from a thousand rivers can reflect the moonlight that casts brilliance over its surface
\n\nBut a cup of fragrant tea is all that is needed to contain the full spectrum of illuminating compassion.
\n\nThe eternal devotion and aspiration from the ancient, coolness is their nature.
\n\nAnd a heart that is as broad as a thousand-mile-wide ocean sails through the melodies cast off by the brilliant moon.
\n\n\n\n
Bringing our audience and members beautiful original musical work, Dream Lotus Art and Culture Foundation proudly presents these musical concerts. Featuring choral works conducted by Dr. Ku, Yu-Chung, and a symphony orchestra led by Wang, Tzu-Cheng, we are sure this will be an evening of heart-felt music that words can hardly express. As the moonlight is reflected by a thousand rivers, we look forward to taking you on a spiritual journey that one has been searching for.
\n\n\n\n
\n\n
Program
\n\nViolets
\nWater, Flower, Man
\nValley of Fresh Flowers
\nRose-tinted Sky at Dusk
\nSong of the Phoenixes
\nPraying
\nBuddy in Spirit
\nUnder the Moonlight
\nFirst beam of sunlight
\nocean of mind
\nVirtuous Friends
\nFearless Warrior
\nGarden of joyful blossoms
\nThe Blue Sky
\n\n
Creative and Production Team
\n\nConductor|Johnny Ku, Wang Tze-Cheng
\n\nPerformer|Dream Lotus Chorus, Dream Lotus Symphony Orchestra
\n\nCellist|Victor Coo
\n\nSolo|Fu Meng-Chien, Teng Chi-Long, CHANG Chen-wen
\n\n\n\n
\n',team:""},createdAt:1646722277,updatedAt:1646733287,updatedBy:"林蔚行",host:!1},{_id:"622719c9911ce900075ad1ea",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1652182200,discrete:[{time:1652182200}],type:"discrete"},activity:{type:"free",free:{description:"線上報名"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"041c5d4d42ce4554a71d63219fdbc23d",title:"【專題講座】我在劇場爆肝的日子:黑衣人的日常"}],related:[],title:"【專題講座】我在劇場爆肝的日子:黑衣人的日常",cover:"b9095b152bdb83c2eb6e808ec3051fc1",site:{isOther:!0,site:"",other:"信義學堂(臺北)"},cautions:'
劇場是一個造夢的地方,實踐一切的天馬行空,幕後卻有一群劇場黑衣人辛苦的築起這場夢。演出的背後,在舞台兩側佇立著以最低調姿態的幕後推手黑衣人,陳美玲經理曾任國家兩廳院統籌舞監及統籌管理組組長,擔任國家場館技術管理人員近20年,帶領30多位技術人才執行多場大型製作,普契尼歌劇《杜蘭朵》、布瑞頓《戰爭安魂曲》、創作社劇團 白先勇《孽子》2020經典重返、《魂顛記-臺灣在地魔幻事件》…等,專業執行著每個精準的技術點,使舞台上的每一幕場景轉換自如,從舞台、燈光、視聽、服裝、道具等每個環節環環相扣,一切是經過不斷排演及確認,使得演出能讓觀眾沉浸於舞台上的故事。
\n\n\n\n
★ 主講人:衛武營國家藝術文化中心技術經理 陳美玲、衛武營國家藝術文化中心技術部燈光技術組長 郭建豪
\n\n活動時間:2022/5/10(二)19:30
\n\n報名方式:報名參加,免費入場(限量377名,額滿為止)
\n\n報名網址: 報名請點我
\n\n活動地點:臺北市信義路五段100號B1
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陳美玲│衛武營國家藝術文化中心技術經理
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