\n\t\t\t姚立群\n\t\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(一起來寫舞).pdf
\n\n
單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t你的第一篇舞蹈評論 \n\t\t\t魏琬容 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t 當我們在紙上跳舞-7項舞蹈書寫計畫 \n\n\t\t\t李欣恬 \n\t\t\t | \n\t\t\t我的看舞之路 \n\t\t\t魏琬容 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
\n\n\n\n
王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
\n\n\n\n
王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
\n\n\n\n
謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
\n\n\n\n
紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
\n\n\n\n
蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
\n\n\n\n
方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
\n\n\n\n
陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[{from:"programs",key:"6204bb0606407a00079d566d",title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
保證金將於每單元課程第二日活動結束後現場退還當次保證金,未能全程參與者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,報名學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n報名人需於每一單元活動首日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,喜歡看舞、對於書寫有興趣並曾於觀賞演出後留下文字紀錄之一般大眾。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 1,000 元整/單元。可分別報名,建議同時報名三個單元。
\n\n\n\n\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tImage and Body I \n\t\t\tWANG Po-wei | \n\t\t\tImage and Body II \n\t\t\tWANG Po-wei | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tYour First Dance Review \n\t\t\tWEI Wan-jung | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2 (September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t Dancing Words — 7 Writing Ideas about Dance \n\n\t\t\tLEE Hsin-tien \n\t\t\t | \n\t\t\tMy Journey of Watching Dance \n\t\t\tWEI Wan-jung | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[],title:"2022 Writing About Dance Workshop (Primary)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
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單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t舞蹈與身體史 I \n\t\t\t王柏偉 | \n\t\t\t舞蹈與身體史 II \n\t\t\t王柏偉 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(舞蹈書寫手).pdf
\n\n
單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t全鏡式批評視角的學習 \n\t\t\t紀慧玲 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t不合時宜的備忘錄——關於書寫 \n\t\t\t周伶芝 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t當我們在紙上跳舞-7項舞蹈書寫計畫 \n\t\t\t李欣恬 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
\n\n\n\n
王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
\n\n\n\n
王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
\n\n\n\n
謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
\n\n\n\n
紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
\n\n\n\n
蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
\n\n\n\n
方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
\n\n\n\n
陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[{from:"programs",key:"618cc8fdd4bd45000a17d10e",title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
「專業書寫手」需全程參與三個單元課程,並於指定日期繳交主辦單位指定舞蹈作品之評論文章。指定作品將另行通知提供入選者。
\n\t保證金將於主辦單位收受指定文章後,於下一個付款日退還保證金,未能全程參與及未按時繳交評論文章者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,入選學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n入選者需於2022年4月2日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t從劇場觀看到產出書寫文章
\n\n漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,愛好觀賞肢體劇場演出,並於過去一年曾公開發表過表演藝術評論文章者。需全程參與三季課程。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 3,000 元整。
\n\n\n\n\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tDance and History of the Body I \n\t\t\tWANG Po-wei | \n\t\t\tDance and History of the Body II \n\t\t\tWANG Po-wei | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n\n\n\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tLearning to Criticize from All Perspectives \n\t\t\tCHI Hui-ling | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2(September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tAn Untimely Memo – About Writing \n\t\t\tCHOW Ling-chih | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tDancing Words — 7 Writing Ideas about Dance \n\t\t\tLEE Hsin-tien | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n\n
\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[],title:"2022 Writing About Dance Workshop (Advanced)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
\n',team:""},createdAt:1644477190,updatedAt:1647569889,updatedBy:"林蔚行",host:!0},{_id:"621f665c911ce9000757573c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661599800,discrete:[{time:1661599800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200,1500],link:"https://www.opentix.life/event/1473566843968241669?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"333ea25ed3f74c7aaac8f47d31806ae0",title:"《Lawa的彩虹橋》"}],related:[],title:"《Lawa的彩虹橋》",cover:"7ec7c03bff36b9a04bd6c68cf5577460",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
生命,會給你什麼?
\n\n每個人的答案,或許都不一樣。
\n\n\n\n
「爸爸媽媽真的在彩虹橋的那邊嗎?」
\n\n\n\n
親愛愛樂全新製作《Lawa的彩虹橋》,用音樂將戲劇性的畫面編織起來,述說一個親子皆宜的冒險故事。音樂描述一個叫做Lawa的小孩,從小跟祖母Yaki相依為命,生活平凡而簡單。有一天,祖母生病了,Lawa決定鼓起勇氣走進魔鬼森林尋找傳說中神秘的生命之泉,帶著寄望展開了一連串冒險的歷程,也慢慢地從女孩的單純懵懂,蛻變為在面對困境時,展現出無比的勇敢與真誠……。
\n\n不論是傷痛,是遺憾,生命終究有其難以迴避的課題。親愛愛樂全新推出的《Lawa的彩虹橋》,充滿魔幻冒險風格,樂團在現實與虛幻之間與觀眾展開互動,引領台下眾人參與主角拉娃歷經的冒險,隨著音樂體會獨自挑戰各種關卡並逐漸醒悟的人生旅程,這場旅程會隨年齡轉變有著不同感受,相當適合親子共賞。
\n\n\n\n
演出暨製作團隊
\n\n演出|親愛愛樂
\n\n作曲|親愛愛樂
\n\n第一小提琴|沈上暘、曾韋華、周巧恩、周子安、曾欣明、曾馨葶、吳宗瑋、賴建廷、吳宗恩、石芯恩
\n\n第二小提琴|張皓平、吳宗儒、石志祥、沈上麟、陳妤軒、曾欣月、林玟、周益賢、胡翎恩
\n\n中提琴|白妤柔、張郁庭、張恩琦、周子榮、廖秉君、吳佳穎
\n\n大提琴|曾詩芸、白叟恩、王小月、張琳、白喬琳
\n\n低音大提琴|白栩慈、周慧琳、石志羚、呂昱、藍晧丞、石芷睛
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"333ea25ed3f74c7aaac8f47d31806ae0",title:"《Lawa的彩虹橋》"}],related:[],title:"Lawa's Rainbow Bridge",cover:"7ec7c03bff36b9a04bd6c68cf5577460",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
"Lawa’s Rainbows Bridge" tells the story of Lawa, a girl brought up by her Yaki (grandma) alone. Whenever Lawa asks about her parents, Yaki always say, "They are on the other side of the Rainbow Bridge." As Lawa grew up, Yaki became old and sick. Lawa is determined to find the mystery fountain to save Yaki's life. What waited ahead will be an extraordinary adventure!
\n\nChin-Ai Music presents "Lawa's Rainbows Bridge" in the form of music theatre. All script, direct, music and set design are produced in house, taking the audience through Lawa's happiness, sorrow and excitement filled adventure.
\n\n\n\n
Creative and Production Team
\n\nComposer|Chin-Ai Music
\n\nPerformer|Chin-Ai Music
\n\n\n\n
\n',team:""},createdAt:1646224988,updatedAt:1646298616,updatedBy:"林蔚行",host:!1},{_id:"6232d6a6425eae00071feedd",catalogs:["5aec4184b01ea6000520f633","5f6f57d6e0fdee000b536ba9"],dateTime:{first:1656729e3,discrete:[{time:1656729e3},{time:1672986600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,700,900,1100,1300],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N189Z6LV"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a2e625ccf95913e79ff2c4417b050d7a",title:"愛唱歌2022親子演唱會《瑞比和安弟的樹洞狂想》"}],related:[],title:"愛唱歌2022親子演唱會《瑞比和安弟的樹洞狂想》",cover:"5ca2462f2ead268aa455a26b2ac01881",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
★ 「他們或許無法記得故事、看不懂全部的臺詞歌詞或人物,但我很確定這樣出色的製作會在他們腦海裡留下一個畫面,那將會是他們人生中對劇場最初始的感動。」—— 劇場評論家Angela
\n\n★ 「本來很緊張很擔心小朋友坐不住怎麼辦,結果青桃超級投入,跟著一起唱,唱得好大聲,根本幼兒五月天演唱會啊 」——知名主播陳乃瑜
\n\n★ 「小孩非常投入,很多時候全場唱成一片,我想說他們到底是看了幾遍,就是兒童版梁靜茹演唱會的感覺。」——網紅作家宅女小紅
\n\n★ 「看著袋熊育兒畫面整個忍不住紅了眼眶,好一首〈媽媽加油〉,整個贏得媽媽的心!真的好喜歡,歡樂又溫暖,是能讓爸爸媽媽和孩子一同擁有美好時光的演唱會!」——電台DJ咖啡糖賢齡
\n\n\n\n
親子圈口碑盛讚!全國巡迴最終篇!
\n\n萬名觀眾高分評價,絕對值得二三刷!
\n\n由人氣天團「謝欣芷的愛唱歌劇場」帶來2022年暑假必看《瑞比和安弟的樹洞狂想》,營造專屬親子的演唱會體驗,台上台下的精彩互動更甚以往,讓孩子們隨著瑞比和安弟的腳步,歷經一場難忘的冒險,並透過故事引導小朋友懂得欣賞自己、樂於分享與幫助他人。100分鐘的表演毫無冷場,串聯超過15首膾炙人口的原創兒歌,讓大小朋友一首又一首唱個過癮,邀請大家加入這趟充滿幸福與歡笑的音樂奇幻之旅!
\n\n\n\n
演出曲目
\n\n【上半場】
\n01. 哈囉歌 ★ 不同音程唱一遍,現場互動最熱烈!
\n02. 起床歌 ★ 最有元氣的早安歌!
\n03. 動物體操 ★ 跟著討喜的動物朋友一起動身體!
\n04. Dreamer ★ 每個孩子都是一名夢想家!
\n05. 蘋果面 ★ 經典台語原創童謠!
\n06. 走吧!走吧!★ 讓大自然走進我們的心裡頭!
\n07. 大近視 ★ 經典台語原創童謠!
\n08. 吃飯了 ★ 營養精靈開工囉!
\n09. 洗手搖滾 ★ 勤洗手向病毒說掰掰!
\n10. 小小美食家 ★ 跟著美食環遊世界去!
【下半場】
\n11. 刷刷刷 ★ 跟著動感牙寶寶們開開心心刷牙去!
\n12. 好笑歌 ★ 一聽就哈哈大笑的無厘頭紓壓兒歌!
\n13. 空氣出來了 ★ 育兒必唱曲!
\n14. 媽媽!加油!★ 為全天下辛苦的媽咪加油打氣!
\n15. 一點一點亮 ★ 2020最受矚目新歌首度演出!
\n16. 數星星 ★ 兩岸三地幼兒園必唱曲!
\n17. 幸福的孩子愛唱歌 ★ 愛唱歌的孩子幸福快樂!
\n\n
演出暨製作團隊
\n\n監 製|楊錦聰.蔣國弘
\n\n製 作 人|歐佳華
\n\n藝術總監|謝欣芷
\n\n編劇導演|周羿辰
\n\n音樂總監|謝漢揚
\n\n插畫設計|鹿雅
\n\n舞台設計|謝均安
\n\n舞蹈設計|周羿辰
\n\n服裝設計|抹抹設計 詹雅真
\n\n影像設計|鄭雅之
\n\n燈光設計|李昊
\n\n歌唱指導|鍾筱丹
\n\n舞台監督|林貞佑
\n\n演出人員|邱若瑜.湯為軍.蔡孟穎.林伯龍.黃耀緯.朱珮慈.蘇禹綾
\n\n樂手|曾淵明(打擊).王瑋(吉他)
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a2e625ccf95913e79ff2c4417b050d7a",title:"愛唱歌2022親子演唱會《瑞比和安弟的樹洞狂想》"}],related:[],title:"Fantastic Tree Cave Adventure Concert",cover:"5ca2462f2ead268aa455a26b2ac01881",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
The most exciting family event of your summer.
\n\nBring your family and join us on our final national tour.
\n\nBrought to you by the popular Kim Hsieh's Happy Singing Theater, The Fantastic Treehole Adventure is a must see event for your family. Come and experience the interactive concert with Rabbi and Andy. Give your children an unforgettable time of their lives. Through out the story, we all learn to appreciate, to share and to help other with all the lovely characters. This 100 minute long show consists of 15 top hits from Kim Hsieh. Don't wait. Join us on this fantastic adventure this summer.
\n\n\n\n
Program
\n\n01.〈Hello〉
\n02.〈The Wake Up Song〉
\n03.〈The Animal Dance〉
\n04.〈Dreamer〉
\n05.〈Apple Face〉
\n06.〈Go! Go! Let's Go!〉
\n07.〈Nearsighted〉
\n08.〈Let's Eat!〉
\n09.〈The Hand Washing Rock〉
\n10.〈The Little Gourmet〉
-Intermission-
\n\n11.〈The Brushing Song〉
\n12.〈The Funny Song〉
\n13.〈The Burping Song〉
\n14.〈A Song for My Mother〉
\n15.〈The Firefly〉
\n16.〈Counting Stars〉
\n17.〈Happy Children, Happy Singing〉
\n\n
Creative and Production Team
\n\nProduction supervisor|Chin-Tsung YANG, Johnny CHIANG
\n\nProducer|Jia-Hua OU
\n\nArtistic director|KIM Hsieh
\n\nScenarist director|Yi-Chen ZHOU
\n\nMusic director|Hank Hsieh
\n\nIllustration design|Luya
\n\nStage design|Jun-An HSIEH
\n\nChoreographers|Yi-Chen ZHOU
\n\nCostume design|Moi studio
\n\nDigital image design|Ya-Zhi ZHENG
\n\nLighting design|Li Hao
\n\nVocal coach|Xiao-Dan ZHONG
\n\nStage manager|Zhen-You LIN
\n\nActor & Actress|Ruo-Yu QIU, Wei-Jun TANG, Meng-ying TSAI, Bo-Long LIN, Yao-Wei HUANG, pei-tzu CHU, Yu-ling SU
\n\nPercussion & Guitar|Yuan-Ming TSENG, Wei WANG
\n\n\n\n
\n',team:""},createdAt:1647498918,updatedAt:1648626487,updatedBy:"通泰系統管理員",host:!1},{_id:"623b110261a791000951382b",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1660390200,discrete:[{time:1660390200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1400,1800,2200,2600,3e3],link:"https://www.opentix.life/event/1496058491364524037?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa23288883c86cc205890a313d8dd7fa",title:"《外公的咖啡時光》"}],related:[],title:"《外公的咖啡時光》",cover:"474cc99f78758549e31d9230d6177e40",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
一杯咖啡香,圍繞祖孫三代間的情感。改編自真人真事暖心繪本—《永恆的咖啡時間》,講述三代同堂家庭,在外公罹患失智症後,長期照護老伴的外婆也因故住院,部份重擔落在孫子瀚瀚身上。瀚瀚因此多了許多與外公相處的時間,祖孫的角色像是被翻轉過來,常常被外公的孩子氣逗弄哭笑不得!瀚瀚卻也發現,看似癡呆糊塗的外公,因為透過一杯咖啡,才能找回對愛的記憶片段,也讓家中原本冷淡的關係,再度升溫連結了起來。而當外公病情日趨嚴重,甚且開始連自己的家人都認不得,在這一路倒退的人生風景中,瀚瀚決心要完成外公的心願,在咖啡冷卻之前…
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|丁乃箏
\n\n導演|丁乃箏
\n\n首演版導演|呂曼茵
\n\n監製|丁乃竺、馬維欣
\n\n製作人|藍大鵬
\n\n繪本作者|馬維欣(《永恆的咖啡時間》繪本)
\n\n編劇|王靖惇
\n\n改編劇本|丁乃箏、呂曼茵、馬維欣
\n\n領銜主演|樊光耀、范瑞君、王鏡冠、李辰翔、呂名堯、李劭婕
\n\n舞台設計|黎仕祺
\n\n燈光設計|張廷仲
\n\n音樂設計|洪予彤
\n\n服裝設計|姜睿明
\n\n平面設計|張巖
\n\n\n\n
演出製作:表演工作坊文化創意股份有限公司
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa23288883c86cc205890a313d8dd7fa",title:"《外公的咖啡時光》"}],related:[],title:"The Eternal Coffee Time",cover:"474cc99f78758549e31d9230d6177e40",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
The aroma of a cup of coffee envelopes the emotions of the three generations of Han Han's family.
\n\nAdapted from "Eternal coffee time," a heartwarming picture book that is based upon a true story, this play depicts the story of three generations of a family. After half a century together hand in hand, the family is faced with the grandfather suffering from dementia, the grandmother who had taken care of her husband for a long time has now also become hospitalized. The burdens of the family fall upon the grandson Han Han. Consequently, Han Han spends a great deal of time with his grandfather and the roles of grandparents and grandchild now become reversed. He is often vexed by his grandfather's childish behavior, not knowing if he should laugh or cry. Han Han discovers that even from a confused state of dementia his grandfather can be brought back by a steaming cup of coffee. When his grandfather's condition worsens and he is unable to even recognize his own family members, Han Han is determined to make his grandfather's wish come true before the cup of coffee cools...
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|Ismene TING
\nDirector|Ismene TING
\nDirector of the premiere|Man-Yin LU
\nExecutive Producer|Rebecca MA、Nai-Chu DING
\nProducer|Da-Peng LAN
\nPicture Book Author|Rebecca MA
\nScreenwriter|Daniel WANG
\nAdapted Screenplay|Ismene TING、Man-Yin LU、Rebecca MA
\nActors|Kuang-Yao FAN、Ray FAN、Ching-kuan WANG、Spark LEE、Ming-Yao LYU、Clara LEE
\nPerformance Production Corporation|Performance Workshop
\n\n
\n',team:""},createdAt:1648038146,updatedAt:1652693834,updatedBy:"林蔚行",host:!1},{_id:"6278eea97406e30007d25ba6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661583600,discrete:[{time:1661583600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1522110179546558467"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c76657bca91b43e1c3d52100ff65d602",title:"《富澤直子安可音樂會2022》"}],related:[],title:"《富澤直子安可音樂會2022》",cover:"9a10b450998514156fd43761d156cdb9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
極地之光管弦樂團於2017年起推出系列音樂會計畫,2022年8月將安排極地之光管弦樂團中提琴首席富澤直子安可音樂會,並邀請鋼琴家星原真美以及小提琴家林暉鈞,精心安排多首樂曲目,並透過演奏家音樂會現場解說方式以觀眾互動,讓觀眾渡過美好的週末時光。
\n\n\n\n
演出曲目
\n\n邦奇・健治:〈直到下一次〉,中提琴獨奏
\n\n保羅・克雷提:〈來自我心〉,中提琴與鋼琴
\n\n搖擺巴赫~來自巴赫第一號大提琴組曲,G大調,作品1007,中提琴與鋼琴
\n\n多布林卡・塔巴克瓦:爵士風組曲第三樂章,中提琴與鋼琴
\n\n保羅・克雷提:〈星光〉,中提琴與小提琴二重奏
\n\n小小音樂教室:鼓掌的方式
\n\n日本歌曲:〈線〉,中提琴與鋼琴
\n\n\n\n
演出暨製作團隊
\n\n中提琴|富澤直子
\n\n小提琴|林暉鈞
\n\n鋼 琴|星原真美
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c76657bca91b43e1c3d52100ff65d602",title:"《富澤直子安可音樂會2022》"}],related:[],title:"tomy's encore Concert 2022",cover:"9a10b450998514156fd43761d156cdb9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Apex Orchestra's violaist Tomizawa Naoko and pianist Hoshihara Mami and Violist Hui-Chun Lin will perform the most famous Viola, Piano and Violin music at the concert, including Kenji Bunch, Paul Coletti、Swinging Bach、Dobrinka Tabakova and Japan Folk Songs.
\n\n\n\n
Program
\nKenji Bunch: “Until Next Time” for solo viola
\nPaul Coletti: “From My Heart” for viola and piano
\n“Swinging Bach” for viola and piano ~ a free interpretation of Cello Suite no.1 in G Major by J. S. Bach, BWV1007
\nDobrinka Tabakova: Suite in Jazz Style for viola and piano, 3rd movement
\nPaul Coletti : “Starlight” for viola and violin duo
\nMini Workshop: How we applaud?
\n日本の歌:「糸」for viola and piano
\n\n
Creative and Production Team
\n\nViola|Tomizawa Naoko
\n\nViolin|Hui-chun LIN
\n\nPiano|Hoshihara Mami
\n\n\n\n
\n',team:""},createdAt:1652092585,updatedAt:1654673277,updatedBy:"林蔚行",host:!1},{_id:"627907757406e30007d25ecd",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1660132800,discrete:[{time:1660132800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1527210929604964355"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b479b4de8f6b3058adae3c1ab20c46c5",title:"【衛武營小時光】宇宙人《小宇宙時光》"}],related:[],title:"【衛武營小時光】宇宙人《小宇宙時光》",cover:"bcc1bffb3c11f348743c4b367ca147f4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t金曲金音雙入圍的宇宙人用一首曲風funky的〈要去高雄〉讓聽眾耳洞大開,也因此與港都結下不解之緣。宇宙人音樂性強烈,創作元素包山包海包宇宙,舉凡流行、搖滾、放克、爵士都能被他們玩出一種宇宙獨有的味道。歷年巡迴演出皆秒殺完售的宇宙人,也在2022年發行全新專輯《理想狀態》,歡迎大家相聚衛武營,讓宇宙人帶我們重遊《小宇宙時光》,探索沈睡體內的groovy細胞。
\n\n\n\n
演出者
\n\n主唱暨鍵盤|小玉
\n\n吉他|阿奎
\n\n貝斯|方Q
\n\n\n\n
演出者介紹
\n\n宇宙人
\n\n入圍過27屆金曲獎「最佳樂團」及第9屆金音獎「最佳現場演出」、「最佳樂手」的宇宙人成立於2004年的夏天,音樂性強烈,創作元素包山包海海包宇宙,舉凡Pop、Funk、Disco、Jazz、Rock都能被他們玩出一種宇宙獨有的味道;直來來直往的歌詞,甜膩熱情,詼諧卻不失誠懇,總能不偏不倚擊中年輕世代的內心。
\n\n至今發行四張完整專輯,三人持續秉持著實驗精神,一次又一次顛覆樂迷對宇宙人的想像,同時藉著高水準的現場演出累積人氣,2019年的「再陪我玩十年」十九場巡迴在各地皆秒殺完售,樂迷人數不斷上升中,2020年2月更首次前進臺北小巨蛋!
\n\n2022年3月份005新專輯理想狀態正式發行
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b479b4de8f6b3058adae3c1ab20c46c5",title:"【衛武營小時光】宇宙人《小宇宙時光》"}],related:[],title:"【Weiwuying Showtime】Cosmospeople - Cosmic Time Machine",cover:"bcc1bffb3c11f348743c4b367ca147f4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tIn 2009, Cosmospeople captured the ears of the listeners with its funky "Gotta Go to Kaohsiung" and thus formed an inseparable relationship with the city. Cosmospeople's music style is sometimes upbeat, light, and romantic; but always captivating. No matter where they tour, they continuously transform the venue with their positive energy. Let's meet up at Weiwuying. Allow Jade's keyboard and vocal, Kuei's guitar, and FunQ's bass to take you on a trip through the Cosmic Time Machine and energize the dormant groovy cells in your body.
\n\n\n\n
Artists
\n\nLead Vocal & Keyboard|Jade
\n\nGuitar|Kuei
\n\nBass|FunQ
\n\n\n\n
Artists Introduction
\n\nCosmospeople
\n\nIn 2009, Cosmospeople captured the ears of the listeners with its funky "Gotta Go to Kaohsiung" and thus formed an inseparable relationship with the city. Cosmospeople's music style is sometimes upbeat, light, and romantic; but always captivating. No matter where they tour, they continuously transform the venue with their positive energy. Let's meet up at Weiwuying. Allow Jade's keyboard and vocal, Kuei's guitar, and FunQ's bass to take you on a trip through the Cosmic Time Machine and energize the dormant groovy cells in your body.
\n\n\n\n
\n',team:""},createdAt:1652098933,updatedAt:1653905015,updatedBy:"通泰系統管理員",host:!0},{_id:"6283195fa0e8a300073ac9d9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1660303800,discrete:[{time:1660303800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3],link:"https://www.opentix.life/event/1522088710173192197"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"241c5567bdcf4dcc059160b4bd31b45a",title:"《100把大提琴的美麗冒險:與環保的思辨之旅》"}],related:[],title:"100把大提琴的美麗冒險 《 與環保的思辨之旅》",cover:"3ed6653c148dbb882d64950cd1bbeeeb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「100把大提琴」是一個由南部大提琴學子所組成的大提琴樂團,樂團雖由大提琴單項樂器所組成,但演出曲目多元,本次音樂會中不僅有多首不同時期的古典樂曲,也有磅礡的電影配樂。另外,在這個疫情肆虐的時代中,會讓人們思考更多與環境的關係,本次音樂會就要藉由大提琴合奏來傳達「環保」的理念,除了演出多首有環保議題的曲目外,更邀請了高雄室內重奏團使用環保樂器來和大提琴樂團合作演出,相信定能擦出更多的創意火花。
\n\n\n\n
演出曲目
\n\n佛里德里西‧葛呂茲馬赫:為四把大提琴而作《奉獻詩》,作品編號六十五
\n\n阿拉姆‧哈察都量:劍舞
\n\n拉敏·賈瓦帝:《權力遊戲》組曲
\n\n阿斯托爾‧皮耶佐拉:遺忘
\n\n彼得‧柴可夫斯基:1812序曲
\n\n張原碩:《港都意象》擊樂三重奏與大提琴重奏團
\n\n陳建寧:《孩子的天空》
\n\n貝爾·阿珀蒙特:《諾亞方舟》
\n\n\n\n
演出暨製作團隊
\n\n樂團|欣弦大提琴室內樂團、弓爵大提琴室內樂團、高雄室內重奏團
\n\n指揮|林昌龍
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"241c5567bdcf4dcc059160b4bd31b45a",title:"《100把大提琴的美麗冒險:與環保的思辨之旅》"}],related:[],title:"A Fabulous Adventure of 100 Cellos",cover:"3ed6653c148dbb882d64950cd1bbeeeb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"100 Cellos" is a cello Orchestra composed of students from Southern Taiwan. Although the Orchestra is composed of a single instrument, the repertoire is diverse. In this concert, there are not only classical pieces from different periods, but also majestic movies soundtrack. In addition, in this era of raging epidemic, people will think more about the relationship with the environment. This concert will convey the concept of "environmental protection" through the cello Orchestra. We also invited the Kaohsiung Chamber Ensemble to use environmentally friendly instruments to perform with the Cello Orchestra. We believe that our cooperation will collide with different sparks.
\n\n\n\n
Program
\n\nFriedrich Grützmacher: Consecration Hymn for Four Cellos Op.65
\n\nAram Khachaturian: Sabre Dance
\n\nGroup|Hsin-Hsien Cello Orchestra、Gong-Jue Cello Orchestra、 Kaohsiung Chamber Ensemble
\n\nConductor|LIN Chang-Lung
\n\n\n\n
\n
\n\n
\n\n
課程統籌
\n\n蔡佾玲
\n\n專業演員、國立臺灣藝術大學戲劇學系助理教授。
\n\n演出作品風格橫跨古典與當代,多次獲得國家獎助出國進修與發表作品,目前持續與臺灣各表演團隊及藝術家合作演出,也是近年臺灣劇場跨國製作,歐陸重量級導演指定合作演員。
\n\n重要作品:
\n\n國家兩廳院國際劇場藝術節《酒神的女信徒》、《葉瑪》;台南人劇團《愛的落幕》等。
\n\n\n\n
基礎班講師
\n\n故事課程《角色慾望》|王靖惇
\n\n臺灣大學戲劇學研究所碩士,第一屆臺中歌劇院駐館藝術家,專長編導、表演,作品以原創劇本及臺灣背景為創作核心,觀照反映當代議題。編導作品曾巡演至北京、上海、廣州、深圳、澳門等地。作品曾獲 2017 年曼谷藝術節最佳劇本、最佳導演、最佳藝術設計及最佳肢體類演出四項大獎。著有《如此美好:王靖惇劇本集》。
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聲音課程《聽見自己的聲音》|竺定誼
\n\n國立臺灣藝術大學戲劇學系、國立臺北藝術大學劇場藝術研究所表演組畢業,現為四把椅子劇團團長、劇場演員、國立臺灣藝術大學戲劇學系兼任教師。近期演出作品:四把椅子劇團《春眠》、《好事清單》。瘋戲樂工作室《台灣有個好萊塢》。台南人劇團《愛的落幕》。全民大劇團《你好,我是接體員》。
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肢體課程《用身體打開空間》|譚天
\n\n1984年生,臺灣臺北人。2015年畢業於賈克樂寇國際戲劇學校(École Internationale de Théâtre Jacques Lecoq)。現職國立臺灣藝術大學戲劇學系講師。2016年創立我 製作,教授樂寇方法,專注於肢體、當代默劇、馬戲、面具與小丑等形式創作與教學。2020年入選國立臺灣藝術大學駐村藝術家,以表演者角度探索非劇場空間的展演形式。
\n\n\n\n
進階班講師
\n\n故事課程《情境中的表演創作》|潘冠宏
\n\n倫敦大學中央演說戲劇學校演員訓練與指導碩士(MA in Actor Training and Coaching, Central School of Speech and Drama, University of London)2011~2012。
\n\n現為楊景翔演劇團核心成員、臺灣藝術大學戲劇學系兼任講師。
\n\n\n\n
聲音課程《聲音中的表演想像》|鄭尹真
\n\n窮劇場藝術總監,ACC亞洲文化協會受獎人。劇場演員/業餘讀者/南管聽眾。近期創作關注不同歷史時期音聲審美所折射的時間觀念。曾任獨立文化媒體《破週報》記者。2007年,加入江之翠劇場,受業於周逸昌先生,潛心摸索脫胎自傳統戲樂之聲法、身度、氣韻,建立以靜為本的當代劇場表演美學。 2014年,與長期夥伴高俊耀共同創立窮劇場。2016年,獲ACC獎助赴印尼日惹、韓國首爾進修傳統樂舞 。近期創作演出莎劇獨角戲《母親.李爾王》(王墨林執導)榮獲第二十屆台新藝術獎年度入圍。
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肢體課程《動物轉化–傳統武術中的動物性》|魏雋展
\n\n國立臺北藝術大學劇場藝術研究所表演組畢業,現任三缺一劇團藝術總監,臺北藝術大學戲劇系講師、文化大學舞蹈系講師。身為一個創作者,魏雋展有著極度敏銳的觀察和感受力,生活中各類事件、人物與議題,經由他的裁切、選擇與結構,都能成為表演的原料,並從這種日常性自我創造中,擴及對社會議題與價值體系的挖掘,展現對生存的反思詰問與辯證。對他而言,表演的施力點是自己與角色的對話過程,因此,一場演出永遠是一個意見,一種態度的聲明與選擇。
\n\n\n\n
共同課程講師
\n\n《一場「物」會》─ 物件探索工作坊
\n\n洪健藏
\n\n持續與臺灣頗具創作力的劇團合作,嘗試各類演出形式,亦致力於探索偶戲、物件與人的表演關係,先後與歐、美多國偶戲藝術家學習。
\n\n近年代表作品:飛人集社劇團《THE浮浪貢OF龍興46》、動見体劇團《病號》、台南人劇團《Re/turn》、再拒劇團《明白歌》,果陀劇場《解憂雜貨店》、阮劇團《十殿》、長義閣《掌中家書‧朱一貴》、臺法共製節目《邊界》。
\n\n\n\n
林頎姍
\n\n畢業於臺灣大學戲劇學系與社會學系。饕餮劇集藝術總監,編導《迎魂歸來》系列、《白噪音》、《After piece_從今以後》。近期合作有:飛人集社《The浮浪貢of龍興46》執行導演、盜火劇團《回聲》導演助理、阮劇團《十殿》助理導演等。平時亦任舞臺監督、燈光設計、音響技術、執行製作等職。
\n\n\n\n
《媽呀,選擇困難的多重宇宙》─ 職人講座
\n\n趙啟運
\n\n1985年生,國立中山大學劇場藝術學系畢業,編劇作品多於台南人劇團發表,創作類型涵蓋話劇劇本、新文本、沈浸式劇場劇本,擅寫演員獨角戲,近年多用功於音樂劇創作、莎士比亞在地化改編,題材多聚焦於女性生活、酷兒經驗、美食分享、陰陽鬼神民俗信仰、流行文化。
\n\n\n'},{reference:[],type:"content",name:"成果發表",content:'
\n\n
\n\n
成果發表暨結業式
\n\n經過四天的劇場課程洗禮,在相互激發創意的過程中,試圖讓學員們創造自己的價值。運用現成文本為素材,形式上基礎班以讀劇呈現、進階班將運用簡單道具與配樂做戲劇演出。
\n\n\n\n
演出時間:2022/8/14(日)14:30
\n\n演出地點:衛武營繪景工廠
\n\n演出長度:約120分鐘(分組呈現,一組呈現約15分鐘)
\n\n\n\n
活動流程
\n\n活動流程 | \n\t\t|
14:00-14:30 | \n\t\t\t觀眾入場 | \n\t\t
14:30-14:35 | \n\t\t\t開場 | \n\t\t
14:35-15:35 | \n\t\t\t成果發表會上半場 | \n\t\t
15:35~15:50 | \n\t\t\t中場休息 | \n\t\t
15:50~16:50 | \n\t\t\t成果發表會下半場 | \n\t\t
16:50~17:00 | \n\t\t\t回饋講評 | \n\t\t
17:00~17:20 | \n\t\t\t頒發結業證書 | \n\t\t
17:20~17:30 | \n\t\t\t大合照 | \n\t\t
17:30 | \n\t\t\t散場 | \n\t\t
\n'}],onShelf:!0,sliders:[{type:"image",key:"8408d0fa8a46e874b5f2c0973d2e1a41",title:"2022衛武營青少年戲劇營"}],related:[],title:"2022衛武營青少年戲劇營",cover:"c8591d42580dd30c2278f2fb1ee68942",site:{isOther:!0,site:"",other:"繪景工廠及排練室"},cautions:'
\n\n
\n\n
Action! 尋光航行,匯劇成星!
\n\n衛武營邁入第七屆青少年戲劇營,將迎接懷抱夢想又或正值迷惘的年輕世代,一同尋著光、航向光、成為光。
\n\n\n\n
本屆特別邀請到國立臺灣藝術大學戲劇學系助理教授暨劇場界知名演員蔡佾玲擔任課程統籌,攜手王靖惇、潘冠宏、竺定誼、鄭尹真、譚天、魏雋展、飛人集社劇團、台南人劇團等夢幻師資,一同帶領學員認識劇場、探究表演。透過文本、聲音、肢體等三門核心課程進行開發及訓練,並融入劇場導覽、互動遊戲、職人講座、工作坊等多元內容,引導學員貫穿所學、實務演練,最後與夥伴們攜手登台展現成果。沉浸於玩樂與學習中,同時提升戲劇涵養、找到自我價值,在劇場裡閃耀發光!
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加入2022衛武營青少年戲劇營,跟我們一起循著光點踏入劇場,在這趟探索旅程中,
\n\n啟動感知、認識自己、建立連結、激發無限想像!
\n\n站上舞台,成為最獨特的光芒!
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\n\n
報名辦法
\n\n課程時間:2022/8/10(三) 至 8/14(日)09:00-18:00,共五天(8/14為成果發表日)
\n\n適合對象:15~19歲青少年,基礎班-對表演藝術有興趣者/進階班-就讀戲劇相關科系或有戲劇基礎經驗者
\n\n課程名額:基礎班及進階班各32名
\n\n課程費用:NT$3,000
\n\n課程地點:1186/1192衛武營排練室(上課教室)、繪景工廠(成果發表會)
\n\n報名時間:2022/6/1(三)12:00 至 7/10(日)23:59
\n\n報名流程:官網報名→資格審核→通知審核結果→進行繳費→完成報名。收到審核結果後請於繳費期限內繳交費用;逾期未繳者,將釋出名額。
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\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
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課程總表
\n\n※導師課程內容將依兩班學員程度設計與調整教學內容。
\n\n歷屆學員口碑推薦
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團隊名單
\n\n課程統籌|蔡佾玲
\n\n講師|王靖惇、竺定誼、譚天、潘冠宏、鄭尹真、魏雋展
\n\n導師|鄭尹真、蘇鈺婷、宮能安、蔡志擎
\n\n助教|謝岫倫、鄭宇淑、侯又加、彭漪婷
\n\n工作坊|飛人集社劇團:洪健藏、林頎姍
\n\n職人講座|台南人劇團:趙啟運
\n\n\n\n
\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8408d0fa8a46e874b5f2c0973d2e1a41",title:"2022衛武營青少年戲劇營"}],related:[],title:"2022 Weiwuying Teens In Theater",cover:"c8591d42580dd30c2278f2fb1ee68942",site:{isOther:!0,site:"",other:"Paint Shop & Rehearsal Studio"},cautions:'
Cancellation policy
\n\n\n\n
Action! Sailing in search of light, becoming a star!
\n\nThe Teens in Theater program is now in its seventh edition, and Weiwuying is once again ready to serve as a beacon. We welcome youths who want to realize their dreams yet feel lost to join us in seeking the light, navigating towards the light, and becoming the light.
\n\n\n\n
This year, we invited famous theater performer TSAI Yi-Ling to plan the program. The dream instructor lineup includes Daniel WANG, PAN Kuan-Hung, CHU Ding-Yi, CHENG Yin-Chen, TAN Tian, WEI Chun-Chan, Flying Group Theatre, and Tainaner Ensemble. Together, they will guide students in learning more about theater and delving into performances. Students will undergo development and training in the three core courses of words, sounds, and body, which are integrated with interactive games, lectures, and workshops. This will allow them to link what they learn and practice to ultimately collaborate with their classmates to present their achievements on stage. Students can immerse themselves in playing and learning and improve their theater skills all at the same time. They will discover their own self-worth and shine in theater.
\n\n\n\n
Sign up for the 2022 Weiwuying Teens in Theater, and join us in stepping into the world of theater in search of light. During this exploratory journey, you'll activate your awareness, get to know yourself, build connections, and stimulate your imagination!
\n\nWhen you stand on stage, you'll discover that everyone becomes their own unique light!
\n
Register Here
\n\n►Basic Course
\n\n►Advanced Classes
\n\n\n\n
Teams
\n\nCurriculum Coordinator|TSAI Yi-ling
\n\nLecturer|Daniel WANG, CHU Ding-yi, TAN Tian, PAN Kuan-hung, CHENG Yin-chen, WEI Chun-chan
\n\nMentor|CHENG Yin-chen, SU Yu-ting, KUNG Neng-an, TSAI Chih-ching
\n\nTeaching Assistant|HSIEH Hsiu-lun, CHENG Yu-shu, HOU Yu-chia, PENG Yi-ting
\n\nWorkshop|Flying Group Theatre (HONG Chien-tsang, LIN Chi-shan)
\n\nCareer Lecture|Tainaner Ensemble (CHAO Chi-yun)
\n\n\n\n
\n',team:""},createdAt:1653285443,updatedAt:1653982086,updatedBy:"林蔚行",host:!0},{_id:"628c435de50ccd000afae40d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659699e3,discrete:[{time:1659699e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N1XYRXF4"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f0b6985d7d8228cef5bfd71984561856",title:"《重生˙希望-林洛安2022鋼琴獨奏會》"}],related:[],title:"《重生˙希望-林洛安2022鋼琴獨奏會》",cover:"e11314d5ac162117a71819b141698399",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
被聖安東尼奧報紙喻為:「一位具有華麗音色和觸鍵敏感細膩的鋼琴家。」
\n\n\n\n
鋼琴家林洛安博士曾獲得多項鋼琴比賽獎項,包括2012年聖安東尼奧國際鋼琴比賽首獎、以及最佳巴洛克作品詮釋獎,更被聖安東尼奧報紙喻為:「一位具有華麗音色和觸鍵敏感細膩的鋼琴家。」在睽違多年之後即將再次返國舉辦鋼琴獨奏會,以「重生.希望」為主題,預計帶來法朗克、史克里亞賓、與貝多芬等作曲家的鋼琴作品,期待能表達出揮別2020年全球受到疫情肆虐、展望2021年能迎接重生與希望!林洛安曾獲頒耶魯大學音樂院(Yale School of Music)演奏家文憑、以及伊士曼音樂學院(Eastman Music School)鋼琴演奏博士學位,2020年起受聘於蘇州大學音樂系擔任助理教授。
\n\n\n\n
演出曲目
\n\n法朗克:前奏、聖詠與賦格,作品21
\n\n史克里亞賓:B小調幻想曲,作品28
\n\n貝多芬:C小調第32號鋼琴奏鳴曲,作品111
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|林洛安
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f0b6985d7d8228cef5bfd71984561856",title:"《重生˙希望-林洛安2022鋼琴獨奏會》"}],related:[],title:"Lo-an Lin 2022 Piano Recital",cover:"e11314d5ac162117a71819b141698399",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
2020 was a challenging year for everyone in the world. With the global pandemic, we all faced perhaps more uncertainties than ever. However, through surviving all the difficulties in 2020, we also witness the unbelievable strength of the human spirit. Award winning pianist Dr. Lo-An Lin is presenting a concert with the theme of "Rebirth and Hope". "Rebirth and Hope" represents parting from the challenges of 2020 and being reborn with hope and optimism in 2022. This recital will feature master pieces by Franck, Scriabin and Beethoven's last piano sonata. Each piece presents musical struggles and the eventual victory through transformation, and in the case of Beethoven's Piano Sonata Op. 111, transcendence. Through experiencing these carefully selected pieces, we all can reflect on the challenges of 2020, remember the lessons we have learned, and embark on the future with a renewed sense of hope and spirit.
\n\n\n\n
Program
\n\nCésar Franck: Prelude, Choral et Fugue, FWV 21 (18min)
\n\nAlexander Scriabin: Fantasy in B minor, Op. 28 (9min)
\n\nLudwig van Beethoven Piano Sonata No. 32 in C minor, Op. 111 (27min)
\n\n\n\n
Creative and Production Team
\n\nPiano|LIN Lo-An
\n\n\n\n
\n\n
\n',team:""},createdAt:1653359453,updatedAt:1653978259,updatedBy:"林蔚行",host:!1},{_id:"628c4f0f6ddb37000708f8ec",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661599800,discrete:[{time:1661599800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,1600,2e3],link:"https://www.opentix.life/event/1519157939001937922"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d477a3611fe9b586eca133be006f8d1e",title:"《台灣獨奏家交響樂團 X 李欣芸》"}],related:[],title:"《台灣獨奏家交響樂團 X 李欣芸》",cover:"72acb4d19a39743c4cd44b209ae65b71",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
音樂會上半場由樂團兩位首席帶來莫札特《小提琴與中提琴交響協奏曲,K. 364》,莫札特的音樂總是充盈著純真與喜悅,藉由優美的旋律安撫人心。 下半場特別邀請音樂才女─李欣芸為樂團量身打造,製作一場別開生面的跨界音樂會。透過她細膩的視角,帶著樂迷們用聽覺與視覺一起旅行,看見各地特殊的人文風土與景緻,認識這塊美麗的土地。金黃色的稻穗、山谷翱翔的老鷹、湖面上月光灑落泛起的漣漪、伴著遠處傳來陣陣的部落歌聲,在動人樂章中彷彿看見臺灣最美好的風景。
\n\n\n\n
演出曲目
\n\n莫札特:降E大調小提琴與中提琴交響協奏曲,K. 364
\n\n德沃札克:狂歡節序曲
\n\n排灣古調:小鬼湖之戀
\n\n陸森寶:美麗的稻穗、如在天堂
\n\n李欣芸:湖岸月光
\n\n李欣芸:舊城敘事曲
\n\n李欣芸:雨巷
\n\n李欣芸:部落之音
\n\n李欣芸:鷹之谷
\n\n\n\n
演出暨製作團隊
\n\n演出|台灣獨奏家交響樂團
\n\n指揮|蕭邦享
\n\n小提琴|陳依萱
\n\n中提琴|莊孟勳
\n\n金曲歌手|南王姊妹花
\n\n音樂總監|李欣芸
\n\n製作人|程 馗
\n\n硬體總監|劉家明
\n\n\n\n
藝術家介紹
\n\n製作|李欣芸
\n\n生於高雄,長於臺北,李欣芸自幼接受古典音樂訓練,畢業於東吳大學音樂系,並於美國Berklee College of Music研習爵士作曲及現代編曲。身為編曲者、作曲者和製作人,她的作品跨足流行音樂、電影配樂和跨界演奏,曾多次榮獲金曲獎與金馬獎的肯定。由於在她之前華語電影從未有過女性擔任配樂的角色,因此又被同業稱為「華語電影百年來首位女配樂師」。除了創作和教學,李欣芸目前也擔任高雄流行音樂中心執行長一職。
\n\n\n\n
音樂總監|蕭邦享
\n\n「蕭邦享,一位擁有深度及細膩的詮釋力,不同凡響的熱情與生命力的指揮家。」2000年蕭邦享邀集南台灣樂壇菁英成立了台灣獨奏家交響樂團,並親自擔任音樂總監暨指揮,2016年起擔任臺邦獨奏家樂團藝術總監,2021年起接任臺南市交響樂團音樂總監暨指揮。蕭邦享指揮的曲目從古典到現代相當廣泛,無論是交響樂鉅作或經典歌劇在他恢宏的氣度,深度及細膩的詮釋下都有精彩的演出,引起廣大的迴響,並獲得極高的讚譽。
\n\n\n\n
小提琴|陳依萱
\n\n小提琴家陳依萱,美國密西根州立大學音樂藝術博士。返臺後,活躍於樂壇,數次以獨奏身份與台灣獨奏家交響樂團合作演出,2016年於故鄉臺南創立臺邦獨奏家樂團,每年常態演出多場高精緻度、具特色的沙龍音樂會,以多變廣泛的曲目及近距離的聆賞樂趣廣受樂迷喜愛。現任臺邦獨奏家樂團音樂總監、中信金融管理學院專任助理教授、台灣獨奏家交響樂團樂團首席、臺南市交響樂團代理首席、臺南市青少年暨市民管弦樂團指揮。
\n\n\n\n
中提琴|莊孟勳
\n\n美國新英格蘭音樂院中提琴演奏博士。2005年與鋼琴家林瑞萍組成之Morning Glory 二重奏贏得由美國新英格蘭室內樂協會所舉辦之國際室內樂大賽首獎,受邀至紐約卡內基音樂廳之懷爾廳演出。2006年獲選為國家音樂廳之年度樂壇新秀,同年受邀成為新英格蘭室內樂協會客座藝術家。現任台灣獨奏家交響樂團中提琴首席。
\n\n\n\n
金曲歌手|南王姊妹花
\n\n金曲獎最佳演唱組合-南王姐妹花,是由來自臺東卑南族南王部落的李諭芹、陳惠琴、徐美花三人組成。細聽三姐妹的歌聲,您的思緒會被那細緻聲音所縈繞,在歲月的沈澱下,聲音蘊成潮水般穩實的氣韻,猶似醇酒的後勁,總令人在不知覺中醺醉。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d477a3611fe9b586eca133be006f8d1e",title:"《台灣獨奏家交響樂團 X 李欣芸》"}],related:[],title:"Autumn Concert 2022",cover:"72acb4d19a39743c4cd44b209ae65b71",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Combining video and music, a crossover concert specially tailored for Taiwan Soloists Symphony Orchestra by the Golden Horse Award for Best Original Film Score winner, Cincin Lee.
\n\nThrough the composer's delicate perspective, Cincin guides the audience to travel with her by hearing and vision, visiting the special cultural customs and scenery of various place, the golden ears of rice, soaring eagles in the sky, ripples of the moonlight on the lake, accompanied by the sound of the pestle and tribal songs from a distance, all seem to see the most beautiful scenery in Taiwan in the moving music.
\n\n\n\n
Program
\n\nMozart:Sinfonia Concertante in E flat Major, K. 364
\n\nDvozak:Overture Carnival, Op.92
\n\nPaiwan Ancient Ballad:Love of the Little Ghost Lake
\n\nBaliwakes Raera:Beautiful Rice Grain、As in Heaven
\n\nCincin Lee:Ripples in the Moonlight
\n\nCincin Lee:NanKang Ballad
\n\nCincin Lee:Rainy Café
\n\nCincin Lee:The Voice of the Tribe
\n\nCincin Lee:Where the Eagle Soars
\n\n\n\n
Creative and Production Team
\n\nPerformer|Taiwan Soloists Symphony Orchestra
\n\nConductor|HSIAO Pang-hsing
\n\nViolin|CHEN I-hsuan
\n\nViola|CHUANG Meng-hsun
\n\nVocal|Nanwan Sisters
\n\nMusic Director|Cincin LEE
\n\nProducer|CHENG Kuei
\n\nTechnical Director|LIU Chia-ming
\n\n\n\n
\n',team:""},createdAt:1653362447,updatedAt:1653449504,updatedBy:"林蔚行",host:!1},{_id:"628c72516ddb37000708fde9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661686200,discrete:[{time:1661686200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1524244613777420294"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0aca5b41967fbb70d891a9ae2bd0def3",title:"玩弦四度《新生》音樂會"}],related:[],title:"玩弦四度《新生》音樂會",cover:"fa04e09b2ab7d4dc7d8a533031821b65",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「新生」,是漫漫長夜之後,天空微微現出的光明;是風雨過後的狼藉中,悄悄萌生的綠芽;是絕望的死寂裡,不知從哪裡傳來的悠揚旋律···經歷了久違的寒冬,在疫情的全球風暴之中,能夠走過來的每個人,都是不容易的。經歷了團員的離去與歸來,以及新成員的加入,玩弦四度也像是在這次的風暴中,經歷了一次重整的過程。帶著新的元素與力量,再次出發。玩弦四度將回歸到最單純的弦樂四重奏,延續創團以來所堅持的原創精神,團員們將一起探索,過去這段時間與經歷,帶給每個團員的生命意義。
\n\n\n\n
演出曲目
\n\n〈新生〉作曲: 黃偉駿
\n\n〈腳踏車之旅〉作曲: 葉棣綺
\n\n〈初舞〉作曲: 葉棣綺
\n\n〈輓歌〉作曲: 黃偉駿
\n\n〈夜〉作曲: 蔡佳恩
\n\n〈拉吉吉散布魯斯〉作曲: 黃偉駿
\n\n〈湄公河〉作曲: 黃偉駿
\n\n〈蘭布拉大道〉作曲: 黃偉駿
\n\n〈聽你說〉作曲: 黃偉駿
\n\n〈寒冬日焱〉 作曲: 葉俊麟
\n\n〈葛公思雨〉作曲: 黃偉駿
\n\n〈胎藏〉作曲: 黃偉駿
\n\n\n\n
演出暨製作團隊
\n\n第一小提琴|黃偉駿
\n\n第二小提琴|晴恩
\n\n中提琴|葉棣綺
\n\n大提琴|葉俊麟
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0aca5b41967fbb70d891a9ae2bd0def3",title:"玩弦四度《新生》音樂會"}],related:[],title:"《The Newborn》",cover:"fa04e09b2ab7d4dc7d8a533031821b65",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「The Newborn」 is the light that appears in the sky after a long night; it is the green shoot that quietly sprouts in the mess after the storm; it is the melodious melody that comes from nowhere in the desperate dead silence... After a long-lost winter, in the global storm of the epidemic, it is not easy for everyone who can come through. After experiencing the departure and return of the members of the group, as well as the addition of new members, playing the string four degrees is also like going through a process of reorganization in this storm. With new elements and powers, set off again. Playing with strings will return to the purest string quartet, continuing the original spirit that has been adhered to since the founding of the troupe, and the members of the troupe will explore together, and the past time and experience will bring meaning to the life of each member.
\n\n\n\n
Program
\n\n〈The Newborn〉Composed by Stephen Huang
\n\n〈Bicycle Trip 〉Composed by Chiee Yeh
\n\n〈The First Dance〉Composed by Chiee Yeh
\n\n〈Lament〉Composed by Stephen Huang
\n\n〈The Night〉Composed by En Tsai
\n\n〈Rising Sun Blues〉Composed by Stephen Huang
\n\n〈Mekong〉Composed by Stephen Huang
\n\n〈La Rambla〉Composed by Jiro Yeh
\n\n〈Listening to You〉Composed by Stephen Huang
\n\n〈Cold Winter & Sun Fire〉Composed by Jiro Yeh
\n\n〈When Gershwin Meets Yu-Shien Deng 〉Composed by Stephen Huang
\n\n〈The Womb of Earth〉Composed by Stephen Huang
\n\n\n\n
Creative and Production Team
\n\n1st Violin|Stephen HUANG
\n\n2nd Violin|Chin EN
\n\nViola|Chiee YEH
\n\nCello|Jiro YEH
\n\n\n\n
\n',team:""},createdAt:1653371473,updatedAt:1653978247,updatedBy:"林蔚行",host:!1},{_id:"628ddb0e557b990008a3a31c",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1657071e3,discrete:[],type:"continuous",continuous:{time:[1653442200],endTime:[1653471e3],start:1657036800,end:1659715200}},activity:{type:"free",free:{description:"報名參與",englishDescription:"Registration"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"57a12e0e62d78273d9b2b376113d09e5",title:"《2022衛武營技術人才培育工作坊》"}],related:[],title:"2022衛武營技術人才培育工作坊",cover:"af8fe236d2d4451aae3f37f2aff85587",site:{isOther:!0,site:"",other:"衛武營(依課程內容安排教室)"},cautions:'
近年來隨著各類演出節目數量攀升,劇場技術專業人才需求若渴,為積極推動南臺灣地區表演藝術環境發展,衛武營國家藝術文化中心委託社團法人台灣技術劇場協會承辦《2022衛武營技術人才培育工作坊》,針對不同程度的學習需求及技術專業,開辦「劇場技術基礎班」、「舞台管理基礎班」,期以逐步建置南臺灣劇場技術人力能量,提升劇場技術人才的質與量。同時因應國內新型冠狀病毒肺炎疫情多變狀況,提出線上課程規劃做為疫情備案。「劇場技術基礎班」和「舞台管理基礎班」包括「劇場通識」與「基礎技術」單元,建立「基礎技術人員」及「舞台管理者」二職位之初階技術能力。延聘劇場專業講師/業師分享專業技能,輔加以實作演練,讓學員即學即用,提升學習成效,培育南臺灣地區劇場相關從業技術人才。
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劇場技術基礎課程(160H)
\n\n厚實劇場技術人力,為技術劇場培育新血,以本會日前開發之「劇場基礎技術」技能標準,設計規劃基礎課程,採理論與實務兼具的方式,並依據場館設備進行系統建置教學,培養初入劇場技術行業之必要技能。
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舞台管理基礎課程(70H)
\n\n舞台管理是一門整合性的工作,需串聯劇場製作各個環節,來成就演出的順利進行。本課程定位為初階課程,幫助學員系統性地瞭解舞台管理工作與演出製作流程,並輔以實作練習,養成舞台管理工作的基礎技能。
\n\n\n\n
報名方式
\n\n劇場技術基礎班35人,每人6,000元
\n\n舞台管理基礎班30人,每人4,800元
\n\n報名日期:2022/6/4(六)12:00 至 2022/6/19(日)23:59
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主辦單位:國家表演藝術中心衛武營國家藝術文化中心
\n\n執行單位:台灣技術劇場協會
\n\n\n\n
團隊介紹
\n\n#關於TATT授課團隊
\n\n社團法人台灣技術劇場協會(Taiwan Association of Theatre Technology,簡稱 TATT)創立於西元1998年1月18日,為國際舞台美術家、劇場建築師暨劇場技術師組織(International Organization of Scenographers, Theatre Architects and Technicians,簡稱 OISTAT)的臺灣會員中心。
\n\nTATT的宗旨在於建立並推進國內外有關技術劇場的知識與經驗的交流,提升劇場設計創造力及技術水準,以促進表演藝術的蓬勃發展。TATT的成員包括劇場設計與技術、影視美術、劇場相關教育及學術研究、劇場資訊出版、劇場經營管理、劇場器材設備以及劇場建築設計等所有專業技術劇場領域相關的個人及團體。
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\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"57a12e0e62d78273d9b2b376113d09e5",title:"《2022衛武營技術人才培育工作坊》"}],related:[],title:"2022 Training Program for Theater Technicians",cover:"af8fe236d2d4451aae3f37f2aff85587",site:{isOther:!0,site:"",other:"Weiwuying"},cautions:'
The growing number and variety of performances in recent years has led to much greater demand for theater technicians. To push the development of the performing arts environment in southern Taiwan, Weiwuying has commissioned TATT to hold the 2022 Training Program for Theatre Technicians, which consists of two different courses, Theater Technology 101 and Stage Management 101, to boost the quality and number of technicians in the region. In the event of another major Covid outbreak, the program will be conducted online. Each of the courses consists of two units: General Theater Education and Introduction to Theater Technology, aimed at establishing basic skills for technicians and stage managers. As experts in the field share their knowledge, trainees will be given opportunities to learn hands-on to firmly root what they have learned in the classroom.
\n\n\n\n
Theater Technology 101 (160 hours)
\n\nThis introductory course is aimed at bringing people into the field of theater technology. Designed based on TATT's recently formulated Basic Theater Technology Standards, the course includes both theoretical and hands-on aspects in systematic instruction on the use of theater equipment and related essential skills.
\n\n\n\n
Stage Management 101 (70 hours)
\n\nStage management entails numerous integrated aspects. Stage managers must handle the various links of theater production to ensure performances go smoothly. This introductory course is aimed at giving trainees a systematic understanding of stage management tasks and the process of stage production both theoretically and through hands-on experiences to learn the basic skills required for such work.
\n\n\n\n
Course Fees
\n\nTheater Technology 101, Maximum of 35 applicants to be accepted, NTD.6000 per person
\n\nStage Management 101, Maximum of 30 applicants to be accepted, NTD.4800 per person
\n\nRegistration Time: 6/4(Sat)12:00 to 6/19(Sun)23:59
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\n\n
Team Introduction
\n\nAbout the TATT team of instructors
\n\nThe Taiwan Association of Theatre Technology (TATT), founded on January 18, 1998, is Taiwan's center for members of the International Organization of Scenographers, Theatre Architects and Technicians.
\n\nTATT's mission is to conduct and promote the exchange of knowledge and experience of theater technicians and boost creativity and technical skill in theater design domestically and internationally as a means of advancing the thriving development of the performing arts. TATT members include individuals and organizations involved in such theater-related fields as design, technology, education, research, publication, operations, management, equipment, and architectural design, as well as artists in the TV and film industries.
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\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n',team:""},createdAt:1653463822,updatedAt:1654148837,updatedBy:"林蔚行",host:!0},{_id:"62942f1743d46d000729eb93",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1661754600,discrete:[{time:1661754600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1526092217112948741"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"055ebe3c48dde98b0f216f13f5e388b9",title:"勝利交響樂團-巡迴音樂會《絢麗之夏》"}],related:[],title:"勝利交響樂團-巡迴音樂會《絢麗之夏》",cover:"82e420972223160a54fce2c7ccebe659",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
本次勝利交響樂團的巡迴音樂會,以大人小孩皆適合聆聽的曲目為主要安排,將一首首耳熟能詳的經典作品,精彩演繹給熱愛古典音樂的觀眾們。演出曲目包括:《蘇佩:輕騎兵序曲》、《佛漢·威廉斯:英國民謠組曲》等,期待以扣人心弦的樂音安撫人心,以悅耳愉快的音樂振奮人心,令世界充滿希望,同時讓有音樂點綴的生活更多元而豐富。
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演出曲目
\n\n莫札特:《G 大調第 3 號小提琴協奏曲》
\n\n柴可夫斯基:《C大調弦樂小夜曲》
\n\n蘇佩:歌劇《輕騎兵》序曲
\n\n佛漢·威廉斯:《英國民謠組曲》
\n\n\n\n
演出暨製作團隊
\n\n樂團首席|歐之瑀
\n\n樂團|勝利交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"055ebe3c48dde98b0f216f13f5e388b9",title:"勝利交響樂團-巡迴音樂會《絢麗之夏》"}],related:[],title:"Gorgeous Summer",cover:"82e420972223160a54fce2c7ccebe659",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Victor Symphony Orchestra will present a selection of well-known classic repertoires suitable for adults and children in the upcoming tour to audiences who love classical music.The selection includes Tchaikovsky: Serenade for String Orchestra in C Major, Op.48, Mozart: Violin Concertos, Suppé: Light Cavalry Overture, and Ralph Vaughan Williams: English Folk Song Suite, etc.
\n\n\n\n
Program
\n\nMozart:Concerto no. 3 in G major
\n\nTchaikovsky:Serenade for String in C Majior
\n\nFranz von Suppé:Light Cavalry Overture
\n\nR.V. Williams:English Folk Song Suite
\n\n\n\n
Creative and Production Team
\n\nConductor|Duan,Fu Hsuan
\n\nPrincipal|Ou, Chih-Yu
\n\nOrchestra|Victory Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1653878551,updatedAt:1653978742,updatedBy:"林蔚行",host:!1},{_id:"629f0a44c9bbe000072a98c1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659785400,discrete:[{time:1659785400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1460532366136508421"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f6bf398d011e03f3985f410118372642",title:"《2022雙子二重奏 打擊樂音樂會》"}],related:[],title:"《2022雙子二重奏 打擊樂音樂會》",cover:"2540166dec366f54e2a852f5e15b354c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
雙子二重奏首次的臺灣巡演,將呈現這三年內於丹麥及世界各地演奏受到大量迴響的作品,音樂風格跨古典、現代、電音、民謠、極簡主義等風格,以四大主題的展現-經典再現、雙子精神、古體擊用、以及臺灣故事,來完整詮釋屬於現階段的雙子二重奏。
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演出曲目
\n\n天黑黑
\n\n帕薩卡利亞
\n\n42 街輪旋曲
\n\n飄移
\n\n分層元素
\n\n木琴靈歌
\n\n草螟弄雞公
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演出暨製作團隊
\n\n節目製作|雙子二重奏
\n\n演出者|簡任廷
\n\n演出者|簡任佑
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f6bf398d011e03f3985f410118372642",title:"2022 Twincussion Duo Recital"}],related:[],title:"2022 Twincussion Duo Recital",cover:"2540166dec366f54e2a852f5e15b354c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The concert is their debut in Kao-Hsiung, they will bring a distinguished selection of music, including transcriptions on marimba, newly commissioned works, exciting drum beats, Taiwanese folks songs, and audience-interaction to the audience in Southern Taiwan.
\n\n\n\n
Program
\n\nCloudy Sky
\n\nPassacaglia
\n\n42nd Street Rondo
\n\nDrift
\n\nLayered Elements
\n\nMarimba Spiritual II
\n\nGrasshopper Playing Tricks on a Rooster
\n\n\n\n
Creative and Production Team
\n\nProduce|Twincussion Duo
\n\nMusician|Jen-Ting CHIEN
\n\nMusician|Jen-Yu CHIEN
\n\n\n\n
\n',team:""},createdAt:1654590020,updatedAt:1654850644,updatedBy:"林蔚行",host:!1},{_id:"629f130dcd649e000771e8a7",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659853800,discrete:[{time:1659853800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[350,700],link:"https://www.opentix.life/event/1531875460622172165"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ab17a4eef59166c8e5702eb6adb3c4a1",title:"《顏容2022獨奏會II - 視界之外》"}],related:[],title:"《顔華容2022鋼琴獨奏會-II 前奏與終曲—鋼琴雙傑一百五十年紀念》",cover:"b126d9dd6ec1766f18c7da05f9047de6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
無每一個音高、每一分移動、每一抹音色、每一 縷和聲,都有著「或許」的「必然」。前奏曲可說是「作曲鋼琴家」們最鍾愛的小曲,形體袖珍,言簡意賅,卻能「解壓縮」發揮無限創意。雖說世間之音不僅24種調,但在作曲家手中,24個刻度已幻化出無數色彩、光影。鋼琴家顏華容重現引起樂迷高度興趣的「調性與調興——北國的年輕蕭邦們」,更加碼首演從未在臺灣完整演出的阿任斯基12首前奏曲,補齊來自柴科夫斯基的影響,呈現聖彼得堡與莫斯科派的鋼琴音樂學派理念,讓愛樂者同場聽到巴赫與蕭邦遺風在俄羅斯大地滋長盛開的繽紛色彩。
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演出曲目
\n\n拉赫瑪尼諾夫:升G小調前奏曲,作品32第12首
\n\n拉赫瑪尼諾夫:升F小調前奏曲,作品23第1首
\n\n斯克里亞賓:第二號升G小調鋼琴奏鳴曲,作品19
\n\n斯克里亞賓:第三號升F小調鋼琴奏鳴曲,作品23
\n\n斯克里亞賓:第十號鋼琴奏嗎曲,作品70
\n\n拉赫瑪尼諾夫:第二號降B小調鋼琴奏嗎曲,作品36
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|顏華容
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ab17a4eef59166c8e5702eb6adb3c4a1",title:"《顏容2022獨奏會II - 視界之外》"}],related:[],title:"Artemis Yen Piano Recital 2022",cover:"b126d9dd6ec1766f18c7da05f9047de6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Long deemed as "small pieces,' the preludes were actually the perfect combination of virtuosity and creativity. Short and indeed short of burdened of heavy forms, preludes became, through times , composer-pianists' showcase of craftiness of both their pianist- and composer- selves.Chopin took the torch from Bach, infused the essence of 24 tonalities into piano, and thus set the "Preludes in all tonalities" tradition. This beautiful tradition was well garnered by the Russian composer-pianists such as Arensky, Scriabin, and Shostakovich, and many more. Pianist Artemis Yen revives her well-acclaimed Scriabin-Shostakovich set and will introduce the rarely played Arensky 12 preludes in this concert presenting Preludes of 24 shades by "Young Russian Chopins"
\n\n\n\n
Program
\n\nRachmaninoff: Prelude in G-sharp Minor, Op.32, No. 12
\n\nRachmaninoff: Prelude in F-sharp Minor, Op.23, No. 1
\n\nAlexander Scriabin: Sonata No.2 in G-sharp minor, Op.19
\n\nAlexander Scriabin: Sonata No.3 in F-sharp minor, Op.23
\n\nAlexander Scriabin: Sonata No.10, Op.70
\n\nRachmaninoff: Piano Sonata No.2 in B-flat minor, Op.36
\n\n\n\n
Creative and Production Team
\n\nPiano|Artemis Yen
\n\n\n\n
\n',team:""},createdAt:1654592269,updatedAt:1654767705,updatedBy:"林蔚行",host:!1},{_id:"62a008dccd649e0007724965",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1659785400,discrete:[{time:1659785400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1500,2e3],link:"https://www.opentix.life/event/1530070491366637573"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"17a2b6c4aeb4239f73c5f11de52f76c4",title:"2022台東回響樂團《台東灶下》夏季音樂會"}],related:[],title:"2022台東回響樂團《台東灶下》夏季音樂會",cover:"b9bc2d8bc7d26c067945c21ce0e59a74",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
民以食為天,音樂家也不例外,音樂家吃貨還真是不少,甚至為了美食放棄音樂都可以,如知名的作曲家羅西尼。可想而知美食是多麼誘人呀!!!民以食為天,音樂應存在於日常生活之中,台東回響樂團希望透過此次的音樂美食音樂會,來闡述美食與音樂家的點點滴滴,邀請日本女中音佐佐木菜穗子、擅長於跨界音樂呈現的指揮張尹芳、小提琴家張恆碩,和交響樂團共同演出。
\n\n2022 年 8 月 6 日高雄場夏季音樂會以美食為發想,以藝術與科技的跨域結合為表現,發掘作曲家鮮為人知、深愛美食的一面。高雄場以3D薄幕作類全息多媒體投影,為國內少見的多媒體呈現方式,與傳統投影有別。影像由劉寅生老師設計,以具像或非具像的投影內容,與交響樂團共同演出,音樂會部分票價搭配台東特色小吃,音樂會進行時以預錄的具故事性導聆方式,透過藝術結合科技,拋開過去的照片具象內容,以更多非具象新創的方式呈現,喚起每一位參與體驗的觀眾的想像力,能夠透過自己的方式理解影像、理解音樂、理解美食,成為藝術創作的一部分。將音樂融合影像設計、燈光和多媒體投影,透過美食意象的聲音、影像呈現,拉近古典音樂與人的距離,認識美食音樂文化。
\n\n台東回響樂團之科技團隊將透過燈光、音響、投影等裝置讓觀眾能夠置身其中,不只讓觀眾聽到音樂,希望能夠用影像以及燈光甚至用味道,讓各位觀眾猶如在餐廳裡面與美食音樂家一同徜徉這場美食之旅。達到色、香、味、俱全的音樂美食饗宴!!!
\n\n\n\n
演出曲目
\n\n羅西尼:阿爾及爾的義大利女郎序曲
\n\n羅西尼:阿爾及爾的義大利女郎《想想故鄉》
\n\n羅西尼:第一號弦樂奏鳴曲,第一樂章
\n\n羅西尼:塞維里亞理髮師《我聽到一縷歌聲》
\n\n帕格尼尼:摩西幻想曲
\n\n貝多芬:普羅米修斯序曲
\n\n羅西尼:灰姑娘《不再悲傷》
\n\n巴哈:咖啡清唱劇《唉!多麼香醇甜美的咖啡》,改編為管弦樂團
\n\n莫札特:唐‧喬凡尼《香檳之歌》,改編為管弦樂團
\n\n威爾第:茶花女《飲酒歌》,改編為管弦樂團
\n\n威爾第:納布果《思念乘著金色的翅膀》,改編為管弦樂團
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演出暨製作團隊
\n\n指揮|張尹芳
\n\n女中音|佐佐木菜穗子
\n\n小提琴|張恆碩
\n\n管弦樂團|台東回響樂團
\n\n製作團隊|樂阿爾氪有限公司 慕樂藝識
\n\n\n\n
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In the summer season 2022, the Taitung Echo Orchestra will present a concert with music, images, lights, and multimedia projection. Through the combination of art, technology, and non-figurative images, we roam this journey together with the musicians, to achieve a music feast.
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Program
\n\nRossini: L'italiana in Algeri, Overture
\n\nRossini: L'italiana in Algeri "Pensa alla Patria"
\n\nRossini: String Sonata No.1 in G major, mvt. 1
\n\nRossini: Il Barbiere di Siviglia "Una voce poco fa"
\n\nPaganini: Moses Fantasy
\n\nBeethoven: The Creatures of Prometheus, Op. 43, Overture
\n\nRossini: La Cenerentola "Nacqui all'affanno e al pianto"
\n\nBach: Coffee Cantata BWV 211 "Ei! Wie schmeckt der Kaffee süße", arr. for Orchestra
\n\nMozart: Don Giovanni "Fin ch'han dal vino", arr. for Orchestra
\n\nVerdi: La Traviata "Libiamo, ne' lieti calici" , arr. for Orchestra
\n\nVerdi: Nabucco "Va, pensiero" , arr. for Orchestra
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Creative and Production Team
\n\nConductor|Yin-Fang Chang
\n\nMezzo-Soprano|Naoko Sasaki
\n\nViolin|Hen-Shou Chang
\n\nOrchestra|Taitung Echo Orchestra
\n\nProduction team|Le Ark, Mûlleur Arts
\n\n\n\n
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